Charles Le Clainche, François Leterrier, Jacques Ertaud

"This story is true," reads the opening statement of A Man Escaped. "I give it as it is, without embellishment." Based on the memoir by Andre Devigny, a member of the French Resistance impris...( read more  read more... )oned and sentenced to death by the Gestapo during the German occupation, Bresson (himself at one time a German POW) transforms Devigny's daring escape into an ascetic film of documentary detail. Kept in a tiny stone cell with a high window and a thick wooden door, the prisoner (renamed Fontaine in the film) makes himself intimate with his world--every surface of his room, every sound reverberating through the hall, and every detail of the prison's layout that he can absorb in brief sojourns from his cell. Bresson magnifies every detail with insistent close-ups and detailed examinations of every step of Fontaine's plan, from constructing and hiding ropes and hooks to painstakingly carving out an exit in the heavy cell door, and provides a sort of Greek chorus of fellow prisoners. This is Bresson's first film to feature a completely nonprofessional cast drilled to master precise movements and deliver lines without dramatic inflection. The effect is a drama where the slightest gesture carries the weight of a confession. Bresson's films are not for everybody, and this austere picture hardly carries the visceral punch of The Great Escape, but it's a drama of profound power, with a gripping climax that's as absorbing and tense as any high-energy action film. --Sean Axmaker

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16 critics

Unrated, 100 min.

Directed by: Robert Bresson

Release Date: August 26, 1957

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DVD Release Date: May 25, 2004

Stats: 198 reviews

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Flixster Reviews (198)


  • August 5, 2008
    a stunning prison drama, based on the memoirs of a french pow who escaped the nazis and a sentence of death. we witness every painstaking detail of his plan and it's execution. i must say i greatly admire bresson's directing style, using untrained actors and a minimalist approa...( read more)ch with riveting results.
  • March 27, 2008
    A minimalist work of powerful and dramatic precision. Bresson tells the story of a prison break without any contrivance nor decoration, with naturalism and painstaking attention to the sound, the enviroment, and the main character's thoughts. the suspense is nail-biting, and the ...( read more)subject matter is profound. cinema in its purest form.
  • February 14, 2008
    A masterpiece of sound and precision. Bresson's film is without a doubt the most spare POW or prison film ever made, its also I think likely the best. In all of its deliberate pacing and lack of dialogue (save for frequent narration) A Man Escaped is a riveting and tense film. ...( read more)
    Francois Leterrier gives a very strong performance as Fontaine, a member of the French Resistence who is arrested and sentenced to death for his crimes against the Nazis. He tries immediatly before he is even to the prison to escape, but is quickly caught and beaten. He begins to spend his days in a monotonous cycle, climbing up to his window, chatting nad smuggling letters with a man named Terry, only able to speak for precious seconds at a time as he stops to turn under Fontaine's window, and head back across the yard again and again so as to not tip of the guards. He washes, empties his lavatory, goes back to his cell for another 24 hours and plans his escape. He meticulously carves his way out through his door over a period of weeks, building the courage to make his attempt. He recieves a new cell mate just after he finds out he is to be executed, and must quickly decide if his cellmate can be trusted enough to take along on the escape, or if he must be killed.
    The film is almost entirely without music, only contains sparse on-scene dialogue, and is emeshed in a world of sounds that go unseen, yet are perhaps the most important part of the film. The film ends without any big celebrations, and finishes up quickly, which can be off-putting for many people watching a "prison-break" picture. A Man Escaped is much more than that though: it is a spiritual, existentialist and philosophical exercise, in keeping with Bresson's other films. It's ending is completely suiting, and completely satisfying. I was locked up, but now its all over.
  • June 12, 2007
    Ponderous, but I love this simple escape story.
  • December 22, 2008
    A 1956 prison film from the acclaimed French director, Robert Bresson. The only other Bresson film I?d seen was Au Hasard Balthazar, which was super arty and super boring even for me. Balthazar is a movie so boring that even Ingmar Bergman said he couldn?t sit through it, and I...( read more)?d sort of assumed that the rest of his filmography would be more of the same. Fortunately I was dead wrong, if this film is any indication. This is a brilliant, taut thriller about a man planning to escape from the Nazi jail he was put into for taking part in the resistance. It?s like what The Shawshank Redemption would have been like if it only focused on Andy chiseling through the wall, and almost nothing else. This may sound boring but it isn?t, it?s really fun watching him plan everything out and watch as everything becomes more complicated by the day. In order to keep down on dead silences, the main character narrates the whole film explaining his situation and thought process.

    Bresson expertly builds up tension throughout the film, introducing more and more threat of the man being caught. The whole film plays on the confined space the man is in and the routines he?s forced into to build something of a rhythm to the whole affair. It?s an extremely lean film, there are no superfluous characters, no unneeded subplots, and nothing at all to remove the laser-sited focus the film has to it?s raw human story of? a man escaping.
  • August 17, 2009
    A Prison break predecessor, a very thrilling story told in a still way.
  • July 17, 2009
    Extremely involving, suspenseful and heartfelt.
  • February 24, 2009
    pure cinema to the core but often hard to digest, the fundamentals are executed very well with emphasis on minimalized sound, pacing was erratic and its intrinsic value ages poorly, bresson's personal film
  • November 21, 2008
    Of the other five films and now this, I can say safely this is, impressive yes for its innovative techniques in sound and depth of construction of image, where tension is held off while allowing thought to pervade the whole scenario and also giving the audience an idea to cope ab...( read more)out. The only grudge I have is that it doesn't seem as innovative in theme display as his other films, there is a very clear tone and something rather simplistic about the whole thing.
  • July 23, 2008
    nominated for best foreign film by NBR

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