Haruka Igawa, Inowaki Kai, Kai Inowaki

"Tokyo Sonata" is a portrait of a seemingly ordinary Japanese family. The father who abruptly loses his job conceals the truth from his family; the eldest son in college hardly returns home; the young...( read more  read more... )est son furtively takes piano lessons without telling his parents; and the mother, who knows deep down that her role is to keep the family together, cannot find the will to do so. From the exterior, all is normal and the same. But, somehow, a single, unforeseeable chasm has appeared within the family, only to spread ever so quietly and quickly to disintegrate them.

Flixster Users

77% liked it

4,128 ratings

Critics

92% liked it

76 critics

PG-13, 1 hr. 59 min.

Directed by: Kiyoshi Kurosawa

Release Date: March 13, 2009

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Flixster Reviews (277)


  • July 24, 2009
    Kurosawa seems to have finally thrown off all the trappings of the horror genre, or perhaps channeled them into something a lot more subtle here ... until the third act. What begins as a typical family spiraling downward drama, quirky japanese style, spins a little out of control...( read more) when Kurosawa regular Kôji Yakusho shows up as a would be burglar and the film takes on a different tone. Not horror, to be sure, but something which exists on a different plane from where we had been. It doesn't kill the film though, and does serve to make the ending all the more comforting and powerful. And what an ending it is! Complete with postmortem sounds as the credits begin to roll, it's filmic genius.
  • July 20, 2009
    That kid cheated! How can you not leave everyone in awe when you play Claire de Lune?
  • June 3, 2009
    Probaby my favorite film out of the ones I've been watching the past few days, Tokyo Sonata got off to a great start and had a great finish but I couldn't help but wonder how amazing it would have been had some of the last third of the film not been so absurdly melodramatic. Don'...( read more)t get me wrong, one of the best things about the film is how beautifully and casually it handles the absurd of the day to day life of its characters, but something about what happens towards the end felt like an unnecessary exageration, something that took away from what was an otherwise splendid film.

    I loved the pacing of the film, the way everything was set up, its esthetics. I was particularly fond of the way the scenes at the dinner table were always filmed from underneath the staircase so that the family would always be slightly obscured by some of its structure. The point of view is that of a detached, slightly amused observer, and all the frustration, helplessness and exasperation of the characters seems filtered through this vague tongue in cheek-ness of the observer. The ending of the film comes to appease, to enlighten or perhaps simply to show how futile some of the things we hold on to really are.

    Overall, a thoroughly enjoyable experience, though not a sublimely flawless one as it could have been.
  • March 3, 2009
    Quiet film which once again highlights the sadder aspects of Japan. Like so many Japanese films in the last couple of decades, from Go! through Akira and All About Lily Chou Chou part of the story includes a disaffected youth, struggling for identity in an i...( read more)mpotent society. Most of the story, however, revolves around the consequences of unemployment on a family, where the father cannot admit his diminshed status.

    There's very little musical accompanyment to the story - despite the title, and poster. There is piano music in it: just not as much as I expected.

    But the film is well worth watching, and maybe next time someone wants a film that gives an introduction into Japanese social problems I get out a copy. Then again, I might just bring out Go instead.
  • August 27, 2009
    Brilliant! Kurosawa sets up his film as a somewhat typical family drama, with a lot of tension about an unhappy family becoming even unhappier, then... well it becomes a Kurosawa film. It seems that this is an expansion of his previous film, Doppelganger, which plays with conve...( read more)ntions in a way that may leave some audience scratching their noggins, but to others it's absolutely thrilling. And it's not like Tarrintino, throwing vampires into a gangster film (not bad mouthing From Dusk til Dawn. Great film), but a lot more organic. Just not predictable.
    I've always dug Kurosawa, though I worry about his determination not to be pigeonholed as a horror director. I feared this was going to be his For Love of the Game, where he casually spits on his previous work and makes something much more palatable. Not to worry. This is pure Kiyoshi all the way. It also reminds me of 2 other of my favourite Japanese family dramas, Miike's awesome Visitor Q an Happiness of the Katakuris. Highly recommended.
  • October 9, 2009
    a husband looses his job and is too proud to admit it so goes spending his days trying to find another, he reluctantly takes a cleaning job, while athome theres problems also, concerning his wife, and two kids, ainteresting drama, ful of nice performances and situations
  • September 11, 2009
    There is some welcome comedy -- here and there. Otherwise it is not amazing.
  • August 30, 2009
    interesting drama.some concept are original,some are cliche.but still inspiring enough
  • August 22, 2009
    Kiyoshi Kurosawa nous avait habitué à des films de qualité, mais dans un tout autre registre. Tokyo Sonata, à la fois regard sans concession sur notre société et drame familial d'une intelligence et d'une subtilité rares, est probablement son meilleur film.
    (reste à revoir Cure ...( read more)pour en être sûr!!!)
  • August 19, 2009
    Kiyoshi Kurosawa ditches horror and takes on the family unit. Though it's nothing too new, it involves a mother on the verge of a breakdown, a shamed father who's just been laid off and afraid to tell his family and their two rebellious sons it's nice to see a usually horror-orie...( read more)ntated director move on to different things. And it's not a bad job he does pull many unexpected tricks and thankfully wrote a movie where someone in the family doesn't have to die at the end for closure.

Critic Reviews


May 14, 2009
Colin Covert, The Minneapolis Star Tribune

A realistic social drama, but the story taps deep, cold wellsprings of dread. full review

April 9, 2009
Roger Ebert, Chicago Sun-Times

We believe we know where Tokyo Sonata is going. We are wrong. full review

March 16, 2009
Anthony Lane, The New Yorker

For all its oddities, this movie does carry weight, and, with more than eight per cent of Americans out of work, the timing of its release here could not be more acute. full review

January 30, 2009
Nigel Andrews, The Financial Times

A touching and acerbic Japanese drama. full review

October 13, 2008
Nick Schager, Slant Magazine

Another of Kiyoshi Kurosawa's chilling portraits of micro and macro alienation, a family drama as chillingly controlled and despondent as the horror films that gained him international recognition. full review

View more Tôkyô Sonata (Tokyo Sonata) reviews at RottenTomatoes.com

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