Yong-gyun Kim's <i>The Sword with No Name</i> comes through in the end, thanks to its story.<p>Based on the real historical figure of Empress Myeong-seong, the story for <i>The Sword with No Name</i> contains drama, politics, romance, and action to… More
Yong-gyun Kim's <i>The Sword with No Name</i> comes through in the end, thanks to its story.<p>Based on the real historical figure of Empress Myeong-seong, the story for <i>The Sword with No Name</i> contains drama, politics, romance, and action to fill the entire 2 hours. That isn't to say that it is a walk in the park because this film is far from hasty, but it does enough to keep it from feeling like a stagnant biopic.</p><p>The swordplay is few and far in between. The earlier segments are heavy on the effects, in a good way, while the camera work and choreography also enhance these scenes. There may be a little too much in the way of slow motion, but overall they are satisfying pieces of work. If only there was more.</p><p>The lead performances from Seung-woo Cho and Su-Ae carry the dramatic scenes. Seung-woo Cho has some small eccentricities that become a good counter to the political seriousness of Su-Ae.</p><p>Thanks to its powerful ending, <i>The Sword with No Name</i> becomes a fine addition to Korean cinema.</p>