Qi Shu, Chen Chang, Fang Mei

The film features three different stories of love and memory through three time periods, 1966, 1911 and 2005. The first, "A Time for Love," hinges on the meeting of soldier boy Chen with pool hall hos...( read more  read more... )tess May and his subsequent search for her. The second episode, "A Time for Freedom," deals with a courtesan tending to a Mr. Chang during the Japanese occupation of Taiwan. And the third episode, "A Time for Youth," centers on epileptic singer Jing who casually takes up with photographer Zhen while increasingly ignoring her female lover.

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70% liked it

4,729 ratings

Critics

86% liked it

50 critics

Unrated, 2 hrs. 15 min.

Directed by: Hsiao-hsien Hou

Release Date: May 20, 2005

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DVD Release Date: September 26, 2006

Stats: 263 reviews

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Flixster Reviews (263)


  • August 7, 2009
    We might convince ourselves that love is universal, an unchanging constant that has existed in the same form since the dawn of man. But how much has it evolved in the past century, and, more significantly, how much have lovers changed? It's impossible to accept that new advents i...( read more)n technology and an ever-changing political climate will have no effect on the courtship process. In his 2005 film, "Three TImes", critically acclaimed Taiwanese director Hou Hsiao-hsien looks at three loves from three time periods: 1911, 1966, and 2005. In it, he depicts love against the backdrop of an ever-changing Taiwan and illustrates the modernization of romance.

    The first of the stories is set in 1966, and it's titled "A Time for Love". The majority of the action takes place in a pool hall in which May (Shi Qi, who plays the woman in all three parts) works as a hostess. She meets a customer, not unlike any other customer, named Chen (Chang Chen, who plays the man in all three parts), a soldier about to leave for duty. The set up is a bit like Jacques Demy's marvelous "The Umbrellas of Cherbourg", and the similarities continue to exist when Chen returns and finds that May is not where he left her. This was unquestionably my favorite of the shorts, as at only a humble forty minutes it's more satisfying than most full length pictures.

    "A Time for Freedom" is the short set in 1911, and Hou Hsiao-hsien shoots the film silently in an apparent tribute to the early films of Yasujiro Ozu. It's a bit of a strange effect, as the way the camera gracefully moves amongst the room, as well as the lush colors and lighting, is far from old-fashioned. The lovers here are Ah Mei, a prostitute, and Chang, a frequent visitor who eventually hopes to "free" Ah Mei.

    The third story is "A Time for Youth", set in present day Taipei. Jing is a chain-smoking, epileptic, bisexual pop singer. Zhen is a photographer. The two fall in love, however Jing's lesbian lover begins to feel neglected and jealous. Although the second film was the most distancing of the three, I found this one to be the least interesting and flat.

    I would've sung the praises for "Three Times" had I only seen "A Time for Love", but I found the two other shorts to be problematic and uninvolving. This was an interesting experiment, perhaps too concerned with it's own gimmickry (the homage to silent film didn't work for me), but it ultimately falls flat after it's initial peak.
  • August 28, 2008
    a film that covers how love and cinema have changed over the ages. another fine piece of cinema bu Hsiao-hsien Hou.
  • December 19, 2007
    This film is about emotion, not plot. Poetic and beautiful to watch.
  • April 28, 2007
    I'll admit that I can't stand Shu Kei (nothin to do with her porno, honest!) but you'll never get me to say this was somethin special. It just has some nice artsy 'ooo so cultural' scenes which international film aficionados are only too ready to applaud.
  • June 11, 2006
    Stunning and heartbreaking, the masterful film shows how much can be communicated by a nervous giggle, a resigned removal of an earring, or tightly clasped hands around a waist. Shu Qi is gloriously showcased in three different roles, first as the blushing ingenue, then the quiet...( read more)ly demure courtesan, and then the sensual singer. Chang Chen does a decent job as her stolid counterpart, but the true beauty of this films lies in its artful direction. Magnificent.
  • April 4, 2009
    Some ups and downs constitute this 3-part film, the first segment being the better in my opinion. It's poetic and all but I felt a bit bored by the end of it. I hope to like Café Lumière better.
  • January 26, 2009
    visualmente hermosa, sera que el amor si es infinito?
  • January 10, 2009
    No thankyou - Not interested.
  • September 11, 2008
    loved it, awesome, Qi Shu is amazing in this. So believable in all 3 times, she is a great actress. I hope we get to see her in another EL movie besides Transporter.
  • August 9, 2008
    A near-masterpiece from Hou Hsiao-Hsien, the world's greatest living filmmaker

Critic Reviews


September 14, 2006
Colin Covert, The Minneapolis Star Tribune

A ravishing triptych spanning a century of Taiwanese history, in which love remains eternally elusive. full review

July 14, 2006
Moira MacDonald, Seattle Times

An emotional journey, a showcase for two fine actors, and a multifaceted picture of love. full review

June 23, 2006
Roger Ebert, Chicago Sun-Times

Three varieties of love: unfulfilled, mercenary, meaningless. All photographed with such visual beauty that watching the movie is like holding your breath so the butterfly won't stir. full review

October 6, 2005
Stephanie Zacharek, Salon.com

The three stories here are satisfying in a novella-like way. These are vignettes with smudged edges, snapshots of feelings, and yet they feel emotionally complete. full review

October 4, 2005
Nick Schager, Slant Magazine

An act of auteurist self-reflexivity in keeping with the director's belief in the powerful influence of history on the here and now. full review

View more Zui hao de shi guang (Three Times) reviews at RottenTomatoes.com

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