Nejat Isler, Saadet Isil Aksoy, Ufuk Bayraktar

When his mother dies, Yusuf, returns to his home village, where he hasn't visited for years. Upon his arrival, he finds a young girl named Ayla who had been living with his mother for the past five ye...( read more  read more... )ars. She has one request: Yusuf must perform the sacrificial rite his mother could not fulfill before she died. On their way to the saint's tomb, they have to spend the night in a hotel. Caught up in the wedding party atmosphere at the hotel, Yusuf and Ayla find themselves drawn together.

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57% liked it

355 ratings

Unrated, 1 hr. 37 min.

Directed by: Semih Kaplanoglu

Release Date: November 9, 2007

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Flixster Reviews (39)


  • November 14, 2008
    Poet Yusuf (35-38) returns to his childhood hometown, which he hadn't visited for years, upon his mother's death. He is faced with a neglected, crumbling house. Ayla, a young girl (17-19) awaits him there. Yusuf has been unaware of the existence of this distant relation who had b...( read more)een living with his mother for five years; He stays by his dead mother's bedside for a while on the morning of his return. Ayla's presence alleviates the emotions evoked by death to an extent. But how will Yusuf cope with the guilt that embraces him after the funeral? Will he manage to overcome it? The maternal household's chattels, and everyday habits, the staid rhythm of the provinces and the spaces filled with ghosts&; The town he once had left to escape all this, re-enchants Yusuf. Yusuf finds out on the day he's due to return to Istanbul that he is obliged to perform the sacrifice his mother had been prevented by death from fulfilling. Ayla pressures him. Yusuf and Ayla set off for the saint's tomb, some three or four hours away, for the traditional sacrifice ceremony that his mother Zehra had pledged. Ayla is very excited about this, her first trip out of the small town. An accident is to force Yusuf to confront all that he had been trying to evade. Unable to locate the herd amongst which the sacrificial animal was to be selected, they have to spend the night in a hotel by the crater lake. While the falling snow blankets guilt, they are no longer heading back to that old town.
  • June 18, 2009
    Poet Yusuf returns to his childhood hometown, which he hadn't visited for years, upon his mother's death. A young girl, Ayla awaits him in a crumbling house. Yusuf has been unaware of the existence of this distant relation who had been living with his mother for five years.

    A...( read more)yla has something to ask of Yusuf . Yusuf is obliged to perform the sacrifice his mother Zehra had been prevented by death from fulfilling. Yusuf agrees as he finds himself unable to withstand the passive rhythm of rural life, the spaces imbued with the ghosts and personages of old lovers and friends, nor against the overriding feeling of guilt.

    Yusuf and Ayla set off for the saint's tomb, some three or four hours away, for the traditional sacrifice ceremony. Unable to locate the herd amongst which the sacrificial animal was to be selected, they have to spend the night in a hotel by the crater lake. Yusuf and Ayla are drawn closer together by the atmosphere of the wedding party at the hotel.

    While the falling snow blankets guilt, the place to which they are returning will no longer be that old town.
  • March 22, 2009
    yumurta süt çay konsept güzel ama kisa film yapsalarmis yetermis.
  • September 25, 2008
    Sense of not belonging to a place where is alienating & peaceful at the same time
  • September 2, 2008
    The style of film-making of Yumurta (especially the opening scene) recalls Andrei Tarkovksy or according to some people Robert Bresson. I agree with this, even if I think that there is a wide gap between Egg and Tarkovsky's masterworks. Before starting, I want to use the classic ...( read more)clause: Pleasure is subjective. I prefer quiet films in drama the genre. A quiet movie with long takes makes me charmed. I haven't been bored even a second, in contrast, it has been like a very reposeful therapy for me. In other words, Egg is flowing movie in the extreme.
    The number of the dialogs is few, because there is a lack of communication between Yusuf and Ayla, but absolutely it does not mean that the screenplay is weak or poor because the screenplay, to be more precise, Semih Kaplanoglu tries to mean that there is lack of communication between people and you decide this is something bad or something should be sometimes.
  • August 31, 2008
    For me, it's a successful variation of Camus' THE STRANGER, told beautifully in rural landscapes of Turkey, when there is no need to gun and killing for being alienated!!!

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