Kichiemon Nakamura, Nobuko Otowa, Kiwako Taichi

A woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their ...( read more  read more... )throats torn out. The governor calls in a wild and fierce young hero, to quell what is evidently a ghost. He encounters the two beautiful women, in an eery, beautiful scene. After spiritual purification, he meets the demon in a thrilling fight.

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90% liked it

352 ratings

Unrated

Directed by: Kaneto Shindō

Release Date: February 24, 1968

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Flixster Reviews (31)


  • October 29, 2007
    Another superb piece of cinema from a director that never fails to impress me. Following on from the erotically charged Onibaba, Shindo produces yet another piece of otherworldly cinema.

    Whilst hindered a little by some repetitive scenes and perhaps not as potent as Onibaba, K...( read more)uroneka still benefits from some wonderful black and white cinematography and intense atmosphere. If you are looking for a ghost story with style and grace, then I highly recommend this.
  • December 12, 2008
    Good but not great. Very similar to Onibaba, yet all the elements don't quite work. The cinematography is beautiful and the images are haunting. Also like Onibaba, the soundtrack is great. I found the story did get a bit repetitive towards the start but it managed to get itself b...( read more)ack ontrack eventually.
  • December 7, 2009
    enchanting horror for feline creepy lovers. Catchy very well made special effects for that time!
  • November 21, 2009
    Loosely based on a Japanese folktale entitled The Cat's Revenge, Kuroneko is a spare, atmospheric, sensual, and acutely haunting portrait of love, duty, revenge, and inhumanity. Kaneto Shindo juxtaposes elemental and poetic natural imagery with the abstract, highly stylized expre...( read more)ssionism of Noh theater to create an indelible aesthetic of visual dichotomy that exposes the underlying contradiction and hypocrisy of tolerated societal behavior. From the introductory presentation of the disheveled, unnamed rogue army leader who participates in the terrorization of the women, then subsequently re-emerges as a distinguished samurai who, nevertheless, is eager to exploit an opportunity to pursue a captivating and seemingly vulnerable young woman walking home alone, Shindo examines similar themes of innate primitivism, godlessness, and violence that exist beneath the veneer of civility as his earlier feature, Onibaba. Moreover, through pervasive ambiguity of character and interchangeability of identities - from the anonymous, brash samurai who was once a forcibly conscripted farmer that parallels Gintoki's own social evolution (his abandoned identity symbolized in his adoption of the name Gintoki in lieu of retaining his peasant name, Hachi) to the vicious bakeneko (cat monsters) that take on the form of noblewomen who are forbidden by the evil gods from revealing their true names - Shindo draws an implicit connection between Yone and Shige's sinister pact and the cruel legacy of the samurai bushido that further reflects on the human struggle between individuality and conformity, duty and conscience, personal will and hierarchical laws. By evocatively depicting the irreconcilable tragedy inherent in the unredemptive attainment of civilized order through warfare and social privilege through barbarism, Kuroneko serves as a horrifying and provocative indictment of man's vain, misguided, and inevitably ephemeral quest for wealth, power, pleasure, and immortality.
  • August 9, 2009
    Following "Onibaba", Kaneto Shindō delivers another stunning, eerie masterpiece.
  • November 5, 2008
    Japanese grindhouse. That's all you really need to know.

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