The Ten Commandments (1956)
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91% of critics liked it
(32 reviews) -
83% of users liked it
(56,746 ratings)
Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard… More Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, Rovi
- Rating, Runtime
- G, 3 hr. 39 min.
- Directed By
- Cecil B. DeMille
- Written By
- Aeneas MacKenzie, Jesse Lasky, Jack Gariss, Fredric M. Frank
- Genres
- Drama, Faith & Spirituality, Classics
- In Theaters
- Oct 5, 1956 Wide
- On DVD
- Mar 30, 1999
- Studio
- Paramount Pictures
Critic Reviews
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Jonathan Rosenbaum, Chicago Reader
With a running time of nearly four hours, Cecil B. De Mille's last feature and most extravagant blockbuster is full of the absurdities and vulgarities one expects, but it isn't boring for a minute.
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Variety Staff, Variety
DeMille remains conventional with the motion picture as an art form. The eyes of the onlooker are filled with spectacle. Emotional tug is sometimes lacking.
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Bosley Crowther, New York Times
The crammed contents are linked ponderously in a long, warning movie sermon that has authority but little power.
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Leonard Maltin, Leonard Maltin's Picks
It seems as if some films are perpetually being restored, with each new version touted as better than the last. That said, I can assure you that the new DVD and Blu-ray edition of...
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Emanuel Levy, EmanuelLevy.Com
DeMille's last film (he died in 1959) is also his biggest, most spectacular epic, excessive and lurid, displaying him as a showman--must see for Hollywood students
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Charles Cassady, Common Sense Media
Stirring, even if it's as much showbiz as Bible.
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, Film4
Bank holiday afternoon fare it might be, but DeMille's remake of his 1923 silent is a marvellous epic of the kind they don't make any more.
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, TV Guide's Movie Guide
A great big wallow, sublime hootchy-kootchy hokum, peppered with lightning that does automatic writing and an unsurpassed homage to the joys of jello.
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Peter T. Chattaway, Christianity Today
Still the definitive depiction of the Exodus in the popular imagination.
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Tom Tunney, Empire Magazine
An epic soap opera of an event -- the running time is longer than any church service -- that still impresses more than it amuses.
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Steven D. Greydanus, Decent Films Guide
As much a testament and a fixture of traditional American ideals and affections as a courthouse display of the stone tablets, and as weighty and solid.
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John J. Puccio, Movie Metropolis
...still fun and fascinating, and it remains a special treat for the eyes. (Blu-ray Edition)
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John J. Puccio, Movie Metropolis
...a benchmark of comparison for all super spectaculars, and in its restored, high-definition Blu-ray presentation, it's more spectacular than ever.
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Stephen Garrett, Time Out
It's the gigantic vulgarity, the obsessive righteousness of the director himself, which keeps the show on the road and suffuses the movie with its daft power.
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Carol Cling, Las Vegas Review-Journal
Anything worth doing is worth overdoing in DeMille's ponderous, yet still colossal, Biblical soap opera.
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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Alexander D
With the full technicolor, the increased setback, and the whopping length, we expect an epic such as GONE WITH THE WIND: melodramatic, yes, but thoroughly engaging. Instead, we are shocked to receive something completely different: a melodrama that succeeds in its entirety with… More
With the full technicolor, the increased setback, and the whopping length, we expect an epic such as GONE WITH THE WIND: melodramatic, yes, but thoroughly engaging. Instead, we are shocked to receive something completely different: a melodrama that succeeds in its entirety with information, but not much else. In fact, not even an hour has passed before you are just beginning to feel mentally asleep. I award points to THE TEN COMMANDMENTS, though difficult to watch, for its grand historical value. DeMille is certainly not one to say he knows nothing about Moses. Clearly, a film that goes as far as to inform about, say, Mosesâ(TM)s love life, can carry on endlessly with notice about more importantâ"but previously unheard ofâ"events (and it did). -
Mister C
This was Cecil B.De Mille's last theatrical feature,with a running time of nearly four hours(basically the running time of 3 hours and 40 minutes which includes the opening overture,intermission, and exit music),this stunning and most extravagant blockbuster is full of… More
This was Cecil B.De Mille's last theatrical feature,with a running time of nearly four hours(basically the running time of 3 hours and 40 minutes which includes the opening overture,intermission, and exit music),this stunning and most extravagant blockbuster is full of absurdities and vulgarities,but in all aspects this star-studded widescreen Vista Vision and Technicolor spectacle is ravishing,and De Mille's form of showmanship,which includes his own narration,never falters. Charlton Heston might be said to achieve his apotheosis as Moses-unless one decides that it's Moses who's achieving his apotheosis as Heston-and most of the other in the star-studded epic which is based on the Holy Scriptures are comparably mythic. Simultaneously ludicrous and splendid,this epic is driven by the sort of personal conviction one almost never finds is subsequent Hollywood monoliths. The scenes with includes the parting of the Red Sea is one of the best special effects ever made. With its all-star cast that includes Yul Brenner(Rameses), Anne Baxter(Nefertiri), with Yvonne De Carlo(Sephora), Debra Paget(Lilia), John Derek(Joshua), Edward G. Robinson(Dathan), Cedric Hardwicke(Sethi), Nina Foch(Bithiah), Martha Scott(Yochabel). The film was nominated for an impressive Nine Oscars including Best Picture and Best Director(but lost the Best Picture Oscar to "Around The World in 80 Days"),and won the Oscar for Best Special Effects(John P. Fulton,with some of the effects coming from the Disney studios). If you want to see "The Ten Commandments",my advice is not to see this on television(since seeing it on TV around Easter time doesn't do any justice,or for that manner seeing it on DVD),but see this movie the way it was suppose to be seen.....in a movie theater equipped with full 70MM projection and experience it in full six-track stereophonic sound. -
Sajin P
A ceremonious 4 star. Watching the Red-sea parting sequence, you just cant stop wondering how they achieved that, with the kind of technology they had in the 50s. -
moon r
practically everyone i've ever known has seen this film at least once as network television used to show it twice a year. cecil b. demille's denunciation of the sinful life while gloriously wallowing in it is nonetheless glorious, a big movie that has BIG implanted into… More
practically everyone i've ever known has seen this film at least once as network television used to show it twice a year. cecil b. demille's denunciation of the sinful life while gloriously wallowing in it is nonetheless glorious, a big movie that has BIG implanted into it's very DNA, hollywood style grandeur and fun. -
Richard C
I was bored through most of this. Its so long and cheesy. I know its old and I enjoyed parts of it but I was falling asleep by the end of it but come on its almost 4 hours. Grade: C -
Michael E
The movie was very, VERY long to sit through and by the time it was done i thought it was OK it wasn't as good as the "Prince of Egypt" but i thought it was pretty good -
AJ V
I know it's a remake and I'd love to see the original, but this movie is still worth watching if not for the spectacle, then for the all star cast, or the brilliant way the story is brought to life. -
Wahida K
This is the only The Ten Commandments version I like to watch. The Remakes or the recent version are just nothing comparing to this one. -
Daniel P
I will admit, I was nodding off by the end of it, but this is still a great movie. Yes, it's incredibly hammy, but that's sort of the point isn't it? The sets are opulent, the colours just pop off the screen, the score is enchanting and the acting... well, they tried… More
I will admit, I was nodding off by the end of it, but this is still a great movie. Yes, it's incredibly hammy, but that's sort of the point isn't it? The sets are opulent, the colours just pop off the screen, the score is enchanting and the acting... well, they tried hard... a signpost film, in the running with Ben-Hur for the title of "template of the modern epic". Stagy and dated by now, but something you simply must see once... even if it will take four hours! -
Jon L
I will have to rewatch this one as it has been so long since I have seen it. -
Ken S
Very silly -
danny d
a grand epic in every measure. there were problems with this film, demille told more of the parts to the story that are less sure than he did the parts that are recorded in Scripture, the actors hammed it up a little too much, and the melo drama took a greater role than the plagues.… More
a grand epic in every measure. there were problems with this film, demille told more of the parts to the story that are less sure than he did the parts that are recorded in Scripture, the actors hammed it up a little too much, and the melo drama took a greater role than the plagues. but the film was highly reverential, the sets, costumes, and cinematography were excellent, and the effects were great for a film in the late 50's. all in all, despite the story changes and innaccuracies, this is great story telling and an overall wonderful film. -
Mark H
Grand, magnificent biblical epic from Cecil B. DeMille that holds your attention for over 4 hours. -
Lenny M
Epic in every sense. -
Curtis L
okay -
xGary X
Pompous, self-important swords and sandals epic bearing all the hallmarks of Cecil B. DeMille's penchant for stagey self indulgence. It has a quality cast, but I'd have to be mighty bored to sit through the whole of this long winded bible thumpathon... -
Aaron N
Moses: Let my people go. This is a grand scale epic. A prestige picture from back in the 50s, made with larger than life sets, costumes, production designs and state of the art effects for the time. It has Charlton Heston as the great, tan, strong Moses and Yul Brynner as the… More
Moses: Let my people go. This is a grand scale epic. A prestige picture from back in the 50s, made with larger than life sets, costumes, production designs and state of the art effects for the time. It has Charlton Heston as the great, tan, strong Moses and Yul Brynner as the counter-balance Rhameses. The characters, as with the production are all larger than life and it all works for a giant biblical epic, recounting the story of the Hebrew slaves being freed by Moses from Egypt. The movie is nearly 4 hours long, epic in length, and is the kind of movie that one would only watch once a year, so it's a good thing it always comes on during the time of passover. Despite its length, the film is still extremely watchable, it takes its time, but is done on such a grand scale that it does not matter much. A great epic tale. -
jay n
most of the acting is incredibly arch but somehow its still highly watchable and the special effects are pretty good considering the age of the film -
Jason S
A classic that was always playing on tv when I was a kid. Really long though. -
Tom E
Not as good as Ben Hur -- Edward G Robinson isn't convincing
Cast
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Charlton Hestonas God (Uncredited) -
Yul Brynneras Rameses -
Anne Baxteras Nefertiri
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Edward G. Robinsonas Dathan -
Yvonne De Carloas Sephora -
Debra Pagetas Lilia
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John Derekas Joshua -
Nina Fochas Bithiah -
Cedric Hardwickeas Sethi
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Martha Scottas Yochabel -
Judith Andersonas Memnet -
Vincent Priceas Baka
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John Carradineas Aaron -
Olive Deeringas Miriam -
Douglas Dumbrilleas Jannes
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Frank de Kovaas Abiram -
Henry Wilcoxonas Pentaur -
Eduard Franzas Jethro
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Donald Curtisas Mered -
Lawrence Dobkinas Hur Ben Caleb -
H.B. Warneras Amminadab
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Julia Fayeas Elisheba -
John Miljanas The Blind One -
Francis McDonaldas Simon
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Ian Keithas Rameses I -
Paul De Rolfas Eleazar -
Tommy Duranas Gershom
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Eugene Mazzolaas Rameses' Son -
Joan Woodburyas Korah's Wife -
Woody Strodeas King of Ethiopia
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Ramsay Hillas Korah -
Esther Brownas Princess Tharbis -
Carl "Alfalfa" Switzeras Slave
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Dorothy Adamsas Slave Woman -
Luis Albernias Old Hebrew -
Lillian Albertson
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Eric Alden -
E.J. Andre -
Michael Ansaraas Taskmaster
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Mary Benoit -
Robert Bice -
Henry Brandonas Commander of the Hosts
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Olive Careyas Miriam -
Fred Cobyas Hebrew at Golden Calf/Taskmaster -
Peter Coe
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Edna Mae Cooper -
Henry Cordenas Sheik of Ezion -
Tony Danteas Libyan Captain
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Steven Darrell -
Frankie Darroas Slave -
Ken Dibbsas Corporal
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Edward Earleas Slave -
Abbas El Bougbdadlyas Rameses' Charioteer -
Matty Fain
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Franklin Farnumas High Offical -
Anthony George -
Mimi Gibson
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Peter Hansen -
Ed Hintonas Taskmaster/Flagman -
Richard Kean
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Walter Woolf Kingas Herald -
Gail Kobeas Pretty Slave Girl -
Fred Kohler Jr.as Foreman
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Frank Lackteenas Old Man in Granary -
Emmett Lynnas Old Slave Man/Hebrew at Golden Calf -
Kenneth MacDonaldas Slave
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Barry Macollum -
Peter Mamakos -
Joanna Merlinas Jethro's Daughter
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Rodd Redwing -
Adeline de Walt Reynolds -
Addison Richardsas Fan Bearer
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Onslow Stevensas Lugal -
Irene Tedrow -
Joyce Vanderveenas Jethro's Daughter
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Robert Vaughnas Spearman -
Clint Walkeras Sardinian Captain -
Frank Wilcoxas Wazir
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Michael Connorsas Amalekite Herder -
Cecil B. DeMilleas Narrator -
John Hartas Cretan Ambassador
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Fraser C. Hestonas The Infant Moses -
George Melford -
Stanley Priceas Slave Carrying Load
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Kathy Garveras Young Slave -
Noelle Williamsas Jethro's Daughter -
Irene Martin
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Herb Alpertas Drum Player -
Moe DiSesso -
Eugenia Strauss
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