The Unknown (1927)
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100% of critics liked it
(6 reviews) -
89% of users liked it
(1,772 ratings)
As a group, the silent-movie collaborations between director Tod Browning and star Lon Chaney hardly represent the best work of either man, though each film definitely has its moments. One of the best, and weirdest, of the batch is The Unknown. Chaney plays a carnival performer known as the… More As a group, the silent-movie collaborations between director Tod Browning and star Lon Chaney hardly represent the best work of either man, though each film definitely has its moments. One of the best, and weirdest, of the batch is The Unknown. Chaney plays a carnival performer known as the "Armless Wonder," who performs near-miraculous stunts with his bare feet. In fact, he is in possession of both his arms, but keeps them strapped to his side to maintain the illusion of being limbless. Chaney's beautiful assistant Joan Crawford has a pathological fear of being touched by any man. This leads Chaney to believe that he is attractive to Crawford so long as his keeps his arms hidden. Halfway through the film, Chaney murders the circus manager--a crime witnessed by Crawford, who was only able to glimpse Chaney's distinctively mutated thumb. To cover up his crime, and to make himself the perfect mate for Crawford, Chaney blackmails a doctor into amputating his arms. Upon returning to the carnival, the now-genuinely armless Chaney learns to his horror that Crawford has overcome her aberration of being touched, thanks to handsome circus strong man Norman Kerry. Enraged, Chaney plots to kill Kerry in a horrible fashion...but guess who ends up seriously dead? ~ Hal Erickson, Rovi
- Directed By
- Tod Browning
- Written By
- Tod Browning, Waldemar Young
- Genres
- Drama, Horror, Romance, Mystery & Suspense, Classics
- In Theaters
- Jun 4, 1927 Wide
Critic Reviews
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Fernando F. Croce, CinePassion
Tod Browning's rousing, cruel joke on the mutilated artiste and the frigid muse
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Ken Hanke, Mountain Xpress (Asheville, NC)
It may not be Browning's best silent film, but it is certainly his most fascinatingly perverse -- and that's saying something in the world of Tod Browning.
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Jeffrey M. Anderson, Combustible Celluloid
[An] astonishing masterpiece.
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Michael W. Phillips, Jr., Goatdog's Movies
Not a second of its brief 50-minute running time is wasted.
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Dennis Schwartz, Ozus' World Movie Reviews
It was the last of the great silent films, as just 4 months later the first talkie opened: The Jazz Singer.
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Cast
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Lon Chaney
as Alonzo
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Norman Kerry
as Malabor
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Joan Crawford
as Estrellita
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Nick De Ruiz
as Zanzi
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John George
as Cojo
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Frank Lanning
as Costra
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Polly Moran
as Landlady
- John St. Polis
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Billy Seay
as The Little Wolf