Ralph Fiennes, Natasha Richardson, Vanessa Redgrave

Set in Shanghai in the late 1930s, the story of the relationship between a disillusioned former US diplomat and a refugee White Russian countess reduced to a sordid life in the city's bars. Todd Jacks...( read more  read more... )on (mid-40s), once an American diplomat filled with idealism, has lost his sight several years earlier, and is now languishing in Shanghai's grand hotels and elite gentlemen's clubs, a burnt-out case, He has become bitterly disillusioned by realpolitik and the seemingly unavoidable nature of war and conflict. He is, moreover, deeply bereaved by the deaths of his wife and children -- victims of violent events in the political turmoil of 1930s China that also robbed him of his sight.

Flixster Users

37% liked it

19,105 ratings

Critics

51% liked it

87 critics

PG-13, 2 hrs. 18 min.

Directed by: James Ivory

Release Date: December 21, 2005

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DVD Release Date: May 16, 2006

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Flixster Reviews (399)


  • November 2, 2008
    Meh, the actors looked a little rusty. The ambience felt like a disconnection rather than the romantic storyline the poster suggests. It's a good story that could have been done better. What I loved however, was the heavy incorporation of Chinese jazz. The infusion was spectacular.
  • August 5, 2008
    ''We all have to fall in love from time to time... To feed our daughters, and our mothers. And sisters.''


    Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to...( read more) support members of her dead husband's aristocratic family.

    Ralph Fiennes: Todd Jackson

    Natasha Richardson: Countess Sofia Belinskya

    Countess may be very, very slow. but its wonderfully rich visuals and smashing English performances make it the perfect patient man's period film, As mentioned, you must have a lot of glorious patience to make it to that fulfilling conclusion.

    Marveled at the cinematography, the great sets, the muted and beautiful fliar of colours.

    This Ishiguro story is set in mid-to-late '30s in Shanghai. Ralph Fiennes plays a blind American, Todd Jackson, an ex-diplomat who wants to get away from politics and run the nightclub of his dreams. He has the whole place mapped out in his head. Natasha Richardson as Countess Sofia Belinskya is a high-class escort-service type woman working in a lower-class bar who unselfishly sacrifices her dignity to help support her unappreciative family.

    Todd and Sofia meet one day in that bar, he is very impressed with her, and later hires her to run his new place, called The White Countess, hence the film's clever title. Along the way, Todd meets a Japanese man Mr. Matsuda, who we find out isn't the altogether nice guy we thought he was, as it's revealed trouble always follows him.

    The themes of isolation and alienation are rampant in this film and occur on many levels. Sophia is shut off from her family and eventually abandoned because of her disgraceful job. Jackson is blind physically and mentally from the real world. They are strangers in a foreign country, a country whose sole foreign policy for the past several centuries has been isolationism, they built a wall to keep people out. These instances are not simply strewn about but are intricately woven into the plot to create a deeper, more meaningful story.

    The White Countess explores devastation and new hope, heartbreak and new love, and shows us the hopelessness of walls and cages. We can always close our eyes but that doesn't mean everything around us will disappear.

    In the end, this drama comes to life as the Japanese overrun the city and everyone flees for their life. Sofia's family tries to leave without her. The countess desperately goes after them because that family includes her precious young daughter. Fiennes realizes, at the last minute, he doesn't want to live life without Sofia and she he tries to find her among all the chaos. It's a very suspenseful, very positive ending.

    White Countess is underrated, under-publicized and a beautifully executed piece. Reminded me of the beautiful Painted Veil.
  • March 4, 2008
    While not perfect I was won over by the performances of Fiennes and Richardson. I cared and rooted for their characters, hence a thumbs up.
  • February 9, 2007
    A very moving film though I admit the picture on the cover is very misleading and I expected far more seduction than is either shown or hinted at.

    I would be interested to know what the Americans think of Ralph Fiennes American accent seeing as he usually speaks with such a re...( read more)fined English accent.

    I see the comparison to such films as Casablance.

    Truly splendid shots comparing poverty to the richness of the era.
  • November 20, 2006
    I don't know why I heard so many good things about this movie. It was slow and extremely melodramatic. At the end I just felt like 'what was the point of that?' Some people say you need to watch this movie twice, I watched it one and a half times and saw no improvement.

    ...( read more)> Ralph Fiennes is the one bright spot in this film, he really did knock it out of the park with this performance.
  • September 10, 2009
    it was really sweet ...
    I loved it ...
  • September 3, 2009
    Lacks everything you might expect from it, except a glum Ralph Fiennes. No romance, no beauty, no passion, no elegance, no moving historical narrative, just a long dry scrape that tries and never succeeds.
  • June 25, 2009
    Those randy English! What is it with them and love and war....
  • March 28, 2009
    I so enjoyed this movie. She tried so hard and she played such a lady. She made the film as far as I'm concerned for it's time.
  • March 25, 2009
    this movie is not for all. but once you started it,you will have a hard time ignoring the facts that the story want to tell.

Critic Reviews


January 27, 2006
Colin Covert, The Minneapolis Star Tribune

... The White Countess is so bloodless it all but cries for a transfusion. full review

January 20, 2006
Amy Biancolli, Houston Chronicle

A rewarding close to the Merchant Ivory oeuvre. full review

January 13, 2006
Moira MacDonald, Seattle Times

The White Countess is never less than lovely to look at, and sometimes much more. full review

January 13, 2006
Mick LaSalle, San Francisco Chronicle

This is Merchant-Ivory's kind of showmanship, the unflashy adult variety of movie magic that they made their hallmark. full review

January 13, 2006
Ty Burr, Boston Globe

Sumptuous to look at, tastefully dull, and ultimately rather silly, it whisks us to a far-off land -- the Shanghai expatriate community on the eve of World War II -- and strands us among cooked-up cha... full review

January 6, 2006
Peter Travers, Rolling Stone

As the last film from the legendary team of Ivory and producer Ismail Merchant, who died in May, The White Countess is a stirring tribute to Merchant, a true builder of dreams in an industry now sorel... full review

December 21, 2005
Roger Ebert, Chicago Sun-Times

Fiennes and Richardson make this film work with the quiet strangeness of their performances. full review

View more The White Countess reviews at RottenTomatoes.com

Comments


  • AgentLexi2132
    July 21, 2008
    Wonderful Tale of love and hope...Ralph & Natasha share good chemistry together everytime on-screen.

    Magnificent, White Countess is beautiful.

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