Claude Jade, Dany Robin, Frederick Stafford

A French intelligence agent works with an American operative to infiltrate the Russians' presence in Cuban affairs.

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39% liked it

5,083 ratings

Critics

71% liked it

17 critics

PG, 2 hrs. 7 min.

Directed by: Alfred Hitchcock

Release Date: January 1, 1969

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DVD Release Date: March 6, 2001

Stats: 217 reviews

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Flixster Reviews (217)


  • May 18, 2009
    Several factors come together here to adversely affect the appeal of Topaz.

    First, there is a noticeable absence of star power. Gone are the Cary Grants and the Jimmy Stewarts, replaced by Frederick Stafford (who?) and Philippe Noiret (who?). Missing still are the Kim...( read more) Novaks and the Grace Kellys, instead we find Karin Dor (who?) and Dany Robin (who?).

    Topaz also seems to suffer from a decline in the quality of cinematography. There are no memorable shots of characters clinging to Mount Rushmore or the Statue of Liberty. No Vertigo-ish disembodied heads or Psycho-ish falls down flights of stairs.

    And last but not least, the scoring. There was a time when you could close your eyes and listen to the music of the picture and just know it was an Alfred Hitchcock film. About the only thing you can discern from the orchestrations of Topaz is that it was made in the late 60's or early 70's.

    All in all, the film isn't horrible, in fact it's not really bad at all, it just isn't up to the standards we've come to expect from one of the world's greatest directors.
  • December 14, 2008
    While Leon Uris' book is a good read, Hitchcock's adaptation of the book for cinema captures much of the book's selling points. The killing of Juanita by Rico Parra is central to book and the film. The book has a sensual scene where Juanita distracts Parra to allow Andre to escap...( read more)e before she is killed. In the film, Hitchcock dispenses with the sexual distraction to go directly to the killing. The killing of Juanita captured by the overhead camera, shows the purple gown spreading in the floor as blood would have spread. No blood is shown?only the gown. What a brilliant shot from Hitchcock and cameraman Jack Hildyard! The second remarkable facet of the movie is the performance of Phillip Noiret as a French bureaucrat and spy. The lunch sequence (a typical Hitchcock food event) may look simple but the montage of shots capturing Noiret's apparent interest in the food than the conversation is truly engaging. Noiret is a fine actor. So is Michel Piccoli. The two of them outshine Frederick Stafford and John Forsythe.

    The third most fascinating shot is post-torture interrogation of Mrs Mendoza?the whispered response from a posture that reminds one of Michelangelo's Pieta?with her dead husband replacing the dead Christ.

    Hitchcock's perseverance with "marriage" continues. Andre blandly tells his daughter of his wife "She left me. I did not leave her" after a tryst with his lover in Havana. The Michel Piccoli character says of Andre's wife "Andre, his wife and I were very close. She married him." We know later that Andre's wife was cheating on him as she recognizes the Piccoli character's phone number at his secret love nest.

    The defection sequence in Copenhagen might look clumsy?but Hitchcock's style is everywhere?faces in mirrors, close up of a porcelain figure about to be dropped with no music in the background, etc. What was most amusing was the criticism of the American espionage agents: "We would have done it better" and the exchange of words by the defector in Washington, D.C. Andre's outburst to his bosses on the outcome of French intervention in the defection would lead to the defector's assassination is equally poignant had the film ended with the French spy defecting to Russia (one of the alternate endings).

    Finally, Hitchcock's use of the newspaper headlines during key scenes in the background was interesting: The Pieta shot had the newspaper shot in the background and the newspaper left behind on a bench in Paris is the final shot. The alternate endings?the duel and the departure of the spies to two cold-warring countries would not have served well as well the suicide of the spy suggested by the gunshot in his house.
  • February 3, 2008
    Pending Review...

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  • August 27, 2009
    ...( read more)http://www.flixster.com">Flixster - Share Movies
  • July 6, 2009
    Alfred Hitchcock and war should not ever be combined. I gave this movie 30 minutes before I gave up on it.
  • February 28, 2009
    if you forget cold war and propaganda you have a very good film
  • January 21, 2009
    Very disappointing for a Hitchcock, actually, this movie was disappointing for a movie. One the most poorly acted films I have seen, ever. I'm sure the plot would have been more interesting 30 or 40 years ago, but today it is almost painful. This movie does NOT stand the test of ...( read more)time.
  • January 1, 2009
    Probably the weakest film in Hitchcock's entire catalog; the master's greatest misfire.
  • September 19, 2008
    nominated for best picture by NBR
  • June 10, 2008
    I wish I could watch every movie ever made but I sadly don't have the time. I'm not interested in this movie because I don't think I'll like it or don't know enough about it to think I might like it. I may still end up seeing it some day though.

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