Kati Outinen, Elina Salo, Esko Nikkari

Iris has a dead-end job in a match-factory, lives with her dour and forbidding parents, and her social life is a disaster. But when she is made pregnant after a one-night stand by a man who thought sh...( read more  read more... )e was a prostitute, she decides that enough is enough and plans her revenge...

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85% liked it

1,433 ratings

Unrated, 1 hr. 10 min.

Directed by: Aki Kaurismäki

Release Date: January 12, 1990

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DVD Release Date: September 23, 2008

Stats: 77 reviews

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Flixster Reviews (77)


  • February 25, 2009
    Kaurismaki's perfection of the 90's.Outinen is a goddess,convincing me that acting is silence,a soundproof collision merged into shattering pieces.Those pieces glued in the trembling-vengeful heart of Iris.Aye,and hard laboring.
  • May 3, 2009
    Unexpected greatness! Odd and sad and funny.
  • March 5, 2009
    Amid the mechanical din of the automated assembly line is the quiet despair of a lost soul. Her name is Iris (Kati Outinen), a dour, impassive young woman who oversees the labeling of matchbox packages. She performs her task with silent, methodical precision: removing duplicates,...( read more) moistening unaffixed labels, tamping down curled edges. Riding home on a public bus, her time is spent reading vacuous romance novels. Her home life provides little comfort to her overwhelming sense of loneliness - her mother (Elina Salo) and stepfather (Esko Nikkar) sit transfixed in front of the television until she calls them to dinner, where table conversation proves to be equally nonexistent. After finishing her chores, Iris changes into her best clothes and goes to the local dance hall. The perennial wallflower, she patiently sits as the ladies around her are asked to dance, while she attempts to occupy her time by sipping beverages and listening to sentimental love songs. And so the sad ritual of Iris' alienated life progresses until one day when she impulsively decides to spend her wages on a red dress. Punished by her parents for squandering the rent money, Iris is ordered to return the dress, but instead, goes to a nightclub where she catches the eye of a reticent man named Arne (Vesa Vierikko). But as the camera captures alternating glances of Arne's abstracted composure and Iris' enraptured euphoria, it is evident that their union is not the great, consuming love that she longs for. When Arne's repeated attempts at severing their relationship become too blatant to ignore, Iris' desperation takes hold.

    Aki Kaurismäki creates a wickedly incisive and fascinating dark comedy in The Match Factory Girl. In characterizing the unremarkable protagonist, Iris, with an inexpressive, Bressonian demeanor, Kaurismäki reflects the sustained, dispassionate cynicism and alienation of contemporary society. Furthermore, the pervasive silence, emotional callousness, and physical isolation reflect the innate loneliness and dehumanization of the soul. Inevitably, unable to find connection in her cruel life, Iris lashes out at her oppressive environment with the same familiar detachment that has sustained her through disillusionment, abuse, humiliation, and heartbreak, and in the process, destroys all that is left of her dignity and humanity.
  • January 22, 2009
    not his best film but still is Aki Kaurismäki!!!
  • December 11, 2008
    nothanks not my kinda thing
  • October 16, 2008
    Triste, tendre, grinçant et finalement un peu de repit quand ca se termine...
  • September 20, 2008
    What a moody piece of film. I had to laugh a lot of times but yet, it is really bleak. It has a simpler tone compared to Ariel but yet, it portrays a lot like a dirty laundry type of documentary, displaying for the world to see how basic abuse is and contrasting that with the pol...( read more)itical images on the TV of Tienanmen and so on.
  • June 3, 2008
    when i begun to search about Kaourismaki , there was not material here , except some people like me ...
    the others people and i , must feel some proud ,cause we "recovered" these brothers again
  • October 3, 2007
    A very good movie! I like Kaurismäki's dark, very finnish style.

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