The weaker (and first) entry in the Whispering Corridors "series" is a very intelligent and sensitive film in its own right. The problem is that, for whatever reason, I never felt particularly engaged by it. Unlike in "Wishing Stairs" and (especially)… More
The weaker (and first) entry in the Whispering Corridors "series" is a very intelligent and sensitive film in its own right. The problem is that, for whatever reason, I never felt particularly engaged by it. Unlike in "Wishing Stairs" and (especially) "Memento Mori" the characters never truly called to me. I watched the film unfold but was never exactly in the middle, and believe me I gave it many chances.
At its core, the film is an exposé of the appalling ammount of physical and verbal violence inflicted upon students by their teachers in the South Korea educational system. With pressures to get into college and be "successful" while maintaining a docile, hardworking demeanor coming from everywhere, it is not uncommon for a student to commit suicide. It is very telling that the film goes out of its way to show the teachers as the bullies. There is conflict among the girls, arguments and even the occasional tussle, but they are all equally appalled and empathic when a teacher beats one of his students, be she the most or least popular in the school.
The ending manages to generate the pathos that (to me) had been sorely lacking for the first hour and 20 minutes. Once we find out exactly what is going on, and why, it is as heartbreaking as anything in the other two entries. The final shot, a typical double-twist ending, oddly enough does not feel out of place. It was certainly not attached with the idea of a sequel in mind and is very much in tune with the themes the film has raised. I may not have missed it if it had been cut, but it makes perfect sense and does not feel cheap or out of place.
The direction is rather flat a lot of the time. The photography is grainy and the film is not particularly well lit. The editing, on the other hand, is fantastic. There are sequences, large and small, that are given life sheerly by the way they are cut. One of the creepier sequences involves a series of jump-cuts of a person approaching another. The whole thing takes 2 seconds, the camera never moves, and the effect is jarring, almost like stop-motion. I also quite liked the way the discovery of the opening suicide was cut. The performances are, for the most part, quite good. Even the teachers, though their behavior may be over the top at times, never absolutely chew up the scenery.
I will watch this one again, to see if I am more involved from frame-one this time. Even if my opinion remains the same, however, this is still a good, intelligent film very much worth watching. That this is the weaker "Whispering Corridors" film (despite being the first) is akin to saying "Return of the Jedi" is the weakest of the Holy Trilogy. It is only weaker by comparison.