Rye's Talk

True Romance

Another great film penned by Tarantino, this tells the story of a escort girl Alabama and comic book store worker Clarence (Patricia Arquette and Christian Slater) who find true love in each other after she is set up with him by a friend of his. Deciding to flee after Clarence has a run in with one Alabama's pimp Drexl Spivey (Gary Oldman), they take a suitcase with half a million dollars worth of raw, uncut cocaine with them to Los Angeles to try and sell it, despite having a mob from Detroit (led by Christopher Walken) as well as the LAPD on their tails. They find Clarence's friend Dick (Michael Rapaport) who helps them find a buyer for their cocaine through a friend high up in the movie industry.

A huge cast and Tarantino's story makes it another modern classic.

Natural Born Killers

An ultra-violent modern classic, it goes all out with the bloodshed, especially in telling the backstories of the two main characters who, despite being evil personified, we're made to feel sympathy for in the second half of the movie after spending the first half murdering everyone who gets in their way. When in prison for most of the second half of the movie, the TV media glorifying their brutal mudering spree are shown as the real villains of the story as they look for ratings, little knowing that the situation will turn against them when taking their endorsement of the killers one step further.

The Incredible Hulk

A decent movie, not as good as the likes of Iron Man, but not as bad as Fantastic Four or Spidey 3. Good storyline, decent animation, Ed Norton on good form as Bruce Banner. Definitely worth seeing if you want to erase the memory of the 2003 Hulk movie, but the only real problem is the casting of Tim Roth. He plays a great villain at the best of times, but he's a not really tough guy material. Watch for the huge spoiler before the end credits that links with Iron Man's ending scene.

Threat

The Outsiders

ha almost every guy was HAWT! i liked ponyboy!!!!haha lol

Diary of the Dead

40 Years on from Night of the Living Dead, Romero shows he can still make a great zombie movie. Shot through 2 video cameras, Cloverfield style, but without the shakiness that left a few people with a bad case of motion sickness, 'Diary...' tells the story of a university class making a horror movie when an outbreak of the recently deceased coming back to life occurs, before spreading worldwide. Again, like the rest of his movies, Romero shows the importance of pact mentality between the human characters before dealing with the zombies. Wes Cravn can be seen in a blink and you'll miss it cameo as a man in the warehouse giving weapons and supplies to the students, and some of the zombie kills make this ultra-violent, as well as tense and suspenseful. Proof that George A. Romero is still the king of horror.