The Turning Point (1977)
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56% of critics liked it
(18 reviews) -
70% of users liked it
(2,743 ratings)
One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York… More One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York ballet company stops in Oklahoma City for a performance. Having dropped her career for marriage and motherhood, Deedee envies prima ballerina Emma's limelight life; aging Emma, realizing that her days as a star are numbered, wishes that she had the fulfillment of a family like Deedee's. Tensions simmer when Deedee's talented teenage daughter, Emilia (Leslie Browne), moves to New York to join Emma's company. As Emma maternally bonds with Emilia, and Emilia falls in love with womanizing dancer Yuri (Mikhail Baryshnikov), Deedee feels that she's losing her place even as a mother. After Emilia's triumphant debut, Deedee's and Emma's resentments boil over into an all-out catfight that ends when they realize they can unite in happiness for Emilia's future. Splitting the desires to nest and to work between two characters, Ross and writer Arthur Laurents reveal the difficulty faced by women in a world of expanding options. As in Michael Powell's and Emeric Pressburger's seminal ballet film The Red Shoes (1948), dancing and a personal life don't mix, even as the films display ballet's seductive power here in the gracefully integrated numbers by dance stars Browne and Baryshnikov. Despite reservations about its melodramatic aspects, The Turning Point earned box-office success and eleven Oscar nominations (but no wins). Even if its wife/work struggle seems a bit old-fashioned, Deedee's and Emma's final bond suggests that the next generation may not have the same regrets. ~ Lucia Bozzola, Rovi
- Directed By
- Herbert Ross
- Genres
- Drama, Romance
- In Theaters
- Nov 14, 1977 Wide
- Studio
- Paramount Pictures
Critic Reviews
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Richard Schickel, TIME Magazine
You yield to The Turning Point relucantly, knowing well that it is conning you -- with sentiment, with flamboyance, with sheer slickness.
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Dave Kehr, Chicago Reader
For a film ostensibly dedicated to physical grace, Ross's images are unforgivably clumsy.
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Variety Staff, Variety
The Turning Point is one of the best films of its era.
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, Time Out
There's some beautiful dancing and a wealth of detail about the world of classical ballet.
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Vincent Canby, New York Times
The Turning Point is entertaining, not for discovering new material, but for treating old material with style and romantic feeling that, in this day and age, seem remarkably unafraid.
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Cast
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Anne Bancroft
as Emma
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Shirley MacLaine
as Deedee
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Mikhail Baryshnikov
as Kopeikine
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Leslie Browne
as Emilia
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Tom Skerritt
as Wayne
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Martha Scott
as Adelaide
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Antoinette Sibley
as Sevilla
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Alexandra Danilova
as Dahkarova
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Starr Danias
as Carolyn
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Marshall Thompson
as Carter
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James Mitchell
as Michael
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Scott Douglas
as Freddie
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Daniel Levans
as Arnold
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Jurgen Schneider
as Peter
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Anthony Zerbe
as Rosie
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Phillip Saunders
as Ethan Rodgers
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Lisa Lucas
as Janina
- Lucette Aldous
- Fernando Bujones
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James Crittenden
as Billy Joe
- Suzanne Farrell
- Marcia Haydee
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Peter Martins
as Ballet Star
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Alexander Minz
as Boys Class Teacher
- Martine Van Hamel
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Charles Ward
as Ballet Star
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Donald Petrie
as Barney Joe
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David Byrd
as Conductor