The Wedding March (1928)
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71% of critics liked it
(7 reviews) -
85% of users liked it
(70 ratings)
Having alienated virtually all the major Hollywood studios, filmmaker Erich Von Stroheim turned to independent entrepreneur Pat Powers for funding for his 1927 epic The Wedding March. Set during the Austro-Hungarian Hapsburg regime, the film stars director Von Stroheim as wastrelly Prince Nikki, who… More Having alienated virtually all the major Hollywood studios, filmmaker Erich Von Stroheim turned to independent entrepreneur Pat Powers for funding for his 1927 epic The Wedding March. Set during the Austro-Hungarian Hapsburg regime, the film stars director Von Stroheim as wastrelly Prince Nikki, who is advised by his parents to marry into money if he hopes to keep up his sumptuous lifestyle. During the Corpus Christi festival (much of which is lensed in early Technicolor), Nikki spots the beautiful peasant girl Mitzi (Fay Wray) in the crowd. The two fall in love, but happiness eludes them: Nikki is slated to marry the homely, clubfooted daughter (ZaSu Pitts) of a millionaire corn-plaster manufactuer, while Mitzi's erstwhile boy friend, a mean-spirited butcher (Matthew Betz) who despises the aristocracy, promises dire consequences to Nikki for compromising Mitzi. Despite his dissipated, debauched lifestyle, Prince Nikki develops into the most sympathetic character in the film. As it now exists, The Wedding March is one of Von Stroheim's best films; incredibly, it was originally the first half of a two-part production (the second half, The Wedding, no longer exists). Released by Paramount, the film did excellent business during its first week-then dropped off precipitously, one of several factors which caused an irreparable rift between Von Stroheim and his new benefactor Powers. ~ Hal Erickson, Rovi
- Directed By
- Erich von Stroheim
- Written By
- Erich von Stroheim, Harry Carr
- Genres
- Drama
- In Theaters
- Jan 1, 1928 Wide
Critic Reviews
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Richard Brody, New Yorker
As this extravagant, wickedly ironic 1928 melodrama shows, Erich von Stroheim was not only a supreme (if typecast) actor but one of the greatest silent-era directors.
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John Monaghan, Detroit Free Press
One of the most eccentric and fascinating vanity projects in the history of film.
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Mordaunt Hall, New York Times
Because of what they are called upon to do and not because of the performances of the players the characters are not much more human than a troupe of Robots.
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Geoff Andrew, Time Out
It is the love scenes, played beneath shimmering apple blossoms in lyrical soft focus, that stick in the memory, ironically turning what is now the film's ending into one of the director's most bitterly pessimistic scenes.
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Jonathan Rosenbaum, Chicago Reader
Even minor Stroheim is considerably better than most other filmmakers' major work.
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Cast
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Erich von Stroheim
as Prince Nikki/Von Wildiebe-Rauffenburg
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Fay Wray
as Mitzi Schrammell
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George Fawcett
as Prince von Wildeliebe-Rauffenburg
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George Nichols
as Fortunat Schweisser
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Zasu Pitts
as Cecilia Schweisser
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Hughie Mack
as Wine-garden keeper
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Maude George
as Princess Maria Immaculata
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Matthew Betz
as Schani Eberle
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Cesare Gravina
as Martin Schrammel Mitzi's Father
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Dale Fuller
as Katerina Mitzi's Mother
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Sidney Bracey
as Navratil Nikki's Valet
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Albert Conti
as Officer of the Imperial Guard
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Carey Harrison
as Officer of the Imperial Guard
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Danny Hoy
as Mountain Idiot
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Lucille Van Lent
as Maid to Prince Nikki
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Anton Vaverka
as Emperor Franz-Joseph
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William Von Brincken
as Officer of the Imperial Guard
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Christina Weiss Lurie
as Maid to Cecelia
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Don Ryan
as Archduke Leopold Salvator
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Alec C. Snowden
as Black Servant at Brothel