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Sure it's grimy, gimmicky and over all too quickly, but Fernanda Urrejola's titular killer babe - an impossibly sexy, semi-clad, bullet-spraying fury - is a creation assured cult-icon status.
in the wake of the Tarantino-Rodriguez Grindhouse double-feature (2007), postmodern 'guilty pleasure' revivals are a dime a dozen, which is why much of the sheen has come off Espinoza's latest knowingly daft genre-blender.
This Z-grade exploitation knock-off plays like a cinematic rendering of the Grand Theft Auto games.
The video game-inspired visuals, pulsing synth score and manic level of energy make it quite the ride indeed.
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