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This giallo-horror film from director Federico Zampaglione centers around a business woman (Claudia Gerini) who moonlights as seductress and murderer of clients at a mysterious nightclub.
either irony is the film's true killer, lurking in the shadows and hacking its way through the film's generic giallo form, with messy results; or perhaps Tulpa is simply, unironically, an awful, awful film.
If Tommy Wiseau were to ever have a go at making a Giallo film, it would probably end up something like this.
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