Solid, obviously, especially for 1982. But even though Ridley Scott's style works here, it's easy to see now, why American Gangster didn't *quite* work...too many close shots and fast cuts, not enough sense of scope. (Scope here is a given, shots of the cyberpunk city, etc...)
I love movies about neurotic New Yorkers and Chris Messina isn't bad looking. That's all I needed -- if you need more, don't see it. The message is good and productive, though!
Just watch it. Anyone who grew up post-Stonewall should, if they think about it, have a hard time understanding the play and its end, in which no gay man leaves the party unscathed (and the "hetero" leaves vindicated). Sure, the movie feels contemporary because the old stereotypes are there in original form: wit, rapant consumerism and debt accumulation, loneliness, tricks, art fags, it's ALL there. But looking beneath the surface the overall message is very hard to come by: is it a cautionary tale asking for gay reform? Is is a vindication of safe, long-term relationships (primarily heterosexual)? Is it saying the gays are doomed to loneliness and self-hate? Just watch it, maybe it's all and none at once. Perhaps this is just one unfortunate party with all of New York's most miserable gays -- mm.