Xiu Xiu: The Sent Down Girl (1999)

• 96% of critics liked it
  (24 reviews)

• 82% of users liked it
  (2,248 ratings)

Actress Joan Chen makes her directorial debut with this bleak tale, adapted from the award-winning novella "Tian Yu" by Shanghai writer Yan Geling, about the loss of innocence during Mao Zedong's brutal Cultural Revolution. Precocious Wen Xiu (16-year-old Lu Lu), playfully called Xiu… More Actress Joan Chen makes her directorial debut with this bleak tale, adapted from the award-winning novella "Tian Yu" by Shanghai writer Yan Geling, about the loss of innocence during Mao Zedong's brutal Cultural Revolution. Precocious Wen Xiu (16-year-old Lu Lu), playfully called Xiu Xiu by her friends, finds herself one of millions of Chinese teenagers sent to the hinterlands to receive specialized training during the early 1970s. She is taken from her loving family in Chengdu to the Tibetan steppes, where she is apprenticed to Lao Jin (Lopsang), a solitary master horseman whose legendary status stems partly from his prowess on the range and partly from an embarrassing secret resulting from a battle injury. Though life is hard on the high grasslands, the sheer physical beauty of the landscape, coupled with Xiu Xiu's youthful vibrancy, reinvigorate the quiet horseman. He soon falls for the young girl, although, thanks to his wound, he will never be able to consummate his love. Meanwhile, Xiu Xiu longs to return to her family in Sichuan. Her growing desperation, coupled with her own naivete, leave her vulnerable to the opportunistic scheming of a traveling peddler, who takes her virginity while promising her quick passage back home. Soon lecherous bureaucrats and others venture out to Xiu Xiu's remote yurt with the promise of free sex. The young girl willingly prostitutes herself, believing that it is the only way to see her beloved family again, while Lao Jin suffers silently, watching his love defile herself. Only after a medical emergency does Xiu Xiu realize how callously she has been used and cast aside. Joan Chen's dark work fits in a subgenre of Chinese art and cinema that explores the horrors of the Cultural Revolution, whose most famous examples include Tian Zhuangzhuang's Blue Kite (1993) and Zhang Yimou's To Live (1993). Though this film was screened in the 1998 Berlin Film Festival, it was banned in China for sexual and political content. ~ Jonathan Crow, Rovi