Critic Reviews
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Ronnie Scheib, Variety
Lack of perspective and shaky comic tone plague Tollbooth -- Debra Kirschner's DV-shot saga of a Brooklyn Jewish girl trying to make it in Manhattan as an artist -- sinking it in a morass of whiny cliches.
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Frank Scheck, Hollywood Reporter
Watching its roster of decent actors struggling to overcome the banalities of their roles makes the price of getting through The Tollbooth very high indeed.
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Lou Lumenick, New York Post
Plays like the unholy spawn of Brighton Beach Memoirs and Fiddler on the Roof.
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Elizabeth Weitzman, New York Daily News
Sokoloff works hard to make her aspiring artist likable, and buried deep under the mountain of clichés is a decent story of a young Brooklyn woman trying to find her own way. But to have to swallow such ham-fisted writing and direction?
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Dana Stevens, New York Times
In The Tollbooth, 22-year-old Sarabeth Cohen (Marla Sokoloff), a self-described 'feminist artist,' talks us through the travails of her Jewish-American family and her own coming of age.
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