Valhalla Rising (2009)
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71% of critics liked it
(55 reviews) -
45% of users liked it
(14,609 ratings)
For years, the fearsome figure known only as One Eye (Mads Mikkelsen - PUSHER, FLAME & CITRON, CASINO ROYALE) has defeated everyone he's encountered, but he's treated more like an animal than a warrior. The only person he has any relationship with is the young boy who brings him food and water… More For years, the fearsome figure known only as One Eye (Mads Mikkelsen - PUSHER, FLAME & CITRON, CASINO ROYALE) has defeated everyone he's encountered, but he's treated more like an animal than a warrior. The only person he has any relationship with is the young boy who brings him food and water daily. Constantly caged and shackled, One Eye has drawn the attention of a new force now sweeping the countryside and displacing the society's leaders: Christians.-- (C) IFC Films
- Rating, Runtime
- Unrated, 1 hr. 30 min.
- Directed By
- Nicolas Winding Refn
- Genres
- Action & Adventure
- In Theaters
- Jul 16, 2010 Wide
- On DVD
- Nov 30, 2010
- Studio
- IFC Films
Critic Reviews
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Colin Covert, Minneapolis Star Tribune
It's a chilly, often slow, uncompromisingly harsh film, but Refn's images will sear your retinas.
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Ty Burr, Boston Globe
If only the pieces added up to an experience that sticks and that didn't finally succumb to a shrug of entropy.
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Robert Abele, Los Angeles Times
You sometimes wish Refn's gift for Ridley Scott-level mayhem had won the battle over his much iffier Werner Herzog leanings.
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John Anderson, Wall Street Journal
It's a trip into a primordial world and primeval sensibilities, and if you're looking to shake off the mall-movie blahs, there are few better places to look.
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Mike Hale, New York Times
Mr. Refn, who can pull off stylish brutality (in the Pusher films and Bronson), shows no knack for the kind of visionary, hallucinatory image making that would render Valhalla Rising memorable.
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Andrew O'Hehir, Salon.com
Lots of movies about the Middle Ages can do the mud and blood -- though we sure see a lot of both here -- but in this movie it's like Refn has ripped you out of time and dropped you there.
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Nick Schager, Lessons of Darkness
Mikkelsen verifies that, even without saying a word, he's an unnervingly unhinged presence.
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Dennis Schwartz, Ozus' World Movie Reviews
Filled with brutality.
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Josh Larsen, LarsenOnFilm
A mad meditation on the primeval nature of man, faith and survival, this is Apocalypse Then, and then some.
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Sean Axmaker, Seanax.com
Directed in moody and portentous strokes by Nicolas Winding Refn, this is the most abstract Viking movie you'll ever see...
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Christopher Lloyd, Sarasota Herald-Tribune
Less Braveheart than Aguirre, The Wrath of God, this evocative Viking tone poem contemplates the convergence between violence and religion.
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Paul Knoll, Metro Times (Detroit, MI)
A Nordic odyssey straight down to Jerusalem
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Nick Davis, Nick's Flick Picks
I appreciate Refn for pushing against conventions of rhythm, photography, subject, color, and form, and I don't mind that Valhalla Rising lacks a story so much as I question its reliance on enigmatic hints of some grand, over-arching abstraction.
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Shawn Levy, Oregonian
It's like a gorgeous graphic novel with a protagonist and story that vanish utterly from the mind as soon as the last page is turned.
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Walter Chaw, Film Freak Central
Aguirre as conceptualized by Jim Jarmusch and executed by Terrence Malick.
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Shaula Clark, Boston Phoenix
This is Aguirre, the Wrath of God, with the despondency jacked to 11.
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Annlee Ellingson, Moving Pictures Magazine
For an ugly, brutish, überviolent Viking epic, Valhalla Rising is gorgeous, each frame a haunting work of art. Refn's style, though, is unsustainable at feature length.
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Pete Hammond, Back Stage
In the mood for a slower-than-molasses viking movie inspired by spaghetti westerns and samurai swordplay epics. Have we got the flick for YOU!
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Jay Antani, Cinema Writer
so formless and arbitrary in meaning that it all borders on pretentiousness
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Chris Cabin, Filmcritic.com
a viking-adventure-cum-acid-trip
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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William D
How could it be? How could one man, Nicolas Refn, direct the best English-language film of 2011 so far ("Drive") and the worst English-language film of 2009 ("Valhalla Rising")? It does not compute. But there you have it. The crazy world of art. "Valhalla… More
How could it be? How could one man, Nicolas Refn, direct the best English-language film of 2011 so far ("Drive") and the worst English-language film of 2009 ("Valhalla Rising")? It does not compute. But there you have it. The crazy world of art. "Valhalla Rising" is a laughable stinker. I howled with laughter on at least 10 occasions, in between the naps I had to take during the glacially slow sequences of men walking across barren hills and wandering through fog -- and staring off into the distance silently. There is not a single female character in the film, incidentally. This is a film about MEN. The hero/anti-hero (or whatever), played by Danish actor Mads Mikkelsen, never utters a word. This is the Clint Eastwood school of the strong, silent manly man taken to absurd, unintentionally comedic extremes. Somewhere at the heart of this spectacular misfire are some interesting ideas about the collision (melding?) of Christianity and "paganism," both of the Nordic and Native American variety. But Refn was hopelessly incapable of getting those ideas out of his head and onto the screen. It will be interesting to see where Refn goes in 2012. Will he go back in the direction of "VR" or continue on the path he charted with "Drive"? It goes without saying that I hope it's the latter. -
Al S
An ultra-stylish, dark, moody and intensely brutal epic of bone-chilling power. An impressive, stunning and amazing feast for the eyes and ears that truly stays with you long after it's over. A viking acid-trip that showcases man vs. man, nature, and religon. It's a cool,… More
An ultra-stylish, dark, moody and intensely brutal epic of bone-chilling power. An impressive, stunning and amazing feast for the eyes and ears that truly stays with you long after it's over. A viking acid-trip that showcases man vs. man, nature, and religon. It's a cool, visually arresting and exhilarating action-packed thrill-ride has lots to offer. A gruesome and dreading atmosphere and compelling story keeps your attention to the end. Director, Nicolas Winding Refn is a true visionary filmmaker, crafting a bloody gorgeous and astonishing film that's destined to be a classic. This movie opens your eyes with some of the most mind-blowing realistic visuals in a while. A masterpiece. A trippy, gutsy and grim display of an stylish epic. This is one hell of an adrenaline-charged, heart-pounding and unforgettable movie. It's shocking and endlessly breathtaking. Mads Mikkelsen is riveting, his character says no words but you feel his intensity and power from only his stair. -
Dan S
An atmospheric, beautifully photographed film concerning the Crusades and a mysterious, mute, one-eyed warrior (Mads Mikkelson) who gets embroiled in religious arrogance during a murky time in the world's history. Although unrelentingly violent in spurts, this film is one of the… More
An atmospheric, beautifully photographed film concerning the Crusades and a mysterious, mute, one-eyed warrior (Mads Mikkelson) who gets embroiled in religious arrogance during a murky time in the world's history. Although unrelentingly violent in spurts, this film is one of the most beautiful and hypnotizing ones I have seen in quite some time. Sure, it is not as deep as it could be, nor does it end on a real strong note, but this thing is like a cross between a luscious Terrence Malick film with a Lars von Trier type plot set-up, so that alone makes it worth watching. Mikkelsen has a tough task at hand playing a lead who doesn't utter a word, but his intimidating performance still leaves an unmistakable impact. As said, it is imperfect, and I felt like it could have explored a couple of areas it only slightly touched on (madness, religious power, the physicality of man, etc.), but still a really gorgeous film to look at, and one definitely worth a view. -
Kristijonas F
This is a strange, strange film... Glimpses of visceral violence splashed against an eerie, atmospheric landscape. Not for everyone, but definitely a treat for those that enjoy the sounds of nature. Seriously - the script must have fit one one page. -
Steve K
The act of a highly visual director trying to reign himself in, this film fails to strike the right balance between ponderous and brutal. Also, it has no plot. -
Mark W
Director Nicolas Winding Refn has gained a bit of a cult following after his previous film "Bronson", about Britain's most notorious and violent prisoner. Now he gives another portrayal of a violent prisoner, in this art-house, ethnographic, dreamlike film. A… More
Director Nicolas Winding Refn has gained a bit of a cult following after his previous film "Bronson", about Britain's most notorious and violent prisoner. Now he gives another portrayal of a violent prisoner, in this art-house, ethnographic, dreamlike film. A thousand years ago, 'One-Eye' (Mads Mikkelsen), an enigmatic, mute warrior-slave, is freed from captivity and falls in with a party of Christian Vikings who set out for the Holy Land but cross the wrong sea, reaching a vast, overwhelming land with potentially hostile inhabitants. This is a film that's guaranteed to split audiences as it's definitely not for all tastes. It's a spiritual Viking film with a ghostly atmosphere permeating throughout and sudden bursts of graphic violence. It also has a highly effective meditative pace an ethereal feel but I struggled to find anything meaningful and seriously considered whether any of the actors knew what was going on either. They looked just as lost and bewildered as I did. Yes, it has shades of Werner Herzog and Terrence Malick but it's not quite as accessible as those directors. Winding Refn certainly makes it look the part though. The cinematography is gorgeous with wonderfully captured Scottish landscapes and every frame is a work of art but it left me feeling like I do about 'modern art', which is... Blah - pompous and pretentious claptrap. What I found most intriguing was how the actors could walk around the Scottish highlands, battling the elements without as much as a decent raincoat on. That's not an easy thing to do. I'm impressed. There's no denying it's hallucinatory beauty and must admit that it lingered long after it finished, but really, for me, it's Valhalla Shmalhalla. -
xGary X
An escaped warrior slave and a group of religious zealots seeking the holy land find themselves in unfamiliar territory when their ship loses its way in fog. Director Nicolas Winding Refn, responsible for the decent if somewhat cold and uninvolving Pusher trilogy, here enters Viking… More
An escaped warrior slave and a group of religious zealots seeking the holy land find themselves in unfamiliar territory when their ship loses its way in fog. Director Nicolas Winding Refn, responsible for the decent if somewhat cold and uninvolving Pusher trilogy, here enters Viking territory in this tale of strangers in a strange land. As an indicator of just how pretentious this film is, lead actor Mads Mikkelsen does not utter one syllable during the entire length of the film, Refn instead telling the "story" through endless shots of desolate landscapes shot through high contrast filters, men with beards staring into the distance and occasionally mud wrestling. Apart from the brief spurts of savage violence, absolutely nothing happens in this film. A few extras from Braveheart wander around the Scottish Highlands (I was previously unaware that Vikings all sounded like groundskeeper Willy), stab each other from time to time for reasons ill-explained and that, my friend, is it. The fancy visuals may fool some into thinking that this is art, but anyone with an ounce of common sense will see through this blatant attempt at Herzog mimicry as a load of tediously boring, pointless old cobblers. Well before the end of the first hour I was watching it on fast forward and if you can imagine how good a band called "Valhalla Rising" would be, then you've found the level of this film. Absolute tripe. -
Tsubaki S
Stunning visuals for a very pointless film. Aguirre and Apocalypse Now featuring vikings, but not as exciting as that sounds. Nicolas Winding Refn is another good director that needs a better script, and just better pacing. -
Stella D
portentous, pretentious, slow, bloody and very beautiful, recalling malick and aguirre, wrath of god. requires alot of patience and u still won't know what happened. could be edited into a great post-rock video -
Cassandra M
I was expecting an epic battle movie about Vikings (as my mistake was to not check who's the director) and hell was I mistaken. What was delivered was an astonishing movie about humanity. In my humble opinion this is a masterpiece, despite being visually and acoustically amazing… More
I was expecting an epic battle movie about Vikings (as my mistake was to not check who's the director) and hell was I mistaken. What was delivered was an astonishing movie about humanity. In my humble opinion this is a masterpiece, despite being visually and acoustically amazing it is an in-depth look into mankind as it is rarely found. There is a lot in this movie (which in itself is amazing when one is looking on the minimal use of words)and I have to admit I did not get all the hints and metaphors used. If you want entertainment go and watch something else use your brain and you will enjoy this movie! I normally do not write reviews or rate movies here but I strongly felt that this movie was underrated by a mile. Further, this reminded me to go and finally buy Denmarks best trilogy! -
Conner R
A completely visual experience, they might as well of had no dialogue at all instead of having some here and there. It's extremely beautiful and possesses a truly unique sense of doom. My only complaints would be the cgi blood and the fact that it's too short. I could have… More
A completely visual experience, they might as well of had no dialogue at all instead of having some here and there. It's extremely beautiful and possesses a truly unique sense of doom. My only complaints would be the cgi blood and the fact that it's too short. I could have watched this for three hours and barely scratched the surface of who the character of One-Eye really was. It reminded me a lot of The Seventh Seal, what with the commentary on early Christianity and a perilous journey in which the only outlook is hell itself. -
Greg S
A mute, one-eyed slave escapes from his Viking captors and joins a group of Christians sailing to the Holy Land to join the Crusades. Although it has the trappings of an adventure story (and plenty of gory violence), this is actually an arty religious allegory with obscure and… More
A mute, one-eyed slave escapes from his Viking captors and joins a group of Christians sailing to the Holy Land to join the Crusades. Although it has the trappings of an adventure story (and plenty of gory violence), this is actually an arty religious allegory with obscure and confusing symbolism; not completely successful, but the beautiful cinematography (filmed in the wilds of Scotland) and menacing score are immersive. -
Ken S
Tarkovsky does Conan in the Scottish Highlands. -
Lorenzo v
<i>"The boy said he was from hell ?"</i> 1000 AD, for years, One Eye, a mute warrior of supernatural strength, has been held prisoner by the Norse chieftain Barde. Aided by Are, a boy slave, One Eye slays his captor and together he and Are escape, beginning a… More
<i>"The boy said he was from hell ?"</i> 1000 AD, for years, One Eye, a mute warrior of supernatural strength, has been held prisoner by the Norse chieftain Barde. Aided by Are, a boy slave, One Eye slays his captor and together he and Are escape, beginning a journey into the heart of darkness. <center><font size=+2 face="Century Schoolbook"><b><u>REVIEW</u></b></font></center> I had reservations about whether I'd actually like this film, based on mixed reviews. Fortunately, I don't go by by reviews most of the time unless it's a comedy that I'm on the fence about. This, however, is a brilliantly dark and moody masterpiece. When you watch this film take my advice and don't try to think about it, take it in, go with it, and then let your breath out at the final scene. This film seems almost Fellini inspired, on a similar visual effect level as The Seventh Seal, also dark and moody. There are times when I honestly can't rationalize what is actually occurring on the screen. Frankly, don't even try to. You could be in a room with 10 people of various backgrounds and get 10 different interpretations of this film with the ending throwing away whatever interpretation you arrived at by mid film. Is this a SciFi film? Yes, no. Is it a religious journey? Yes, no. Is it a film you need to sit down with your favorite beverage and snack, having already used the restroom, and watch uninterrupted till the final credits? Yes! I could tell you many different reasons why this isn't mainstream entertainment and direct you to the same old and boring theater crap that's being released nowadays, but this is something so different that it needs to be watched. If you like cartoon ogre's and talking VW beetles you'll hate this. If you like real film this is a keeper. -
Luke B
Valhalla Rising is, in equal portions, a brutal, violent manly smackdown and a cool, calm, thoughtful film. The incredible Mikkelsen plays a one eyed fighter that journeys with some Christians to a new world which may or may not be Hell. Most of the focus here is towards the scenery… More
Valhalla Rising is, in equal portions, a brutal, violent manly smackdown and a cool, calm, thoughtful film. The incredible Mikkelsen plays a one eyed fighter that journeys with some Christians to a new world which may or may not be Hell. Most of the focus here is towards the scenery and nature itself. For good reason too. We gradually see these God fearing men break down in a stream of violence and confusion. It's like Lord of the Flies with adults. Fans of Terence Malick's work may be impressed here, but there's a good chance that the slow pacing but graphic violence may chase off a wide audience. Still, I never found it's meditative tone to be dull, and the action is harsh but engaging. -
Walter M
In "Valhalla Rising," a group of vikings are desperately lost on their way to the Holy Land after making a wrong turn at Albuquerque and do not of course stop and ask for directions.(To be honest, they probably had no idea where Jerusalem was in the first place and just… More
In "Valhalla Rising," a group of vikings are desperately lost on their way to the Holy Land after making a wrong turn at Albuquerque and do not of course stop and ask for directions.(To be honest, they probably had no idea where Jerusalem was in the first place and just headed off in a random direction.) So, of course, the new guy, One-Eye(Mads Mikkelsen), accompanied by a young boy who acts as his mouthpiece, gets all the blame. That's what happens due to their being less interested in his mapreading skills than his killing ability which he demonstrated when he escaped from being forced to fight in death matches after negotiations fell through with his masters. With "Valhalla Rising," Nicolas Winding Refn takes a page out of the Tarkovsky/Herzog/Malick playbook in trying to explore the difference between superstition and madness. Along these lines, it is about how everything is relative and one person's paradise can be another person's hell. This interferes with the characters possibly realizing the historical significance of what they have accidentally accomplished. Outside of that, there is not much of a story really, with little dialogue(first words are spoken at 7:20), highlighted with spectacular visuals, some touched up. -
Ryan M
4.8/10 "Valhalla Rising" had the potential to be very entertaining. It comes off as sort of entertaining, but not to an extent at all. In fact, one could even call it boring. There is visionary inspiration to be found in this film, but it's far too slow-paced… More
4.8/10 "Valhalla Rising" had the potential to be very entertaining. It comes off as sort of entertaining, but not to an extent at all. In fact, one could even call it boring. There is visionary inspiration to be found in this film, but it's far too slow-paced and self-absorbed for my liking. I just can't seem to shake the feeling that "Valhalla Rising" doesn't give a damn about what I or anyone else thinks about it, and therefore it goes all-out with pretentious religious symbolism and flawed quest/story-telling. Instead of entertaining us as much as it could, the film goes off the rails. I'm not saying that "Valhalla Rising" is a bad film, but it is none the less a missed opportunity. I saw it because I was told that it had distinctive visuals, and whoever told me so was indeed right about that. But they forgot to tell me that there should be a story going on, for this is no pointless account. The story should be coherent, but instead it's sloppy and slow. The difference between this and other slow-moving films (some of which are classics) is that those films managed to build something up along the way. I don't feel that "Valhalla Rising" is doing this all for nothing, but what it builds up is nothing short of a pure disappointment. If the ending shouts "sequel", then I will know that this is no better or worse than other generic Hollywood-fare. This is, or course, not a Hollywood produced film. And if you get the impression that it feels like one, then you are sorely mistaken. This has the look and feel of a good ol' indie film, but lacks the heart and spirit to push itself beyond the short-comings. I can't recommend it; but I cannot forbid you from seeing it. You may come across it in your time, although this is another indie film that sounds almost too good to be true. It seems to promise somewhat of a surrealistic Viking adventure, complete with hallucinogenic sequences. If the Vikings tripped acid, this would be their savage trip of raw endurance. It even tests our own endurance. But does that really matter? When a film really has to test how long we're going to stay interest, I don't suppose it does. This film does not tell a story. It documents a quest, but never goes by a story. It is to be descent into the figurative depths of hell itself, and manages to succeed in doing so in a number of ways. The film's character is One Eye, a mute warrior who has evaded his former captors and gone on an epic quest to discover the Holy Land. Along with him he brings a young boy named Are. One Eye proves to be influential within the film's universe which it creates, although I wouldn't call him a character. I will not further spoil any more plot elements since this film doesn't actually have a plot. It's a journey that goes absolutely nowhere aside from inside the head of its "character". One Eye does suffer from hallucinations, which are more infrequent than they should be. These sequences help to give "Valhalla Rising" a sort of hallucinogenic feel; and it might as well be described as "Fear and Loathing in Las Vegas" for the Viking era. That is, if the Vikings tripped acid to begin with. The film is definitely interesting in some instances-particularly the hallucination scenes-although most of the time it feels a bit unengaging. The film attempts to embed complex symbolism into the mix, although fails to do so without feeling over-heated. All in all, the film feels self-absorbed. It's careless about the preferences of others, and it should have been more entertaining than it actually is. "Valhalla Rising" is-so to speak- a brutal loss for the very talented Nicolas Winding Refn. Perhaps it's a good thing that the main character never talks. That gives him the ominous, anonymous feeling that the director was shooting for. However, he still expects us to want to follow this man in his journey, which is kind of impossible when he never talks. To call Mads Mikkelsen's efforts a performance would be somewhat of an overstatement. It's not hard to keep mute, and maybe that's for the better in spite of the circumstances. The rest of the actors talk, but that shouldn't imply that any of that makes them better. In fact, all men are equal in "Valhalla Rising". The talent in front of the camera cannot be called misused, although it cannot be called talented either. I feel as if something has gone to waste, although I don't want to say that it is the cast. Perhaps it is instead a problem with the man behind the camera. This is his vision, but it's a flawed one in spite of how nice it looks and how much spectacle it has. If it says anything, "Valhalla Rising" looks mighty fine. I really digged the visual style; I mean, who wouldn't? It's effective in its hallucinogenic appeal, although I can't say it was truly amazing. It's nothing special as far as visual spectacle goes, although it ties in almost perfectly with the vision that has been attempted here. The most entertaining scenes on display here are the ones in which One Eye is hallucinating. These scenes were very well done, but they didn't go on long enough-or appear enough-to satisfy me on a solid level. The music is also fitting to the atmosphere, which did what it wanted to do; make the audience uneasy due to its almost psychological nature. This film is indeed unique in its wish to be a more psychological conquest, but I can't say that it is superior in the vision it conveys. It looks nice, but it's also chock-full of pretentious symbolism, brutality, and ridiculously slow-pacing. Perhaps Nicolas Winding Refn does not care whether the audience wants to watch his film, but he's no Lars von Trier in his wish to create a personal project. He has not-perhaps-created art with "Valhalla Rising". He nearly does, but in a hit-or-a-miss situation, he gets a definite miss. His film is not a bad one, but it's a disappointment by any other name. Alas, it feels like somewhat of a burden to sit through. It's certainly not meant to be amusing, but it's seldom entertaining and lacks any true source of potential greatness. It could have been better, for sure. And it also could have been great. But at last, it's a minor failure for the director. But I see talent in the man. Go on, Refn, and make something more worthy of your visionary talent. Perhaps next time, you won't divide audiences as harshly as you did here. Your aim is stronger than your execution, and that's an uneven sort of thing to be tempering with. I just thought that I would note that this film does not in any way relate to the novel of the same name, which was written by author Clive Cussler. However, if it had been an adaptation of a book with a solid premise, then maybe it would have been better. But then again, "Valhalla Rising" had a solid premise. It still does. The problem is that it's carried out in all the wrong ways. It does not insult one's intelligence; it is not dumb. But it's not smart either, for it exploits brutality and pretentiousness without much wit or substance to back it up. Overall, it felt bleak and empty to the core. It's not bad; it's not good; and it sure as hell wasn't something I would recommend to most readers. However, if you're a fan of bleak films, then this might be your cup of grim. But how many of us actually want to watch something as grim as this? Be honest with yourself. "Valhalla Rising" is restrained due to a lack of ambition and a sense of self-admiration that can only get it so far as petty mediocrity. It is forgettable in essentially every way. But why do they make films like this? To portray the path of the mute warrior, perhaps? That may be so. It also may be that people are confident that they can make art out of premises such as this one. But why don't they succeed. Well, I can sympathize for them. Especially when they're indie filmmakers. Hollywood filmmakers have too much money to earn my sympathy when it comes to films like this, and I'd think that an indie filmmaker from Denmark could make something better. Alas, this is just one of those times where a good vision descends into nothing more than a depressing, forgettable trifle. That's probably what "Valhalla Rising" is. A trifle. -
Aladdin S
Valhalla Rising came out of nowhere, the trailer looked promising and had a "300" vibe to it. It looked stylized but realistic, brutal and with a respectable story. A plethora of aspects were extremely disappointing. The first few minutes are an outstanding way to start off… More
Valhalla Rising came out of nowhere, the trailer looked promising and had a "300" vibe to it. It looked stylized but realistic, brutal and with a respectable story. A plethora of aspects were extremely disappointing. The first few minutes are an outstanding way to start off this film, but the fifty minutes after are extremely boring. I was tempted to leave. While I enjoy a nice story with brutal action, there isn't much of a story here. It's more about the mythology than the story., and you'll hope for something to occur as each pointless minute passes along until the credits start to roll. It is one that is open to interpretation but most people won't bother. It simply doesn't make sense, and it has that "House of 1000 Corpses" random picture factor that gives it an easy way to be called unique. "One Eye" was the only iconic character in this film, the rest have a 21st century feeling in the way they look and dress. The world was often too grim and dark to fully enjoy the scenery. The attention to detail is impressive but felt only known to the writers as Valhalla Rising failed to present what it wanted to towards the audience. I do applaud the filmmakers for creating a respectable indie film with their limited resources. Its' best features are the voices/sound effects, the vibrant (almost pink) blood in the dark setting and the brutal (but limited) action sequences. Simply put, I am extremely disappointed. In the end, if you're looking for a brutal film with an epic storyline, you won't find one here. If you want something unique to everything else out there, a film with an underlying deep meaning like no other film out there, you may find Valhalla Rising worth your time. Audiences will be split. -
Grant B
So far, this is my favorite film of 2010. The film follows the mute viking warrior "One Eye" and his living voice in the form of a boy named "Are" as they travel and kill their way through Europe. "One Eye" is described as being a "savage from… More
So far, this is my favorite film of 2010. The film follows the mute viking warrior "One Eye" and his living voice in the form of a boy named "Are" as they travel and kill their way through Europe. "One Eye" is described as being a "savage from Hell" and when he joins a group of Christian warriors on route to the Holy Land, the faith and mentality of all will be tested. Beautifully shot in a unique style, this film does not disappoint. Wildly brutal and intensely graphic, this film is not for people with light stomachs. Although the film's meaning is not very specific, it's clear that the film was designed for open interpretation. Almost filmed in a vision-like format, the movie has an artistic and dream-like feel that is haunting yet powerful. The soundtrack does not distract from the film, but rather aids to the film in the same way that lighting texturizes Valhalla's imagery. The film is so imagery driven, that dialogue is almost an afterthought, but one that cannot be ignored. If you can handle this film and its graphic nature, then pursue it! -
Christopher H
Visually striking and deeply rooted, Valhalla Rising tells the story of an escaped savage and his trek across the arid land with a young boy in tow. The lack of dialogue forces the film to be very visually heavy, and the cinematography holds strong from beginning to end. Despite the… More
Visually striking and deeply rooted, Valhalla Rising tells the story of an escaped savage and his trek across the arid land with a young boy in tow. The lack of dialogue forces the film to be very visually heavy, and the cinematography holds strong from beginning to end. Despite the gruesome reality depicted in the film, Valhalla Rising is able to capture the viewer's attention with leading man Mads Mikkelsen as well as the extremely realistic world of 1000 AD.
Cast
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Mads Mikkelsenas One Eye -
Alexander Mortonas Barde -
Maarten Stevensonas The Boy
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Gordon Brownas Hagen -
Stewart Porter -
Andrew Flanaganas Gudmond
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Gary Lewisas Kare -
Jamie Sivesas Gorm -
Gary McCormackas Hauk
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Ewan Stewartas Eirik -
Matthew Zajacas Malkolm
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