Opening This Week


  • 2012

    2012 (PG-13, 2009)

    An academic researcher leads a group of people in a fight to counteract the apocalyptic events that were predicted by the ancient Mayan calendar.
  • Pirate Radio (The Boat That Rocked)

    Pirate Radio (The Boat That Rocked) (R, 2009)

    "Pirate Radio" is the high-spirited story of how eight DJs' love affair with rock 'n' roll changed the world forever. In the 1960s, this group of roug...[ read more ]e DJs, on a boat in the middle of the Northern Atlantic, played rock records and broke the law all for the love of music. The songs they played united and defined an entire generation and drove the British government crazy. By playing rock 'n' roll they were standing up against the British government who did everything in their power to shut them down. The band of rebels is lead by The Count, Quentin the boss of Radio Rock, Gavin the greatest DJ in Britain, Midnight Mark, Doctor Dave and Young Carl who comes of age amidst the chaos of sex, drugs and rock 'n' roll. The film features an unbelievable selection of music including The Beatles, The Stones, Beach Boys, Dusty Springfield, The Who, Jimi Hendrix, Smokey Robinson, David Bowie, Otis Redding, Cat Stevens just to name a few. The film is laugh out loud funny and speaks to the rock 'n' roll rebel in all of us.
  • Dare

    Dare (R, 2009)

    The good girl, the outsider and the bad boy...like you've never seen them before.

Top Box Office


More Movies In Theaters


  • The Time Traveler's Wife

    The Time Traveler's Wife (PG-13, 2009)

    A romantic drama about a Chicago librarian with a gene that causes him to involuntarily time travel, and the complications it creates for his marriage...[ read more ].
  • District 9

    District 9 (R, 2009)

    An extraterrestrial race forced to live in slum-like conditions on Earth suddenly find a kindred spirit in a government agent that is exposed to their...[ read more ] biotechnology.
  • Inglourious Basterds

    Inglourious Basterds (R, 2009)

    In German-occupied France, Shosanna Dreyfus witnesses the execution of her family at the hand of Nazi Colonel Hans Landa. Shosanna narrowly escapes an...[ read more ]d flees to Paris, where she forges a new identity as the owner and operator of a cinema. Elsewhere in Europe, Lieutenant Aldo Raine organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own...
  • The Stepfather

    The Stepfather (PG-13, 2009)

    A seemingly normal man wants the perfect family. When they don't measure up, he eliminates them and moves on to find his next perfect family.
  • Saw VI

    Saw VI (R, 2009)

    Special Agent Strahm is dead, and Detective Hoffman has emerged as the unchallenged successor to Jigsaw's legacy. However, when the FBI draws closer ...[ read more ]to Hoffman, he is forced to set a game into motion, and Jigsaw's grand scheme is finally understood.
  • The Final Destination

    The Final Destination (R, 2009)

    On what should have been a fun-filled day at the races, Nick O’Bannon has a horrific premonition in which a bizarre sequence of events causes multiple...[ read more ] race cars to crash, sending flaming debris into the stands, brutally killing his friends and causing the upper deck of the stands to collapse on him. When he comes out of this grisly nightmare Nick panics, persuading his girlfriend, Lori, and their friends, Janet and Hunt, to leave… escaping seconds before Nick’s frightening vision becomes a terrible reality. Thinking they’ve cheated death, the group has a new lease on life, but unfortunately for Nick and Lori, it is only the beginning. As his premonitions continue and the crash survivors begin to die one-by-one — in increasingly gruesome ways — Nick must figure out how to cheat death once and for all before he, too, reaches his final destination. The film marks the latest in the highly popular “Final Destination” series, and its first 3D installment, giving horror fans an especially visceral thrill ride.
  • The Invention of Lying

    The Invention of Lying (PG-13, 2009)

    Set in a world where the concept of lying doesn't exist, a loser changes his lot when he invents lying and uses it to get ahead.
  • Zombieland

    Zombieland (R, 2009)

    Columbus (Jesse Eisenberg) has made a habit of running from what scares him. Tallahassee (Woody Harrelson) doesn’t have fears. If he did, he’d kick th...[ read more ]eir ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they’re about to stare down the most terrifying prospect of all: each other.
  • Cloudy With a Chance of Meatballs

    Cloudy With a Chance of Meatballs (PG, 2009)

    A scientist trying to solve world hunger encounters a problem of global proportions, as food begins to fall from the sky.
  • Whiteout

    Whiteout (R, 2009)

    Carrie Stetko, the lone U.S. Marshal assigned to Antarctica, is investigating the continent’s first murder, which draws her into a shocking mystery. ...[ read more ]Now, with only three days until winter, Carrie must solve the crime before Antarctica is plunged into darkness and she is stranded with the killer.

Get Movie Showtimes


Postal Code:

Top In Theater Reviews


  • Law Abiding Citizen (R, 2009)

    A poorly delivered and uninspired tale about one guy's misguided revenge. Everything about it is jus...[ read more ]t utterly ridiculous and hard to put in words.

    One ordinary (or at least that's what the promos claim) man wreaks havoc after his family is murdered by fighting the system on his own. But at the end of the day, he isn't better than the men who killed his wife and daughter.

    What can I say about this film? It was horrible from Jamie Foxx's wrong choice of movie, to the "moral teachings" of it, to Gerard Butler's Americanized accent, to the nice poor District Attorney running around as the city blows up, to the wrong people dying, to how everything happens outside the prison when the man responsible for it is in prison, to the system winning at the end, to...just everything about it - I hated!

    Sloppy, predictable, lame excuse for an action film, quite senseless, pathetic...just plain awful and a waste of time and money.
  • The Men Who Stare at Goats (R, 2009)

    When I saw the trailer I thought this was a Coen's film. The first half feels like a Coen's film. Sa...[ read more ]dly, the second half is pure Hollywood studio fare, and to be honest the whole film is stolen by Kevin Spacey anyway.
  • Where the Wild Things Are (PG, 2009)

    "Where the Wild Things Are" is a world where everyone is unhappy all of the time. I get that this i...[ read more ]s a kid's mind, and that children often get overly worked up over seemingly mundane things, but they are also happy from time to time. Every character spends the entire movie either angry or sad. Even when they are happy, they're still a little bit sad or angry. This is not a poorly made movie. It showcases a great fantasy environment, but the complete lack of anything compelling makes it a chore to watch.
  • Where the Wild Things Are (PG, 2009)

    I 'm a HUGE fan of the book (and of Spike Jonze & Dave Eggers), I went into this fully expecting...[ read more ] a "five star" movie, but am only giving it four.

    Visually, it is stunning and beautifully shot. You can really see and feel the passion that went into getting this story told on film.

    The "acting-acting" by newcomer Max Records is brilliant! I hope this is the start of a great career for this kid. And the "voice acting" is brilliantly cast and spot-on. Some really funny and intelligent writing, made all the more powerful by these great actors.

    The soundtrack is superb and couldn't be better suited to the film.

    The film has all of the engrossing visuals of the book, but (as one would expect when the source book is only 10 sentences/338 words long) delves deeper into both Max's and "The Wild Things" psyches' and is much darker then the book dared to be.

    Which isn't a bad thing...but in doing so and by giving the "Wild Things" such elaborate (yet under developed) personalities it really takes away much of the charm of the book which was it's captivating imagary and simple (but touching) story.

    I remember as a child always being a little bothered by not knowing more about WHAT the "Wild Things" were...and now with this film I find that I'm additionally bothered by wanting to now know more about WHO they are.

    Having said that, I'm delighted it was made. I can not imagine anyone being able to capture the look and feel of the book as well as Jonze has and feel that it is (to spite a few flaws) a beautiful and magical journey that is well worth taking.
  • The Fourth Kind (PG-13, 2009)

    If the "real footage" we watched was real than it was a decent film. If the "real footage" we watche...[ read more ]d was fake then it was brilliant. Now I'm almost sure the "real footage" was fake but see the fact that I write almost instead of completely is why it's brilliant. Is this a really well done film, no by no means. But it did what Blair Witch and Paranormal did not do which was have "real footage" and it's dramatization beside it so it could truly fool a lot of people into thinking that any of this actually happened. Which I doubt it did and hell, considering what I saw, HOPE that it didn't. Despite Paranormal still being FAR superior to this film, this one really has some creepy scary moments that will stay with as you. As you keep debating whether any of this is real. See, I still can't make my mind up. Dammit.
  • Law Abiding Citizen (R, 2009)

    Near perfect film. this could've been the greatest movie ever if it ended differently.
  • The Box (PG-13, 2009)

    He might have raised his own bar too high with Donnie Darko; The Box isn't up to that standard, but ...[ read more ]thankfully its a massive improvement on his misfired follow up to the D-wonder. But don't let the premises red herrings throw you; even though this is Kelly's most accessible film, it'll still be a challenge for those unprepared. Its definitly not to be taken lightly.
  • Where the Wild Things Are (PG, 2009)

    When a movie receives criticism for being too' mature and depressing, it's always the parents that a...[ read more ]re the flag-bearers of negativity. Many people would consider "Where the Wild Things Are" bad for children, but I digress - what kid wouldn't love this movie? The narrative largely involves an unsupervised play date and the building of a monstrous fort. Are children really going to care that the child's father is dead, or will they be more stricken by the howling, playful Wild Things?

    Max (Max Records) is a temperamental young boy - a nine-year-old with mood swings so devastating that they lead him from cuddling with mother (Catherine Keener) to volcanic outbursts in the span of a few minutes. One night, dressed in wolf pajamas, Max begins an unreasonable protest at mother, all culminating with him biting his way out of her arms. He runs off, finds a boat, and sets sail.

    After washing upon the shore of a mysterious island, Max discovers the bizarre inhabitants - large-headed furry giants. The leader, Max's mirror-image in every way, is Carol (James Gandolfini), equally insecure and in desperate need of affection. Carol is irrationally jealous of a pair of owls whom a fellow Wild Thing, KW (Lauren Ambrose), has been spending time with and goes on a temper tantrum equal to Max's in the film's first act. Max, meanwhile, hides in KW herself - escaping back to the womb, finally at peace and quiet.

    Voice acting is rarely as noticeably wonderful as it is here. Gandolfini's performance is truly astounding, a perfect mix of menace and infantile neurosis. The rest of the cast, notably Catherine O'Hara, all contribute a great deal in giving each Wild Thing a distinct personality without sounding distractingly recognizable.

    The film's last half hour or so leaves a bit to be desired. When the island became set in disarray and tempers began to flare, I felt that the deterioration happened before I was willing to let it. That being said, however, when a movie has such intoxicating charm that you beg for an extended cut, it's hard to complain too much.

    "Where the Wild Things Are" is a wildly original family film, a project with an abundance of originality and mass-appeal. Maybe parents won't find it as accessible as your standard children's film, but the heart and morale lesson here is still well-developed enough to warrant a recommendation for all ages.
  • Where the Wild Things Are (PG, 2009)

    If you cross Labyrinth's escapism and large creatures with maybe a hint of The Dark Crystal and some...[ read more ] Muppet lunacy here and there you may have an idea of what to expect in this film. The huge 'wild things' are actually designed and made by the fantastic Henson company and you can see it through and through :) lovely to look at and charming in every way. Each one looks exactly as they should and move pretty well too, even though they are all pretty much like Sweetums or Big Bird from the Muppets they all work so well and look realistic, this could of been a huge cgi mess so I'm really happy they went with this option, Henson's boys are fudging gods in their field, excellent.

    After numerous false starts and problems with bad previews etc..I can see why its a mixed bag but still worthy of recognition. The look is lovely and original much like the classic children's book, sure its kinda drab, rough and maybe plain looking but that's just the outback wilderness feel of the book which is kept perfectly. Much of the beloved book is right there on the screen making a great adaptation with some (not too many) nice ideas to beef up the plot (the book had virtually no text) and a very artistic approach with filming making this almost as lovely as the drawings by Maurice Sendak, a nice knarley fairytale of sorts. I think the extra time Jonze spent with his view on this was time well spent as its a beautiful film in simplicity, colour and view points.

    One problem of course comes with the minimalistic story, as there was only about ten sentences in the book new or extented story was needed to flesh out the film, its very 'primeval' and simple which unfortunately does become alittle dull and boring midway through. The film feels stretched for ideas and you can see everything slowly running out of steam due to the very basic plotline, its very very basic, almost non existent hehe
    That's the other problem, I feel kids will bore of this very quickly and may even fear some of it as its alittle dark in places and not as light or glorious as the book, they may not even follow the story much either as its alittle off the wall haha basic but weird. Kudos on the voice work here too, everyone really fits their 'wild thing' well and brings a true sense of feeling and soul to their character.

    I think folks of about 25 upwards will really like this, many will have been brought up with this children's book and like me have fond memories come flooding back :) I since have checked out the book and it almost brought a lump to my throat as I looked over the images which I recalled instantly.
    Its not a stunning film but its a lovely well made film from a classic much loved source, a must see.
  • Paranormal Activity (R, 2009)

    In today's saturated media age; with the advent of YouTube and Facebook and our relative ease of con...[ read more ]nectivity to one another, it's rare for a movie to garner so much word-of-mouth buzz. And positive word-of-mouth at that. It's even more rare that that should happen because of society's increasingly skeptical attitude toward almost everything nowadays.

    But, thankfully, Paranormal Activity is a film that lives up to all the hype. Of course, that is an incredibly subjective statement, but this is also a review of the film--one of the most subjective things you can write as it relates to the very subjective art of cinema itself. But let me tell you: I was glued to my seat and perspiring heavily!

    Not only does this movie succeed where its predecessors, The Blair Witch Project and White Noise failed. It surpasses any level of comparison between those previous films and elevates itself unto a genre of its own. A truly frightening film.

    As we follow the daily lives of a young suburban couple, we come to find out that one of them is haunted by some sort of a "presence." This entity has been following our protagonist for the better part of their life and doesn't seem to want to leave. Everything has remained rather harmless up to this point; only some nightmares and some strange sounds have been manifesting themselves as evidence of paranormal activity. So, they decide to videotape their lives in order to see what they can see.

    And what they see (and what the audience sees) is incredibly startling.The mere fact that there isn't a blood-thirsty boogeyman or a nefarious monster hunting after these two lovers is incredibly refreshing. And the fact that so much is left to one's imagination is also an brave and inspired risk the filmmakers took. In today's horror market, it would seem that the gore-for-gore's-sake mentality has taken over. But this little film-that-could provides much needed relief to a genre that has been pelted to death by so many clichés and re-hashed ideas.

    Of course, some will not be affected by this film in the least. But if you are the least bit succeptible to feeling creeped out, watch this movie. You will definitely have an eerie sense of abysmal fear when you return home and you'll want to check under your bed and in your closet for anything that's been turned or may be lurking within the darkness. Or maybe you'll go home and sleep like a baby without a shred of trepidation. But I think not. Whether you're too proud to admit it, Paranormal Activity will definitely possess you with some semblance of fear. That's as subjective as it gets, really. But it's also as much of a promise as I can guarantee.