[font=Trebuchet MS][size=3]The TV Set was very mediocre, almost frighteningly so. What scared me was that it seems to think that it's a smart critique of dumb television and dumb Americans that watch TV. It seems to look down from its perch at TV.[/size][/font]
[font=Trebuchet… More
[font=Trebuchet MS][size=3]The TV Set was very mediocre, almost frighteningly so. What scared me was that it seems to think that it's a smart critique of dumb television and dumb Americans that watch TV. It seems to look down from its perch at TV.[/size][/font]
[font=Trebuchet MS][size=3][/size][/font]
[img]http://cdn.channel.aol.com/aolmovies/tv-set-david-duchovny-250[/img]
[font=Trebuchet MS][size=3]I'm certainly no fan of television. In fact, I don't even own one. But I do watch it when I visit family and friends, and I've seen [u]plenty[/u] of television that is much better than this film. Who does writer and director Jake Kasdan think he's kidding? [/size][/font][font=Trebuchet MS][size=3]Maybe he thought he was doing an ironic, post-modern move of being the thing that he is critiquing, maintaining a double stance of some kind. But I doubt it. I think he is either just not talented enough to bring off his vision, or his vision is average. Probably a little of both.[/size][/font]
[font=Trebuchet MS][size=3]Incidentally, when did Jake Kasdan become such a celebrity that the directorial credit should appear smack in the middle of the movie poster and print ads? Is it all because of the Freaks and Geeks TV show? I never saw it. I saw his first film, The Zero Effect, about 10 years ago and thought it deserved more attention than it got. But I didn't think it was a masterpiece by any stretch. Compared to The TV Set, however, it's literature.[/size][/font]
[font=Trebuchet MS][size=3]At the start of The TV Set, we meet a scriptwriter, played pretty well by David Duchovny. I liked very much that Duchovny was playing way against his established persona. Here he's disheveled, groggy, unathletic, chubby, bearded, and very un-California. The other characters say numerous times that he's brilliant, but I didn't hear him say one thing that was particularly intelligent. Still it was fun to watch him be surly in la-la land.[/size][/font]
[font=Trebuchet MS][size=3]Sigourney Weaver plays his arch-nemesis: the network exec who constantly talks about reaching for "demographics" and wants to test everything with market groups before she releases it. She's the guiding light behind a show called "Slut Wars," which is a smash hit. When her colleague is abandoned by his wife, she looks him in the eyes and says, "Spouses aren't fixtures of the schedule."[/size][/font]
[font=Trebuchet MS][size=3]Weaver's lines are by far the funniest. There's a pretty hilarious ongoing bit about the importance of keeping suicide out of TV shows. Weaver does a very good job, but it's nowhere near the devilishly rich performance Meryl Streep gave in a similarly satirical role last year. And Weaver doesn't come close to matching Faye Dunaway's legendary performance as a female network exec in Network.[/size][/font]
[font=Trebuchet MS][size=3]We also meet two actors. They're enjoyable, but they're not much more than the standard caricature of the self-absorbed actor. It's funny, I know a lot of actors, and they're never anything like how screenwriters present them. What does that say about screenwriters?[/size][/font]
[font=Trebuchet MS][size=3]The central dramatic tension is within Duchovny's character as he tries to decide how much to compromise for his TV show. He wants to be true to "his vision," but he also has a pregnant wife and no other source of income. Wow, that's groundbreaking drama: artist believes in his vision but must feed his children! That's the level of drama we'd see on ... television![/size][/font]