Ziggy Stardust and the Spiders From Mars (Bowie '73 with the Spiders from Mars) (1983)
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71% of critics liked it
(28 reviews) -
85% of users liked it
(1,795 ratings)
The July 3, 1973 concert by David Bowie at London's Hammersmith Odeon Theatre is the subject of this documentary by director D.A. Pennebaker, best known for the earlier rock films Don't Look Back and Monterey Pop. Framed by a smattering of behind-the-scenes footage, the bulk of the film… More The July 3, 1973 concert by David Bowie at London's Hammersmith Odeon Theatre is the subject of this documentary by director D.A. Pennebaker, best known for the earlier rock films Don't Look Back and Monterey Pop. Framed by a smattering of behind-the-scenes footage, the bulk of the film concerns the actual concert, notable as the final time that Bowie would perform under the Ziggy Stardust persona -- an announcement that, at the time, led many fans to mistakenly believe Bowie was retiring altogether. This "final" performance features numerous songs from Ziggy Stardust, Hunky Dory, Aladdin Sane and other Bowie albums, including "Ziggy Stardust," "Moonage Daydream," "Changes," and "Space Oddity," as well as a cover of the Velvet Underground's "White Light/White Heat." Though a shortened version of the film was broadcast on television in 1974, the film did not receive a full theatrical release until 1983. ~ Judd Blaise, Rovi
- Directed By
- D.A. Pennebaker
- Genres
- Documentary, Musical & Performing Arts, Special Interest
- In Theaters
- Dec 1, 1973 Wide
- On DVD
- Apr 1, 2003
- Studio
- 20th Century Fox Film Corporat
Critic Reviews
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Geoff Pevere, Toronto Star
Freed of the unflattering contemporary distractions offered by This Is Spinal Tap, Pennebaker's Ziggy Stardust And The Spiders From Mars captures Bowie at perhaps his purest, punkiest rock 'n' roll peak.
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Liam Lacey, Globe and Mail
The concert remains more of an historical curiosity than a must-see rock film.
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Gary Dowell, Dallas Morning News
A colorful snapshot of an early chapter in the story of an accomplished performer.
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Jonathan Perry, Boston Globe
Pennebaker doesn't break any ground here, in what is essentially a linear concert film. But he doesn't need to. Bowie's brilliant -- and, by today's stadium-size standards, intimate -- performance does that for him.
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Kevin Thomas, Los Angeles Times
An excellent example of its genre, with Pennebaker capturing the excitement of what was a very special, emotion-charged occasion.
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