Chishu Ryu, Haruko Sugimura, Ineko Arima

A woman leaves her abusive husband and moves in with her father, who is also sheltering another daughter, pregnant from a dead-end affair. The two sisters eventually discover that the mother they thou...( read more  read more... )ght dead actually left their father long ago for another man.

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86% liked it

853 ratings

Unrated, 2 hrs. 21 min.

Directed by: Yasujiro Ozu

Release Date: January 1, 1957

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DVD Release Date: June 12, 2007

Stats: 46 reviews

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Flixster Reviews (46)


  • May 3, 2009
    truly a beautiful film. the film is so simple that the same material in the hands of most any other director might have seemed pointless, dull, and without direction. in the hands of ozu it was profound, engaging, and more true to life than most other films ever made. this is ...( read more)ozu's gift, no bells and whistles, no fancy effects or rediculous melodrama, just real life on film that almost anyone can relate to. this was ozu's most criticised film upon its release because of the difficult themes of depression, suicide, and abortion, but the people are so genuine that i couldnt help but feel effected. some of the regular ozu cast members return and ryu specifically is becoming one of my favorites. a great film.
  • November 3, 2008
    A scandalous tale, full of heartbreak and sorrow. And I thought Ozu was a bad greek liquor.
  • August 16, 2007
    The darkest Ozu that I've seen, and no doubt his most pessimistic film on the disintegration of the family. This family comprises of the aging father with his two grownup daughters, one married and has a daughter, the other pregnant from a dead end relationship with an irrespons...( read more)ible boyfriend. The arrival of their long lost mother who had abandoned them sends shockwaves through the already broken family. Also unlike his other films, Tokyo Twilight is set in the winter and most scenes takes place at night. The rough, dark wintry nights suit the film quite well. The film's weakness is that the mother, who is such an important character in the story, could have been fleshed out better. The film also lacks the restraint of Ozu's best films like Late Spring or Tokyo Story. Nontheless everything that happens in the story is believable and emotionally devastating. Ozu proves that he can make films as bleak and depressing as Bergman can.

    P.S: Man, that Ozu sure has an unhealthy fetish for trains.
  • November 10, 2009
    it a must watch, go see it
  • October 1, 2009
    WEB. Tiene toda la elegancia y sobriedad de los mejores dramas de Ozu (además de una cinematografía extraordinaria), pero su desarrollo (melo)dramático se nota muy calculado y premeditado, lo que minimiza su impacto. Es más efectiva al enfocar la soledad que cuando explora las in...( read more)terrelaciones familiares. / It has all the elegance and sobriety of the best Ozu dramas (besides extraordinary cinematography), but here the (melo)dramatic development feels more calculated and premeditated, which hinders its impact. It's more effective when focusing on loneliness than when exploring the interrelations between family members.
  • July 26, 2009
    complicated but beautiful'''
  • June 11, 2008
    Hands down, the bleakest Ozu film I have seen, the film is really pessimistic without having any humour, unlike Tokyo Story or any Ozu film for that matter. From the start, you get deceived, then, as it goes along, the perception you would have dies out. It is long but never dull...( read more) and though dreary, the message is beautifully amplified by Ozu's meticulous handling of the material, where exposition is well done to reveal traits of hypocrisy and petty illusions. In fact, this film is so crossed between the youth and the old that it never sides at all, more like Ozu is absolutely confused.
  • April 11, 2008
    Le film le plus sombre et le plus beau du plus grand cineaste de tous les temps!
  • July 5, 2007
    Keeping in mind that this movie has Ozu pacing as well, this is a fantastic movie that just takes a while to get started. It's a bit confusing who is the central character in this piece, but that's a small problem on the grand scale of things.

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