The Wolfman (2010)
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34% of critics liked it
(205 reviews) -
38% of users liked it
(215,515 ratings)
Universal Studios resurrects the classic lycanthrope with this tale of a man who experiences an unsettling transformation after he returns to his ancestral home in Victorian-era Great Britain and gets attacked by a rampaging werewolf. When Ben Talbot (Simon Merrells) vanishes into thin air, his… More Universal Studios resurrects the classic lycanthrope with this tale of a man who experiences an unsettling transformation after he returns to his ancestral home in Victorian-era Great Britain and gets attacked by a rampaging werewolf. When Ben Talbot (Simon Merrells) vanishes into thin air, his brother Lawrence (Benicio Del Toro) returns to his family estate to investigate. Upon reuniting with his estranged father, Sir John Talbot (Anthony Hopkins), however, he discovers a destiny far darker than his blackest nightmares. Ben is dead; the victim of a savage attack by a beast that keeps the superstitious locals cowering in fear every time the moon shines bright in the sky. Shortly after discovering his brother's true fate, Lawrence swears to Ben's wife, Gwen (Emily Blunt), that he will bring her late husband's killer to justice. As a young boy, the untimely death of his mother caused Lawrence to grow up before his time. Though Lawrence had previously attempted to bury his pain in the past by leaving the quiet Victorian hamlet of Blackmoor behind, he discovers that you can't outrun fate when he's attacked by the very same nocturnal beast that claimed his brother. Not even recently arrived Scotland Yard inspector Aberline (Hugo Weaving) can dream up a rational explanation for the gruesome spell cast over Blackmoor, yet rumors of an ancient curse persist. According to legend, the afflicted will experience a horrific transformation by the light of the full moon. Now, the woman Talbot loves is in mortal danger, and in order to protect her he must venture into the moonlit woods and destroy the beast before it destroys her. But this isn't a typical hunt, because before the beast can be slain, a simple man will uncover a primal side of himself that he never knew existed. Screenwriter Andrew Kevin Walker pens a film directed by Joe Johnston and featuring creature effects by special-effects makeup legend Rick Baker. ~ Jason Buchanan, Rovi
- Rating, Runtime
- R, 1 hr. 43 min.
- Directed By
- Joe Johnston
- Written By
- Andrew Kevin Walker, David Self
- Genres
- Mystery & Suspense, Horror
- In Theaters
- Feb 12, 2010 Wide
- On DVD
- Jun 1, 2010
- Studio
- Universal Pictures
Critic Reviews
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Amy Biancolli, Houston Chronicle
Actors fulminate and masticate, spit, scowl and sob; what a gas it is to watch them overact with joy and conviction.
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James Adams, Globe and Mail
An ill-considered, utterly unnecessary remake.
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Owen Gleiberman, Entertainment Weekly
The Wolfman, hokey and uneven though it is, [has] the kind of authentic emotional hook that too many horror movies today don't have.
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Adam Graham, Detroit News
Benicio Del Toro pulls off a nifty trick in The Wolfman: He makes turning into a werewolf look as dull as doing your taxes.
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Lisa Kennedy, Denver Post
Anthony Hopkins portrays Sir John Talbot. Benicio Del Toro is prodigal son Lawrence. That's a great deal of acting sinew for an oddly anemic outing.
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Chris Vognar, Dallas Morning News
Consider The Wolfman a pedigreed genre yarn, mindful of its precedents but nimble enough to have a good time in the here and now.
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John Gholson, Cinematical
It truly is a modern spin on a classic, in almost all of the worst ways.
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Greg Maki, Star-Democrat (Easton, MD)
Given its troubled path to the big screen, The Wolfman (2010) is far better than it has any right to be.
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Dave White, Movies.com
I was dumbly entertained in spite of (or maybe because of) all that.
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Mark Pfeiffer, Reel Times: Reflections on Cinema
What's missing in this Wolfman is something timeless: the human cost that gives tragic meaning to the metamorphosis and potential cure.
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Don Groves, sbs.com.au
Joe Johnston turns a classic monster into an anaemic bore.
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Simon Miraudo, Quickflix
The only thing scary about Joe Johnston's The Wolfman is that it exists. The fact that people, nay professionals, spent several years working on this picture genuinely upsets me.
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Felix Vasquez Jr., Cinema Crazed
I enjoyed it as a companion piece to the superior original...
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Matthew Pejkovic, Matt's Movie Reviews
A slick update of the monster movie classic, The Wolfman features strong imagery and performances, yet is lacking in animal instinct.
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Rob Humanick, Projection Booth
While The Wolfman often veers towards the realm of camp, no irony is to be found herein.
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Cris Kennedy, Screenwize
In the end, The Wolfman reminded me of a couple of people I have dated - achingly beautiful but emotionally barren, and just a tiny little bit scary.
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Nick Schager, Lessons of Darkness
Flounders in its stabs at epic action-horror grandeur.
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Jordan Farley, SFX Magazine
Joe Johnston's monster movie remake is a confused mongrel of a film %u2013 half restrained gothic horror, half Hellraiser.
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Adam Lippe, Examiner.com
It can't be a coincidence that all of the characters constantly talk about obligation. And Emily Blunt has the most telling line, "This place is impossible to escape." This was no doubt a professional edict for those on the set.
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Prairie Miller, NewsBlaze
Bite worse than bark bulletproof beasts without benefit of steroids, species profiling, paw to paw beatdown staged like a World Wrestling Federation bout with fur, and the manimal who came to dinner.
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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Chris W
Please note that this review is in regards to the theatrical version. I plan on watching the director's cut, and, depending on how that goes, may readjust my review and rating. I has expecting a good amount from this movie. Unfortuantely, it left me unsatisfied. It's not… More
Please note that this review is in regards to the theatrical version. I plan on watching the director's cut, and, depending on how that goes, may readjust my review and rating. I has expecting a good amount from this movie. Unfortuantely, it left me unsatisfied. It's not terrible, but it's not really a whole lot more than average. I don't think that Joe Johnston is a hack, but I question if he was the right choice. I'm all for a director expanding their range, but I question if a more accomplished director (in general and with horror films specifically), would have been the way to go (depending of course, on the screenplay). As it stands, it can be hard to successfully blend the violence and gore expected by modern viewers with a traditional gothic setting and atmosphere. It can be done, but it doesn't happen here. I liked some of the gore, but some of it seemed a bit unnecessary. Same goes for the effects. I liked that some of it was done practically, but it would have been excellent to see all of it done practically, or with even less CG. I appreciated that they wisely decided to retain the Victorian era setting instead of doing something stupid like setting it in contemporary times. Considering that two Oscar winners appear in this, you'd think the acting would have been better. It's not. It doesn't suck, but a lot is left ot be desired. Hugo Weaving has some awesome mutton chops though, and, even though Emily Blunt is pretty, the quick glimpse of side boob from her seemed pointless. I like the general concept and story, but the specific plot and story for this film needed work. It's a shame considering Andrew Kevin Walker was involved in the writing. I expect a lot better from him. The big twist was revealed way too early, seemed telegrahed anyway, and wasn't handled very well. .I did like the music though, and the camera work was also quite nice, as was the art direction. That's probably where this film excells the most. Too bad the story and other stuff can't be at the sae level. There was one of the scenes at the asylum though, that was pretty damn decent, and it's probably the best sequence in the film (the latter sequence at the asylum, that is). I liked parts of the gypsy camp attack, but not all of it. This is not quite as terrible as people have made it out to be, but it's sadly pretty average, which sucks even more because this had the potential to be excellent. I am glad it was R though, even if some of the gore was a but much. *update* I have now seen the unrated version. It is only a tad but better, but not enough so to give the film an extra half-star. It is longer, and the additional scenes are actually not extended gore, but scenes that give more depth and development to characters, as well as toying with plot developments. While these additions aren't bad, as they do flesh out characters, they mess with the pacing. Upon second viewing, I realized that the film is a little more boring than I first thought. The additional scenes just bog stuff down. Maybe had they been included to begin with, have the script and pacing be better overall, and make all of the effects be non CG, then this film could have been a quite passable B-Movie. Still though, it's not bad, just mediocre. -
Michael M
A lot of CGI was used in this film, but it was appropriate for it's premise. I didn't feel that The Wolfman suffered from CGI Overload. But, The Wolfman is worth watching for it's great action sequences. However, there could have been more of them as I was waiting a… More
A lot of CGI was used in this film, but it was appropriate for it's premise. I didn't feel that The Wolfman suffered from CGI Overload. But, The Wolfman is worth watching for it's great action sequences. However, there could have been more of them as I was waiting a while for the first transformation to actually happen. The Wolfman was a great film for me. But for your average movie goer. It probably could have been better. -
Marc L
This is the best movie I have ever seen period. I loved every minute of it. It had fantastic acting, great special affects, a surprising plot twist. It was down right amazing, and even better than I thought it would be. Truly the pinacle of film making. There are a few things I… More
This is the best movie I have ever seen period. I loved every minute of it. It had fantastic acting, great special affects, a surprising plot twist. It was down right amazing, and even better than I thought it would be. Truly the pinacle of film making. There are a few things I want to say for anyone who saw this movie. First of all, don't expect something very scary, because it is hardly ever scary. There were a few creepy scenes, like the gypsy massacre and the nightmare scene, but this is really just a action film that thinks it's horror. Also, don't expect a story anything like the original Wolfman. They are very, very different, particulary the endings. Now that I got that out of the way, I can get on to what I liked. This was some of the best acting I have ever seen. Every single actor did a fantastic job, particulary Anthony Hopkins and Benicio Del Toro. Del Toro did an extremely powerful and realistic job as Lawrence Talbot, a man returning to his fathers estate in Blackmoor, England to visit his brother's funeral (SPOILER: He becomes the Wolfman)Lawrence is a sympathetic character with a very sad story, and we feel for him, and pity that even he cannot control the evil of the Wolfman at the full moon. The story is really good too. "The Wolfman", tells the story of a world renown actor named Lawrence Talbot, who has returned to his home in Blackmoor, England to search for his missing brother. When he get;s there, he finds his brother has been brutally murdered. While meeting with a group of gypsies to investigate, he is bitten by a werewolf, the same one who murdered his brother. After being bitten, he must find a way to control the beast inside him, or accept his new fate and become pure evil. Then of course, there was Anthony Hopkins. His role as Sir John Talbot was incredible. He manages to play him as a very mysterious character, who we don't really understand until the end. Is he Lawrence's freind, or his bitter enemy? You'll have to see the movie to find out. Emily Blunt was also really good. She was very emotional in her part as Gwen, the fiancee of Lawrence's dead brother. She seemed like a kind, sympathetic character who had no idea what to do when Lawrence was stricken with the curse. Of course, what's a monster movie without great special affects? And great these special affects were. The makeup was really realistic and down right fantastic. The choreography of the final fight scene was incredible, a synchrinized dance if you will. Another thing I particulary like was the plot twist. When Lawrence is taken back to the asylum, there's a great plot twist that will make fans of M Night Shyamalan squeal with joy. I won;t give it away though. I am a huge Joe Johnston fan, but after Jurassic Park 3, I thought I could never start liking him again. Well, The Wolfman, got me right back on the Joe Johnston fan train. I don't understand the massive amount of hate for it, and it frustrates me. In a sentence, this movie is a classic. -
Eric A
I hated this movie. It was poorly done and I felt as if it was completely rushed into theaters. Special effects are sub-par and acting is poor, this film was instantly forgotten about. -
Lady D
A drawn out film which was darkly filmed for maximum effect, yet felt too dark to see the movement at times. The metamorphesis was impressive, which you can't help but compare to American Werewolf in London, that having been a much talked about part of that film. I did feel… More
A drawn out film which was darkly filmed for maximum effect, yet felt too dark to see the movement at times. The metamorphesis was impressive, which you can't help but compare to American Werewolf in London, that having been a much talked about part of that film. I did feel pretty disappointed by the final look of the Wolfman, to me it seemed not much more than an upgraded version of teen wolf and with the effects, make up and CGI these days I had expected more. Watchable but nothing special. -
Kase V
Joe Johnston's 'The Wolfman' was a film that worked on certain levels, for the wrong reasons. It served better as a gothic B-movie comedy with graphic (and hilarious) kills that reminded you of films such as 'Shaun of the Dead' or 'Hot Fuzz'. It is… More
Joe Johnston's 'The Wolfman' was a film that worked on certain levels, for the wrong reasons. It served better as a gothic B-movie comedy with graphic (and hilarious) kills that reminded you of films such as 'Shaun of the Dead' or 'Hot Fuzz'. It is pretty laughable if you consider the fact that the film was supposed to be generally scary...it wasn't. But it was fun! Weaving and Hopkins' performances aren't half bad, either. The production design was creatively distinct, and the cinematography could've been a lot worse. But the fact that the film completely missed its mark on what it was trying to accomplish genre-wise is just sad. -
Matt G
Seriously underrated. The effects are wonderful and the story is good. Sure, it's flawed, but it still is a great story telling movie. -
Lee ?
I've always thought that werewolves were the most frightening of the classic movie monsters, but decent films about Lycanthropy are few and far between with the last good one being "Ginger Snaps" back in 2000. This lavish big-budget remake of the classic '40s film… More
I've always thought that werewolves were the most frightening of the classic movie monsters, but decent films about Lycanthropy are few and far between with the last good one being "Ginger Snaps" back in 2000. This lavish big-budget remake of the classic '40s film may not set the genre ablaze with anything ground breakingly new but it's a good entertaining popcorn flick. Loved the gothic atmosphere, the sursprising amounts of gore and bloody maulings were also a welcomed treat. My main grumble would be with the over reliance on the CGI to animate the werewolf, even though I thought it looked ok, it was quite lazy. Glad I watched it in the end, it turned out better than I thought it would. -
Brad W
See, I didn't hate this movie at all, but I didn't like it much. I wasn't scared and it the plot was good but predictable. The acting was impressive and Make up and production designs were top notch, but people come to see a good plot in a movie that interests them,… More
See, I didn't hate this movie at all, but I didn't like it much. I wasn't scared and it the plot was good but predictable. The acting was impressive and Make up and production designs were top notch, but people come to see a good plot in a movie that interests them, and this fails in a way, so I give it a C+. I did like however that they kept to the traditional werewolf rules. In conclusion, it was an average film. -
xGary X
An American actor returns to his ancestral home to investigate the death of his brother to be confronted by a murderous supernatural creature. Props to The Wolfman for avoiding the temptation to transpose the story to modern day America, but for all its gothic intentions, it's… More
An American actor returns to his ancestral home to investigate the death of his brother to be confronted by a murderous supernatural creature. Props to The Wolfman for avoiding the temptation to transpose the story to modern day America, but for all its gothic intentions, it's still just another CGI wankathon that is far more interested in superhero-style set pieces and gore than atmosphere and suspense. Benicio Del Toro and Anthony Hopkins are both superb actors but both weigh in with easily their worst performances in a "serious" film I've ever seen (during their final confrontation I couldn't help thinking of Teen Wolf) and the comic strip approach just doesn't work in the context of such a po-faced interpretation of the material. On the plus side, the transformation scenes were quite good (if a little Hulky) and Art Malik's Sikh warrior was quite cool, but he but didn't garner anything like enough screen time and the inevitable beauty and the beast ending was just lame. It's not unwatchable however and passes a couple of hours inoffensively enough, but in such an overcrowded genre as the werewolf movie, this needed to be a whole lot better. -
Jim H
Did the rest of this film end up on the cutting room floor? Is Anthony Hopkins just having fun being an actor? I understood going into this film that I was going to see a formula movie. Even before I put the disc in the DVD player, I could predict the beginning, middle, and end.… More
Did the rest of this film end up on the cutting room floor? Is Anthony Hopkins just having fun being an actor? I understood going into this film that I was going to see a formula movie. Even before I put the disc in the DVD player, I could predict the beginning, middle, and end. But they didn't even do the formula well. In act one we're never actually sure why Lawrence returns to Blackmoor. Yes, Gwen makes a heartened plea, but his reaction at the time belies the plot point that follows. Did a reel get lost somewhere? Then Sir John, over-acted by Hopkins, is so clearly creepy that we wonder who he could possibly be fooling. Finally, what possibly motivated the "love" story? If it was fraternal piety that motivated Lawrence's return, then where was that piety when he was trying to fuck his brother's widow? And why the completely unnecessary Emily Blunt nude scene? (Don't get excited, folks; it's shot from the back, and you don't see anything.) This is Exhibit A on how Hollywood treats women as objects. Overall, I didn't expect anything original from <i>The Wolfman</i>, but I at least hoped that they would do the formula well. The sad thing is this film is probably my pick for Best Visual Effects, which means that it isn't just a shit movie; it's an Oscar-winning shit movie. -
Michael G
The Wolfman should've been so goddamned awesome but some weak CGI (I'm talking I Am Legend weak) and too many liberties taken with the original story leave little more than a well-intentioned mess. I applaud Joe Johnston for telling the story in a gothic, Victorian era… More
The Wolfman should've been so goddamned awesome but some weak CGI (I'm talking I Am Legend weak) and too many liberties taken with the original story leave little more than a well-intentioned mess. I applaud Joe Johnston for telling the story in a gothic, Victorian era setting and I understand that a verbatim telling of the original 40s Wolf Man wouldn't fly with today's audiences but The Wolfman's last act was utter nonsense. The compulsion to supply a backstory and explain how someone that looks like Benicio Del Toro would have a father that looks like Anthony Hopkins was also definitely part of this movie's undoing. On the upside, the cast was pretty good and the overall look of the movie (aside from the CGI -- that dancing bear was the worst, I know it was only like one shot in the movie but Jesus...!) wasn't bad and took away some of the disappointment. -
Cynthia S
Average movie that dragged somewhat in places. Not much in the way of surprise plot twists, etc. Anthony Hopkins, and the police inspector, do very good parts and add to the movie. Movie is not bad, but not outstanding, either. -
Derek D
I actually loved this film. I loved the cast, the storyline (however old it is), the pace, the action...everything. i expected it to be longer and more storyline-driven and scary than it was, but still...i loved it. The only really scary thing about it was how incredibly violent it… More
I actually loved this film. I loved the cast, the storyline (however old it is), the pace, the action...everything. i expected it to be longer and more storyline-driven and scary than it was, but still...i loved it. The only really scary thing about it was how incredibly violent it was. People's insides getting ripped out...heads cut off...arms torn off...it could've been more suspenseful. But they've made much worse monster movies. MUCH WORSE!!! -
Jani H
"Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms, and the autumn moon is bright." I'm not a big fan of remakes, especially horror films but after hearing of this film for the first time back in '07 (I… More
"Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms, and the autumn moon is bright." I'm not a big fan of remakes, especially horror films but after hearing of this film for the first time back in '07 (I think?), I was eager to see it because of Benicio Del Toro. I respect him as an actor and he can pretty much pull of any role. But when I realized who was sitting in the directors bench, I wasn't that eager anymore... Lawrence Talbot is a famous actor, whose brother has been violently killed, in fact slaughtered would be more appropriate. He gets back to Blackmoor, his home since childhood. There, in the misty fields, lurks a beast that starts to hunt for the rest of the people. Talbot gets attacked by it and his life is not the same anymore... Wow. Joe Johnston did it again. He managed to pile up a budget worth 150 million USD's and come up with another disaster. Is it because he is good friends with Steven Spielberg that he gets opportunities after opportunities, although his films (except 'Jurassic Park 3') have bombed big time? 'The Wolfman' is very boring and it feels as if the movie never gets going. I saw the unrated version of the film, which lasts for nearly 2 hours and after an hour nothing that chilly had happened. The main reason why this film sucks is that the script is very weak. Andrew Kevin Walker, the man behind 'Se7en' (!) and 'Sleepy Hollow', has come up with a disaster of a "horror" movie. 'The Wolfman' is a very hollow and clumsy effort to give a rebirth to one of the most famous creatures in the history of cinema. Alongside Dracula and Frankenstein, the Wolfman is one of the oldest creatures and has been on the screen for more than 70 years. The relationship between Lawrence and his father Sir John (Anthony Hopkins) is pretty odd and there seems to be a lot of tension coming up from their shared past. But all of this is just put aside. The feelings between Lawrence and his brother's widow, Gwen (Emily Blunt), develops all of a sudden but there's no explanation why this happens. It seems as if the viewer should realize that this all will happen from the start so the filmmakers have not concentrated on this at all. And Hugo Weaving's character, the Scotland Yard detective Aberline, is completely put to waste and that is a shame as Weaving is one hell of an actor. But not all is bad in 'The Wolfman'. The cinematography is at times astonishing and the set decoration and the wardrobe departments have done an equally good job. That is the reason why I choose not to give this film a one star rating. But back to the bad things. The acting is mediocre at best. Del Toro is sleepwalking thru the movie and Hopkins is doing the same thing. It feels as if there's no challenge for these well-known performers. This film is, in my opinion, a complete waste of time and a sad effort by Joe Johnston. These werewolf transformations have been made much better in several other films so stick to the classics like 'A Werewolf In London' and 'The Howling', for example. There's ten times more chills in these movies so prepare to set the alarm clock on to wake you after 2 hours after you start to see this movie. -
Tony G
The problem with watching a critically polarizing film way after its release is that you can't help but be influenced by what you've heard about it. Incredibly praised films get viewed with skepticism and high standards to uphold and incredibly reviled films get viewed… More
The problem with watching a critically polarizing film way after its release is that you can't help but be influenced by what you've heard about it. Incredibly praised films get viewed with skepticism and high standards to uphold and incredibly reviled films get viewed with a morbid interest in what made the film so bad in the first place. Both situations make watching the film in question an exercise in examination vs just watching the film to try to enjoy it. "The Wolfman" carries the distinction of the latter. This $150 million production not only comes with a parade of terrible reviews but also has the distinction of having its studio push back its release date almost 2 years leading to rumors of studio dissatisfaction with the final product. The film spent its budget well. Great special effects, a dark and moody atmosphere and top-notch makeup surrounds "Wolfman" with the right stage for what promised to be a wild ride, unfortunately Andrew Kevin Walker and David Self's script is devoid of any fun. They seem to have forgotten that this is, at its core, a movie about a man who turns into a wolf and terrorizes a village and tries to infuse too much self-importance and angst into the proceedings. "Wolfman" struggles as it becomes a jumbled together set of frames - sort of like a series of exciting horror sequences cobbled together by lazy bridges of dialogue. It's a shame because the horror sequences fulfill on their promise. They are by far the most gripping parts of the film and they don't disappoint. But on their own they are not enough to sustain "Wolfman". Del Toro and Hopkins are miscast, particularly Del Toro, who seems uncertain on how to play his role. "Wolfman" certainly didn't deserve the harsh reviews it received, but it also rightfully didn't get raves. But for a Friday or Saturday evening DVD rental, with the lights off and a bowl of popcorn, it's not bad. -
Ginny
>=S Grrrrr! Screw all you critics, I liked it! -
Summer W
Disappointing. While it was faithful to the original, sometimes "classic" horror should remain classic. What worked in 1941 doesn't necessarily work today. -
KJ P
The Wolfman is a well made suspense/thriller, however it is kind of pointless. Nevertheless, it is very good serious popcorn entertainment. I loved how they actually took the effort to make a wolf costume, instead of cheaping out with CG effects. It's another one of those… More
The Wolfman is a well made suspense/thriller, however it is kind of pointless. Nevertheless, it is very good serious popcorn entertainment. I loved how they actually took the effort to make a wolf costume, instead of cheaping out with CG effects. It's another one of those passable average films that always seem to come along, and they are good for a viewing once or twice for entertainment. I didn't expect much, and I didn't receive much. It would have been no different if it wasn't made, but it was okay! -
Douglas W C
A well made but not very interesting film. Incredibly slow moving.
Cast
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Benicio Del Toroas Lawrence Talbot -
Anthony Hopkinsas Sir John Talbot -
Emily Bluntas Gwen Conliffe
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Hugo Weavingas Aberline -
Art Malikas Singh -
Simon Merrellsas Ben Talbot
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Gemma Whelanas Gwen's Maid -
Mario Marin-Borquezas Young Lawrence -
Asa Butterfieldas Young Ben
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Cristina Contesas Solana -
Malcolm Scatesas Butcher -
Nicholas Dayas Colonel Montford
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Michael Croninas Dr. Lloyd -
David Sterneas Mr. Kirk -
David Schofieldas Constable Nye
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Roger Frostas Reverend Fisk -
Rob Dixonas Squire Strickland -
Clive Russellas MacQueen
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Oliver Adamsas Gypsy Boy -
Geraldine Chaplinas Maleva -
Emil Hostinaas Gypsy Man/Bear Handler
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Rick Bakeras Gypsy Man/First Killed -
Emily Cohenas Little Gypsy Girl -
Jessica Manleyas Gypsy Mother
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Dave Fisheras Gypsy Man/Stones -
Olga Fedorias Young Gypsy Woman -
Lorraine Hiltonas Mrs. Kirk
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Antony Sheras Dr. Hoenegger -
John Owensas Asylum Doctor #1 -
Barry McCormickas Asylum Orderly
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Jordan Coulsonas Wolf Boy -
Ian Peckas Creepy Guard -
Richard Jamesas Asylum Doctor #2
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David Keyesas Custodian -
Shaun Smithas Carter -
Jake Nightingaleas Police Officer #2
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C.C. Smiffas Police Officer #3 -
Anthony Debaeckas Gypsy Driver








