Asia Argento, Thomas Kretschmann, Marco Leonardi

The first half of Dario Argento's heady psycho-thriller is a mesmerizing merging of dream and reality. A beautiful young Italian detective (Asia Argento, who does little to convince us she's a tough, ...( read more  read more... )seasoned cop) investigating a serial rapist is suddenly overwhelmed when the paintings in an art museum erupt with life. According to the film, this is "the Stendhal Syndrome," an intense and overwhelming response to art that turns the viewer mad. As Anna steps in and out of fantasy worlds like Alice through the looking glass, she's kidnapped by her quarry, who repeatedly rapes and tortures her in a dark, dank underground cave. The delirious nightmare of shattered reality becomes a sadistic, mean-spirited spectacle of murder and degradation--perpetrated on, of all people, the director's own bound and beaten daughter!--and the thriller disintegrates into a paranoid mystery of amnesia, split psyches, and shadowy phantoms. At its best this is a mesmerizing vision of madness: paintings melt into the real world while objectivity disintegrates before our eyes. But before the unexpectedly sensitive conclusion, Argento puts the viewer through a bravura but brutal series of gory murders (a slow-motion bullet passes through both cheeks of a helpless victim, and another shooting is viewed from inside the body) and unsavory violence. The poetic beauty of Phenomenon and the craftsmanship of Suspiria and Deep Red are sorely missed. --Sean Axmaker

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52% liked it

3,723 ratings

Unrated, 120

Directed by: Dario Argento

Release Date: January 26, 1996

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DVD Release Date: June 13, 2000

Stats: 182 reviews

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Flixster Reviews (182)


  • May 28, 2009
    I don't find myself saying this about most recent Dario Argento, where the holes in the plot only widen under scrutiny, but this film actually improves with repeated viewings. The first twenty minutes or so have an extraordinary hallucinatory quality and are quite masterfully dir...( read more)ected. If the rest of the movie fails to live up to such a promising opening, the novel inversion of Dario's standard giallo format keeps us watching. Typically, an unknown killer, represented by a subjective camera, is unmasked from a group of suspects at the end of the picture; here, for once, we know the killer's identity from the outset, but he disappears into the shadows as the film progresses. Of course, there is a very good reason for this but, nevertheless, it's still an interesting stylistic departure. It's also refreshing not to have Dario resorting to outrageous trickery to hide his killer; what concealment there is plays pretty fair, though it's more transparent than subtle, unfortunately. Whatever its faults, this is still the best thing Argento's done since Opera - over 20 years ago! - and it's certainly his most disturbing film.
  • December 4, 2008
    While a bit self indulgent at times...this was an interesting film, especially visually.

    While not perfect, one who has followed Asia Argento's work can see the progress in her acting abilities.

    Argento fans will appreciate the effort, but I don't think it for everyone.
  • January 15, 2008
    While not a usual Argento's gig - i.e. fat on blood and tight on script - this rape'n'revenge brutal thriller jumps throughout from classical giallo to psychological drama and by being so character-driven, it adds him a special quality. Asia Argento is terrific and villain's not ...( read more)bad, also. The story is strong, plot involving and even if it's not Ferrara's classic "Ms .45" it can proudly stand on his own. Excellent.
  • July 9, 2007
    A disappointing Dario Argento movie! Dumb story, about a Police Woman (Asia Argento) with a rare condition called "The Stendhal Syndrome" where looking at artwork overwhelms her. It did have nice imagery of her being immersed in the paintings. She's tracking a serial killer, and ...( read more)finds his lair through a painting. Then it took a terrible twist where we're left alone, as viewers, to deduce what exactly happened. I thought Asia was too young and vulnerable to be a Police Woman. It wasn't much fun to watch the violence and rape. Worst of all, the DVD had Lloyd Kaufmann of Troma films giving a stupid introduction.
  • September 13, 2006
    Asia Argento gives a mesmerizing performance in this grueling "giallo" thriller.
  • October 15, 2009
    Probably Argento's most disgusting and twisted film along with Mother of Tears and Opera.
  • August 18, 2009
    Enjoyable and imaginative Italian supernatural horror fantasy thriller that has the feeling of Dario Argento's original 80's and 70's movies. Asia Argento is quite a dish in this movie and the gore is quite good, it's quite a surreal artsy horror flick but not for all tastes.
  • July 2, 2009
    elle devient le tueur qu'elle a tuer, j'ai adoré...plutot étrange comme film et on pourrais dire cru mais quand meme...
  • April 4, 2009
    I am fascinated by the title and the topic / theme but horrified by the movie synopsis. No way am I going to watch this.
  • April 1, 2009
    Highly under-rated Argento film is also his most experimental. Asia is great as the woman suffering for art!

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