Visual Acoustics: The Modernism of Julius Shulman

Visual Acoustics: The Modernism of Julius Shulman (2008)

  • 94% of critics liked it
    (17 reviews)

  • 82% of users liked it
    (437 ratings)

For years, journalists have pontificated at length on the importance of modernist architecture in contemporary society, even dissecting its angles, proportions, and overall aesthetics. But what of the visual artists responsible for bringing views of this architecture to the mass public? Time and… More

Play Trailer

Unrated,
Directed By
Written By
Eric Bricker, Phil Ethington
Genres
Documentary, Musical & Performing Arts, Special Interest
In Theaters
Oct 16, 2009 Limited
Submarine Entertainment

Critic Reviews

  • Ty Burr, Boston Globe

    Precise as a blueprint, the film convinces you of Shulman's worth (and, by extension, of the architects he helped immortalize) without imparting the passion the filmmakers so obviously feel. It's functional, but it could have used a little more form.

  • Carrie Rickey, Philadelphia Inquirer

    Eric Bricker's glowing portrait of Shulman uses its subject's photos to persuade the viewer that one picture is worth a thousand architectural masterworks.

  • Peter Rainer, Christian Science Monitor

    Bricker doesn't have much filmic pizazz, but Shulman's photos encompass the entire history of modernist architecture.

  • Walter V. Addiego, San Francisco Chronicle

    The Shulman we see is a man of sharp humor, with an ego to match some of the architects he worked for. He's been slowed down by time, but relishes all the attention lavished on him as a living master.

  • Kenneth Turan, Los Angeles Times

    Visual Acoustics is nominally about the life and career of landmark Southern California architectural photographer Julius Shulman, but it's more about the buildings he photographed than it is about him. Which is probably the way he'd like it.

Read all 15 critic reviews

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Featured Audience Ratings

  • Bill C


    I am a great fan of modernism and Shulman's work. I was really hoping for more of his work and perspective, Bricker's film just has a post-modern feel that would make Shulman roll over in his grave. If Shulman had lived through the completion of the project the would have… More

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