The Thin Blue Line (1988)
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100% of critics liked it
(11 reviews) -
88% of users liked it
(7,496 ratings)
Not many filmmakers can claim to have freed a convicted murderer from jail, but Errol Morris accomplished that feat with his stunning documentary about Randall Dale Adams. Morris, whose brilliant previous features Vernon, Florida and Gates of Heaven had focused on less substantial subjects, learned… More Not many filmmakers can claim to have freed a convicted murderer from jail, but Errol Morris accomplished that feat with his stunning documentary about Randall Dale Adams. Morris, whose brilliant previous features Vernon, Florida and Gates of Heaven had focused on less substantial subjects, learned of Adams' plight when the director was in Texas in preparation for a film about a psychiatrist who testified in murder trials. In November 1976, after his car broke down on a road outside Dallas, Adams had accepted a ride from a stranger, David Harris. Harris was driving a stolen car, and when Dallas police officer Robert Wood pulled the two men over to check on the vehicle, Harris shot and killed Wood. A jury believed that Adams was the killer, thanks to the perjured testimony of Harris and the misleading accounts of two witnesses. A story about Adams on 60 Minutes helped to bring public attention to the case, but it was Morris' film, which contained extensive interview material with both Adams and Harris as well as stylized reenactments of the crime, that clinched the case for Adams' innocence. He was set free on March 15, 1988. Although Morris' film made many critics' top ten lists, it was unaccountably not nominated for an Academy award, raising doubts about the credibility of the Motion Picture Academy's nominating process in this category. ~ Tom Wiener, Rovi
- Directed By
- Errol Morris
- Genres
- Documentary, Classics, Special Interest
- In Theaters
- Jan 1, 1988 Wide
- Studio
- HBO Video
Critic Reviews
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Emanuel Levy, EmanuelLevy.Com
Arguably no other film of the 1980s, fiction or non-fiction, was as significant in blurring the boundaries between what's reel and real and in demonstrating the remarkable impact a movie could have.
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Cole Smithey, ColeSmithey.com
Errol Morris' breakout documentary is immaculate.
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Brent Simon, Now Playing Magazine
A hallmark documentary, and one of the finest films of the 1980s.
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Jake Euker, F5 (Wichita, KS)
Accomplished but detached; you're pulled in, but you couldn't be blamed for resisting.
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Rumsey Taylor, Not Coming to a Theater Near You
Furthering its genre irregularity, it employs no narration to guide the viewer, and each shot is carefully static and composed. Its central scene, even, is a fabricated element in what is largely a non-fiction film.
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