Viskningar och Rop (Cries and Whispers) (1972)

Featured Audience Ratings

• Bob S

  
  Ingmar Bergman, 1918-2007

• Cassandra M

  
  In a perfect demonstration that horror and trauma are the stuff of real, everyday life and not the macabre vision of fantasists, Cries and Whispers marked Bergman's recovery as one of Europe's greatest film directors. Like most Bergman films, Cries and Whispers is concerned… More
  In a perfect demonstration that horror and trauma are the stuff of real, everyday life and not the macabre vision of fantasists, Cries and Whispers marked Bergman's recovery as one of Europe's greatest film directors. Like most Bergman films, Cries and Whispers is concerned with death, the suffering before death and the re-evaluation of life that death brings. It centres on three sisters: one dying of cancer, another trapped in a repellent marriage, and the last engaged in an uncomfortable affair. Moving between these three women is the maid, who tends the dying woman in her agony and, in one stunning scene, holding her to her naked bosom like a mother holding a child. It is not, then, a barrel of laughs. Bergman films are not often for casual viewing, and I certainly won't be taking this one home to watch with my mother. Like a great classical composer, Bergman uses contrast to enormous effect. Muted sounds which force you to strain to listen are punctuated with heart-rending screams from the dying Agnes. The colour scheme is a disquieting red, fading into pastoral greens and blues as the women reminisce about their younger life. The characters also contrast uncomfortably. The two younger sisters, Karin and Maria, are sitting the deathwatch for their sister, but their task arouses no compassion in them. They are appalled and repelled by their sister's suffering, but they will not hold her hand or comfort her. The mutual dislike for each other is palpable. This contrasts with the simple humanism of their maid Anna ? whom they callously talk about firing, once their sister is dead. Set in the late 19th Century, the story flits intermittently between present and past, fleshing out the motivations and the stories of the sisters. One of these flashbacks confronts the audience with one of the most disturbing image in cinema, a repressed Karin cutting her vagina with glass to avoid sex with her husband. Only a director of Bergman's calibre could make such a film riveting. Yet riveting it is. Bergman gets sensational performances from his four main leads; regulars Liv Ullmann, Ingrid Thurin and Harriet Andersson and a majestic, understated Kari Sylwan. To call this film Ibsenesque would be a slur on the originality of Bergman's vision. It is a testimony to his genius that this may not be his best film, yet it is one of the most striking films in modern cinema. I cannot recommend it highly enough.

• Dillon L

  
  Gorgeously filmed, and emotionally resonant. Not the best Bergman film I've seen, but a great film still. Frightening, hypnotic, contemplative, and even somewhat disturbing. A good film for discussion.

• Alec B

  
  I think that one of the character's flashbacks, involving a piece of broken glass and smeared blood, is a little too grotesque and unnecessary for the story, but as usual Bergman triumphs on the whole with this film. Each scene is beautifully shot and full of startling images.… More
  I think that one of the character's flashbacks, involving a piece of broken glass and smeared blood, is a little too grotesque and unnecessary for the story, but as usual Bergman triumphs on the whole with this film. Each scene is beautifully shot and full of startling images. And I love that so much of the film is devoted to the fear of and the power of physical contact.

• Edward S

  
  Excruciatingly slow-paced, at some points even discrepant, "Cries and Whispers" is emotionally complex and unnerving in its abreactions on life and human interaction. It's almost confusing in its fluidly wandering states of catharsis, but it's meticulous,… More
  Excruciatingly slow-paced, at some points even discrepant, "Cries and Whispers" is emotionally complex and unnerving in its abreactions on life and human interaction. It's almost confusing in its fluidly wandering states of catharsis, but it's meticulous, manifesto-type qualities make it a well-revered masterpiece. Its stark, ethereal power is, perhaps, better surmised on multiple viewings.

• Robert F

  
  Haunting portrayal of pain, malady, sorrow, and death.

• Emily B

  
  I think I need a break from Bergman, he leaves me emotionally drained! "Cries and Whispers" focuses on three sisters, one of which is in her last days of her struggle with cancer. Ullman, Thulin and Andersson who play the sisters each put in an amazing performance, though… More
  I think I need a break from Bergman, he leaves me emotionally drained! "Cries and Whispers" focuses on three sisters, one of which is in her last days of her struggle with cancer. Ullman, Thulin and Andersson who play the sisters each put in an amazing performance, though not to forget Kari Sylwan, who is equally as impressive as Anna the maid. "Cries and Whispers" is by no means easy to watch, some of the scenes wouldn't be out of place in a horror movie. The scenes before Karin's (Andersson) death were particularly distressing and realistic. Then of course there is that famous mutilation scene. I know alot of the reviews here have already mentioned Bergman's use of the colour red and Sven Nykwist's cinematography but it really is outstanding. Bergman himself said that " 'Cries and Whispers' is an exploration of the soul, and ever since childhood, I have imagined the soul to be a damp membrane in varying shades of red." One of the great Bergman's best in my book.

• Anthony V

  
  Depending on your tastes you'll either love it or hate it.

• Tom S

  
  I struggled to relate to the characters in this movie. They were just so cold. I was, however, very interested in them.

• Linda K

  
  Excellent film! If you watch it, pay attention to the color RED!

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