Val Kilmer, Carrie Fisher, Dylan McDermott

In the police investigation of a brutal crime scene, one man was at the center of it all: legendary porn star John Holmes.

Flixster Users

71% liked it

14,142 ratings

Critics

35% liked it

98 critics

R, 1 hr. 46 min.

Directed by: James Cox

Release Date: October 3, 2003

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DVD Release Date: February 10, 2004

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Flixster Reviews (769)


  • June 4, 2009
    apart from the great soundtrack it was average. it's some extra knowledge but that's about all. saying that it's probably val kilmers best acting. i've never really noticed him in any of his other starring roles
  • February 23, 2009
    *yawn*
  • August 22, 2008
    Brilliant performance from Val Kilmer. His best work next to "the Doors."
  • March 1, 2008
    Very gritty and very well done. I wasn't familiar at all with the story, so I found it all the more gripping.

    I love how the movie starts off, fast paced, choppy, showing passage of time with newspapers and TV Guides was fun to watch.

    Val Kilmer is amazing. All the acting...( read more) in this movie is good, but Kilmer nails his role.

    The story kept you guessing, you never really know who to believe, and even at the end you don't have a real clear picture of what truly happened.

    It ends up being more of a police investigation movie, which is fine, just unexpected.

    The only thing I have against this movie is how abruptly it seemed to end. They drag on the whole mystery/investigation story, and then it just kinda wraps it all up in a few minutes and ends. Granted the last 10-15 minutes are still pretty intense.

    Overall, a great watch. Interesting story that is very well done.
  • February 15, 2008
    The Wonderland Murders--I might have heard the phrase before, but that's the most I heard, I can't say I knew much of or about them otherwise until I saw this film. Obviously, I take with a grain of salt the idea that after viewing it I know much factual--though it has been sugge...( read more)sted that it is fairly accurate--but certainly when, where, who and the essence of how was made clear, even if not a guaranteed accurate why.

    Val Kilmer takes on the third real-life role I can think of off the top of my head, previous roles being Elvis (!...ok, his ghost) in True Romance and most famously Jim Morrison in The Doors, this time playing famed porn star John Holmes (he of the exaggerated nether regions, to the point that his name is now used almost like an adjective to describe anyone so endowed) after his "adult film" career in the early 80s, struggling to stay afloat through massive drug addiction (primarily cocaine, it appears) with his sometime girlfriend Dawn Schiller (Kate Bosworth). The only dealer left in town who will take enough pity on him to keep him in said drugs is Ron Launius (Josh Lucas) and his gang, which keeps a "headquarters" in the Wonderland Ave. home of Billy Deverell (Tim Blake Nelson, who I last saw as the rather befuddled and somewhat disturbing best friend in The Good Girl, if memory serves). As the movie opens, Dawn has escaped John's manipulations when she is picked up by the do-gooder Sally Hansen (Carrie Fisher), but John finds her and takes her away, and in a drugged haze we witness several events from a distance which are later to play into the murders the movie is centered around. We only see John coming and going most of the time, not knowing for certain where he had gone most times. When the murders are announced after his final return, the news report is used to bring us instead to David Lind (an unusually biker-y Dylan McDermott, complete with beard, sideburns, and nearly shoulder-length hair) who comes to the crime scene, and then begins telling his story to Detectives Nico (Ted Levine) and Cruz (Franky G). He heavily incriminates Holmes as the culprit, reciting his involvement with the robbery that likely inspired the murders as retaliation--that of Eddie Nash (Eric Bogosian--who I was pleased to see again after his excellent performance in Talk Radio) who was a notorious drug dealer in 80s Los Angeles.

    We find ourselves viewing yet another incarnation of Rashomon--when Holmes is picked up, he, too, gives his report of the events, incriminating Lind instead as the primary cuplrit, though with the same essential events as the fault, being the original robbery and retaliation. Throughout we see glimpses of others' views, Dawn remembering John pimping her out to Nash in a rather harrowing sequence of memories, John's estranged wife Sharon (Lisa Kudrow--showing chops I was pleased to find she had, as I have little love for Friends, and it's nice to see that Jennifer Aniston was not the only hidden female talent there) recalls an event that the real-life Sharon revealed after Holmes' death--he visited her the night of the murders covered in blood.

    The film is assembled in a very modern style--rapid cutting, shaky cameras and camera tricks like a rolling set of frames within a single frame of film, as if we are seeing two or three films run simultaneously. It's a little tired these days, but is well done enough that it simply holds none of the magic it used to, but is not intrusive. But these and the multiple viewpoints of the film do not seem to be in operation to convince us of their radical originality--which is thankful, because they aren't--but rather to convey the drug-addled sense of the film. Kilmer is interestingly distant as Holmes, never seeming close to the audience, almost mysterious and enigmatic as he sort of wanders into scenes and causes mayhem then wanders out. In a strange way, he almost comes off as blameless--though more accurately as a drugged-out dope who is really more pathetic than anything else, barely able to recognize the real world, let alone properly interact with it. Bosworth perfectly manages to capture the look of the girl who doesn't know what's best for her and continues to stay with the man who--however unconsciously or guiltily--abuses and uses her.

    Of note, without a doubt, though, is the music. There's a fantastic set of songs hiding throughout here, with great cuts from the likes of Robert Palmer (showing his funkier side, as seen most often when he collaborated, as here, with Lowell George of Little Feat), Bad Company, The Cars, Roxy Music, Free, Funkadelic, Ted Nugent, the Stooges (from my favourite album, no less!), Patti Smith, Leon Russell (criminally underused and lesser known, despite The Wonder Years famous use of his arrangment of "With a Little Help from My Friends"--associated more with Joe Cocker, who simply put his, admittedly good, pipes to use on it), and of course Dobie Gray's classic recording of "Drift Away." But behind that, we have a score to reckon with from Cliff Martinez, who also scored Traffic and Solaris for Steven Soderbergh and, a personal favourite, Joe Carnahan's Narc. The man knows how to use ambient synthesizer sound to amazing effect, conveying moods with simplistic and minimalistic sound reminiscent--in my eclectic experience--of the Aphex Twin's Selected Ambient Works Vol. II. Simple sounds repeated and modulated behind action are not intrusive, yet remain infectious. When John places Dawn into a bathtub to clean her after her "experience" with Nash, Martinez' music is very basic but unbelievably ominous, a similar effect achieved during the depiction of the murders that appears near the end of the film, a sequence that manages to be far darker and more disturbing than anything else in the film without completely separating the sequences tone from the rest. Martinez music here is absolutely unsettling, as we see barely visible images of the murders being carried out.

    I think I read mixed reviews of this film originally, but I don't think, in retrospect, they were exactly founded. It was a very solid film, with which I have very few complaints.
  • November 18, 2009
    I really liked the style and the look of the film. What made it sub-par to others like it (Zodiac, Summer of Sam) was the choppy editing. It's sad that such a small component can ruin a movie. Other than that, I loved the acting and the story. Val Kilmer was the perfect self abso...( read more)rbed moron.
  • October 21, 2009
    Junkies make me sick.
  • October 18, 2009
    Val Kilmer plays a good gritty burnout.
  • September 5, 2009
    If you have seen Boogie Nights then you have an idea what this film is about. This follows Johnny Wadd in the days leading up to the massacre he was part of.
  • August 31, 2009
    defn8ly not interested

Critic Reviews


July 29, 2005
Nick Schager, Lessons of Darkness

Unwarrantedly interested in B-list celebrity-gone-to-seed. full review

October 24, 2003
Liam Lacey, Globe and Mail

The main interest here is the acting, which is, by turns, entertaining or just entertainingly bad, with lots of grungy seriousness and Method-trained twitching, but also some moments of real gusto. full review

October 17, 2003
Moira MacDonald, Seattle Times

Not quite the second coming of Boogie Nights. full review

October 17, 2003
Roger Ebert, Chicago Sun-Times

True crime procedurals can have a certain fascination, but not when they're jumbled glimpses of what might or might not have happened involving a lot of empty people whose main claim to fame is that t... full review

October 17, 2003
Ty Burr, Boston Globe

Wonderland skips lightly along the sewers of human depravity as if the trip alone was worth the telling. full review

October 16, 2003
Colin Covert, The Minneapolis Star Tribune

Wonderland aspires to the grisly poetry of a James Ellroy novella but only achieves the ugliness of an 8-mm loop. full review

October 2, 2003
A.O. Scott, The New York Times

The high quality of most of the acting makes this otherwise pointless and indulgent movie at least watchable. full review

September 25, 2003
Peter Travers, Rolling Stone

... character gets sacrificed for just another true-crime drama. full review

View more Wonderland reviews at RottenTomatoes.com

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