Thai films have slowly been increasing in popularity, mainly thanks to Tony Jaa's influential and unprecedented martial arts style. From the opening scene, The Victim promises to be the next Shutter, but just as quickly collapses into an incomprehensible, unscary, and downright… More
Thai films have slowly been increasing in popularity, mainly thanks to Tony Jaa's influential and unprecedented martial arts style. From the opening scene, The Victim promises to be the next Shutter, but just as quickly collapses into an incomprehensible, unscary, and downright annoying piece of forgettable cinema. Its art-house ambitions grow more unattainable by the minute thanks to its poor production values, camera angles that don't even film the action properly, and jarring edits. There's no need to even talk about the story, because it's filled with so many blatant plot holes that if the filmmakers couldn't bother to find ways to fix them, what's the point of talking about them.