William Eggleston in the Real World (2005)
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89% of critics liked it
(18 reviews) -
58% of users liked it
(466 ratings)
Photographer William Eggleston created a sensation in the art world in 1976 when a collection of his work went on display at the Museum of Modern Art. While the Memphis native's work went against the grain of the conventions of art photography of the day with their heavily saturated colors and… More Photographer William Eggleston created a sensation in the art world in 1976 when a collection of his work went on display at the Museum of Modern Art. While the Memphis native's work went against the grain of the conventions of art photography of the day with their heavily saturated colors and oblique, seemingly careless framings, in time critics developed an enthusiasm for his work, and one critic cited the show as "the beginning of modern color photography." Filmmaker Michael Almereyda is an admirer of Eggleston's photography, and created a film portrait of this reclusive artist as he shoots a commissioned assignment in Kentucky, travels to Los Angeles for a show, conducts a joint question and answer session with author Bruce Wagner, and explores the nooks and crannies of the small Tennessee towns that provide his inspiration. Along the way, Almereyda attempts to interview Eggleston and comes up against the brick wall of the photographer's reluctance to discuss his art -- as Eggleston says, "Whatever it is about pictures, photographs, it's just about impossible to follow up with words. They don't have anything to do with one another." ~ Mark Deming, Rovi
- Directed By
- Michael Almereyda
- Genres
- Documentary, Musical & Performing Arts, Special Interest
- In Theaters
- Aug 31, 2005 Wide
- Studio
- Palm Pictures
Critic Reviews
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Mark Feeney, Boston Globe
William Eggleston in the Real World offers an admiring and affectionate, if also unillusioned, view of its subject at work, play, and not much of anything (a suitably Egglestonian activity).
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Frank Scheck, Hollywood Reporter
The result isn't particularly mesmerizing, but it does offer a well-rounded portrait that will be of particular interest to photography lovers.
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Jami Bernard, New York Daily News
Eggleston's rigor might be mistaken for languor, but Almereyda has just the temperament to get it right.
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Ronnie Scheib, Variety
Ultimately, biodoc is less about Eggleston living in the 'real world' than about Almereyda filming there.
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Jan Stuart, Newsday
Consistently more intriguing than Almereyda's recent documentary of a Sam Shepard play rehearsal (This So-Called Disaster), in part due to the subject's taciturn nature and his disinterest in the hows and the wherefores of his craft.
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