Enzo Cilenti, Gina McKee, Ian Hart

The title's a misnomer, as the lives of a dysfunctional group of lonely South-Londoners bear out. Director Michael Winterbottom doesn't dissect, proselytize or paint a rosy picture of the working-clas...( read more  read more... )s existence of a long-married couple, their three daughters and one son. In the course of a holiday weekend, he trains the camera on his characters and records their discord in all its faceted hues.

Flixster Users

83% liked it

2,516 ratings

Critics

62% liked it

69 critics

R, 109 min.

Directed by: Michael Winterbottom

Release Date: January 21, 2000

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DVD Release Date: March 6, 2001

Stats: 114 reviews

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Flixster Reviews (114)


  • October 11, 2008
    Good movie. An interesting story plot.
  • October 20, 2009
    Michael Winterbottom's lovely, sad, beautiful portrait of working-class lives in South London is a deeply moving slice of life. Nadia (the perpetually lovely Gina McKee) is a waitress at a SoHo cafe seeking love in all the wrong places - mostly through ill-advised personals ads (...( read more)including one that gets her a date with a jerk played by Stuart Townsend). She has two sisters: Debbie (Shirley Henderson), a hairdresser and single mother who periodically leaves her son with her no-account husband Dan (Ian Hart) so she can cavort around her salon with strange men; and Molly (Molly Parker of TV's "Deadwood"), an alarmingly pregnant woman prone to strange dreams whose husband Eddie (John Simm) is on the cusp of quitting his job. These three young women are the spawn of two aging and resentful parents, Bill (Jack Shepherd) and Eileen (Kika Markham) - he is trying to fix a car in front of their house, she is forever being tortured by the barking from the dog next door and calling her husband pathetic for, among other things, ignoring it. Then there's the one couple you begin to think might be sort of happy: Darren (Enzo Cilenti) and Melanie (Sarah-Jane Potts). They're newlyweds, and we gradually learn that he is the estranged son of the family who left years ago - we sense because his mother may have driven him to it. Finally, there's Franklyn (David Fahm), a painfully shy young black man next door who seeks privacy and companionship, is the son of Bill and Eileen's neighbor and may have his sights set on Nadia. The debut screenplay by Laurence Coriat doesn't have a plot per say, but merely circles through these lives over a four-day Guy Fawkes weekend during a rainy November. The cast is first-rate, with Gina McKee ("Naked," "Croupier") as the heart and soul of the piece. Her Nadia is a lovely creature, smiling and crying in almost equal measure, lovely doing either. Her search for "friendship...and possible romance" is at the center of the film. Henderson is cheeky and saucy as the young mother, with Parker more emotionally fragile as the pregant young wife. Although the idea of starting with three sisters and breaking off into the lives of the characters around them has been done before to great effect (Todd Solondz's "Happiness" and Woody Allen's "Hannah and Her Sisters"), Coriat's story is to a rather different purpose; indeed, in its endeavors to find the drama in everyday lives, it may remind some of Robert Altman's "Nashville" (1975) or "Short Cuts" (1993), as well as Paul Thomas Anderson's Altman-esque mosaical epic "Magnolia" (1999). There's nothing profoundly unique about these lives, but that makes them all the more human and, thus, universal. Michael Winterbottom is a filmmaker becoming rapidly famous on the world stage ("Jude," "Welcome to Sarajevo," "24 Hour Party People", "The Claim") who never sticks to one genre or type of film, but always pays a keen, almost documentary-esque attention to the details of the lives of his subjects. Working here in super-16mm (blown up to 2.35:1 anamorphic widescreen), Winterbottom occasionally simply follows characters (even inviting a glance from an extra or two on the seemingly busy London streets which don't appear to have been blocked off for filming), sometimes hides his cameras in real locations to achieve a sense of the actual flavor of his characters' surroundings, always observing and probing these characters' lives with intense interest. The film, set to a lovely and insistent piano and strings score by Michael Nyman, draws us deep into these lives; we feel for them, we empathize, we care. One of the year's very best films.
  • October 14, 2009
    Realistic, down to earth, and heart warming. Proper portrayal of the alienation & loneliness of city dwellers- even though living under the same roof- parents & children, husband & wife, not to mention total strangers. Lovely soundtracks as well.
  • July 16, 2008
    this is a good movie, but another depressing movie.... the part where she poisoned the dog made me feel sick
  • July 1, 2008
    This begins a little slowly and is ever so depressing. Reminded me of the Beatles song, "Eleanor Rigby" - 'oh look at all the lonely people!' But things picked up and started to mesh about half way through, and by the end I was very happy I hung in there. Working class family ...( read more)and friends in London - all lonely or sad for various reasons, all acting out in that in various ways and are portrayed in little sort of snap-shot vinettes - very up close and personal. The resilancy of the human spirit is a wonder indeed. I struggled with this at first - but in the end I liked it.
  • March 2, 2008
    A wonder*ful monument to the wonder*land that contains us. Subtle, honest, thoughtful and deeply touching.
  • July 9, 2007
    It was Ok for a Stuart Townsend movie, but it was an independant choppy shot film...eh.

Critic Reviews


April 25, 2003
Liam Lacey, Globe and Mail

Wonderland is well crafted from the editing to the acting, but it often feels like a television pilot for a calculatedly hip soap opera. full review

January 1, 2000
Roger Ebert, Chicago Sun-Times

Movies like Wonderland invite me into the screen with them. full review

January 1, 2000
Stephanie Zacharek, Salon.com

Michael Winterbottom doggedly excavates the innate sadness of his characters -- to the point of numbing his audience. full review

January 1, 2000
Mick LaSalle, San Francisco Chronicle

In the meantime, Wonderland is a worthy entry in the three-sisters tradition. full review

View more Wonderland reviews at RottenTomatoes.com

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