Featured Audience Ratings

• danny d

  
  one of kurosawa's earliest films, this one has his characteristic great diologue and thoughtful presentation. this is one of my least favorite kurosawa films, it starts well and sort of loses something along the way and the film drags you through things unnecessary to the story.… More
  one of kurosawa's earliest films, this one has his characteristic great diologue and thoughtful presentation. this is one of my least favorite kurosawa films, it starts well and sort of loses something along the way and the film drags you through things unnecessary to the story. but it was still very good in most respects. when one of kurosawa's worst films could be this good, its just more evidence that he was a master filmmaker.

• Walter M

  
  [font=Century Gothic]"In Dr. Johnson's famous dictionary patriotism is defined as the last resort of a scoundrel. With all due respect to an enlightened but inferior lexicographer I beg to submit that it is the first." - Ambrose Bierce[/font] [font=Century… More
  [font=Century Gothic]"In Dr. Johnson's famous dictionary patriotism is defined as the last resort of a scoundrel. With all due respect to an enlightened but inferior lexicographer I beg to submit that it is the first." - Ambrose Bierce[/font] [font=Century Gothic][/font] [font=Century Gothic][/font] [font=Century Gothic]"No Regrets for Our Youth" starts with a group of university students on a leisurely hike when suddenly the gunfire of army maneuvers punctures the calm. Later, what is initially thought to be a snake invading their paradise turns out to be the body of a fallen soldier.[/font] [font=Century Gothic][/font] [font=Century Gothic]It is 1933 and Japan has invaded Manchuria which Professor Yagihara(Denjiro Okochi) opposes. His subsequent firing sparks protests not only on campus in Kyoto, but also nationwide. Trying to stay out of the fray, his daughter Yukie(Setsuko Hara) is torn between two fellow students, Noge(Susumu Fujita), leader of the student movement, and Itokawa(Akitake Kono). The protests are quickly crushed by authorities, sending Noge to jail while Itokawa becomes a prosecutor.[/font] [font=Century Gothic][/font] [font=Century Gothic]Inspired by real events, "No Regrets for Our Youth" is an inversion of the basic war propaganda movie, advising the populace to not follow the mob but to take a firm stand for what it believes in. Along these same lines, Japan during World War II is portrayed as not being as fanatical as it had been elsewhere. I was pleased to see that peace movements are timeless and universal but also distressed that so is red baiting. As political as this movie is, it is first and foremost a compelling story of personal discovery with a rare female protagonist from Akira Kurosawa that does admittedly drag a little in the middle.[/font] [font=Century Gothic][/font] [font=Century Gothic][/font]

• Gevvy S

  
  More of an artistic touch present in this film than in Kurosawa earlier films. This film is well shot, but a little slowly paced that it becomes boring at times to watch. It is a provocative depiction of the struggle of a women. A great look into the lives of students and… More
  More of an artistic touch present in this film than in Kurosawa earlier films. This film is well shot, but a little slowly paced that it becomes boring at times to watch. It is a provocative depiction of the struggle of a women. A great look into the lives of students and revolutionaries in Japan during the 1930s. Denjiro Okochi and Susumu Fujita deliver performances which completely made me forget they acted in the Sanshiro Sugata films not so long before this film. Long time Kurosawa collaborator, Takashi Shimura, makes a brief appearance as a not so sympathetic police officer but nonetheless makes his mark on the film with his famous ruminative expression. The most credit goes to Setsuko Hara, with whom I fell absolutely in love with in Ozu's Tokyo Story. Hara undergoes a dynamic change and her ability to show growth and maturity despite being so good at acting as an once naive and careless city girl was very surprising and convincing to watch. Her portrayal of her character is masterful as she enters the rural farmlands to help her in-laws. This is a must-see film from Kurosawa because it is his first real attempt at a serious and complex film and for Hara's brilliant performance.