All Ratings for Lanning (binky013)

How You Compare

1014 ratings
1013 reviews
3.28 average
Register or sign-in to see how your movie tastes compare!
Movie Rating Review Date   Your Rating Match
To Sir, With Love - Unrated Although the music may seem a bit dated, To Sir, with Love is not. A timeless tale about coming of age, and one of the best in the "How I stumbled into teaching" genre. Sidney Poitier is excellent as the supremely sensitive teacher of students who are in great need a sensitive teacher.

I was just watching a program that dealt with, among other things, teaching Nathaniel Hawthorne to today's generation. One thing I kept thinking is that you actually have to love a piece of literature in order to teach it. If you do not love it, your students surely never will. Good teachers are born, not made. No amount of education, no bag of tricks, can make a good teacher out of someone who is not passionate about teaching.

Judy Geeson should have had a bigger career.

January 4, 2009  
N/A
Heaven's Gate - R Aside from some questionable looking treatment of animals and a sad lead actress choice, I can't quite understand why this film did not do better. It's gangbusters! I've seen way shorter films that seemed a hell of a lot longer, I kid you not. December 31, 2008  
N/A
Burn After Reading - R I don't think the Coen Brothers will ever make a film that can displace The Big Lebowski as number-one on my favorites list of their projects, but this is a very good one. Brad Pitt actually steals the show, before his . . . SPOILER ALERT . . . untimely demise. December 30, 2008  
N/A
Don't Look Back - Unrated Amazing . . .

My dear niece, who first invited me to join flixster actually, was working the bar at a London venue where Bob Dylan was playing. At some point she was sent backstage to deliver Dylan a beer. Like me, my niece is a big fan of his; we still are. Her report: He was not very pleasant.

I'm sure Dylan is not the only celebrity who may not come off well from time to time in public interaction. I know I'd never want to have a beer with Dylan, but I won't let his personality quirks color the power of his music for me. My niece and I do remain big fans.

Note to self: You will never be famous. How do I know this? No one ever follows me around like this in my day-to-day routine with a camera.

December 30, 2008  
N/A
Woodstock - 3 Days of Peace & Music - R Still one of the best music documentaries ever made. Maybe the greatest assembly of musical talent ever assembled for a concert. So many great musicians who died before their time. Martin Scorsese cut his teeth as a music documentary editor and assistant director on this baby. Jimi Hendrix is the guitar maestro of all time; he still mesmerizes me every time I see him. Wish I could have experienced him live . . . December 30, 2008  
N/A
Measure for Measure - Unrated Definitely one of the stronger BBC productions. Kenneth Colley is excellent as Vincentio, and Shakespeare's strong women are done great justice here, particularly in the case of Kate Nelligan as Isabella.

Shakespeare's women are astonishing, one play after another. I wonder if he ever was frustrated by the fact that only men -- not even men -- boys were required to play all the female parts in his day. I mean, you're depending on adolescent boys to pull off the likes of Juliet, or Ophelia, or Lady Macbeth, or Isabella in this play. I bet you're praying for male child prodigy actors with some heavily mature talent to come along at every turn. I can't but believe, that in his heart, Shakespeare must have longed for allowance to employ talented female actors to perform his choicest female leads.

December 26, 2008  
N/A
The Last Time I Saw Paris - Unrated A classic Hollywood tear-jerker. I may have to think again about Elizabeth Taylor's acting. Mostly, she leaves me flat. Being a beautiful child can only last so long. In this one, you can see that Donna Reed is the more subtle actress, the more smooth in her transition between moods -- displaying more ability to show range in real human transitions. But Taylor is impressive here, even if it's more a feeling of shoving in a clutch and jamming the stick, jumping from situation to situation. I'm glad I finally saw this gem. Taylor at her best. December 25, 2008  
N/A
Shakespeare Tragedies: Macbeth - Unrated This is my all-time favorite Shakespeare, and this particular production is a good example of why Nicol Williamson will never make my favorite actor list. To make Macbeth mediocre, at its "best" moments, you really have to be trying hard. If you want to see a great recent adaptation of the play, be sure to check out Scotland, PA. James Le Gros, Christopher Walken, and especially Maura Tierny as Lady Macbeth, are excellent. December 25, 2008  
N/A
A Guy Named Joe - Unrated Was there ever an actress more intelligent, more beautiful, than Irene Dunne? And never an Oscar winner. This one's a little hokey, but a beautiful double love story. The movie that made Van Johnson a star. December 23, 2008  
N/A
Thirty Seconds Over Tokyo - Unrated Some of the footage of the scenery flying by on the way to this historic bombing run is way ahead of its time. Robert Mitchum on the rise. Van Johnson established. December 23, 2008  
N/A
The Merry Wives of Windsor - Unrated One star for Richard Griffiths as Falstaff, one for Ben Kingsley as Frank Ford, and two big stars for Prunella Scales and Judy Davis as Mistresses Page and Ford respectively. Perhaps the best of the BBC Complete Shakespeare comedy productions, but you know, for me, Shakespeare's comedies really do pale in comparison to his romances, his histories, and, most especially, to his tragedies. The power of wit, no matter how brilliantly masterful, can rarely move me like the power derived from human actions gone disastrously awry. December 21, 2008  
N/A
The Man with a Cloak - Unrated Purple prose. One of my all-time favorite English profs, when we would discuss elements of style for a particular author, would absolutely glow when he'd read us a passage where the writing suddenly erupted into a kind of decorous effulgent glob. He'd always say something like: If that isn't a purple patch, I don't know what is. And always with a huge smile.

I was younger and less, well, aware in those days. I assumed that he would take great joy in pointing these out because they were flaws. But now, in my old age, I realize that my professor was pointing these out and beaming about them because he actually kind of loved them: Purple prose = nifty.

Some of you know how much I love Barbara Stanwyck, and Joseph Cotten is on my favorite actor list. If you want to see some almost non-stop purple patch examples, just listen to them talk. The dialog is barely of this real world. It is indeed stylized -- in some cases so much so that it could become quite stilted in the mouths of lesser actors. But this purple dialog is a beautiful thing to behold. They do it so well.

Yes, this is the kind of purple writing that my prof really loved. It's not the grossly pulsating bloody, puss pimple that confronts you in the mirror on the morning of the big prom. No, it is the morning bud, opening its petals in perfumed glory to greet a radiant, warming sun that crests the horizon at dawn.

December 19, 2008  
N/A
Shakespeare Tragedies: Hamlet - Unrated Hmmm, to dump or not to dump, that is the question. As my sister always says -- always -- Derek Jacobi is not a very good Hamlet. Oh BBC, could you not have found a better one?

I saw an excellent Hamlet many moons ago at Kennedy Theatre, but the very best Hamlet I ever did see was in Philadelphia, a Temple University production. Students all. Yes, students whom I will guess never made huge careers in show business, but were brilliant actors all.

I must reiterate: If you find Shakespeare a little inaccessible, it is most likely the fault of the production. A good production, even if some of the words are obscure, will make the words, accompanied by the actions, crystal clear to you. Witness Mel Gibson's version. Very well done. Sadly, I can no longer watch Mel Gibson. On principle. My dear niece, who once owned every Gibson movie on tape and DVD, threw them all out. I have to agree with that as well.

Fear not, however, as there are good film versions available. Branagh, wanting to get every word into the movie, did so. And goodly.

Every word. You know, I have to agree with A.L. Rowse. This may be such an incredibly long play, if you stick to the text religiously, simply because Shakespeare had finally created a character that so mesmerized him, he could not let him leave the stage without wringing out every idea he could play through Hamlet's mind and mouth. Hamlet, then, is perhaps indecisive, but the primary reason for that is because Shakespeare did not want to let him go. Ever. Keep him out there on stage, thinking, talking.

I've said how little I buy into the reverence for Olivier's Hamlet job -- for his Shakespeare work in general. I must reiterate that as well.

Friends, what idiot would give Shakespeare's Hamlet fewer than three stars? Not I, even though for this one, I should. God's bodkins, man, this is Hamlet we're talking about. No other work of literature, western or eastern, has generated more critical debate than this, except, of course , for The Bible, in its entirety. Give Hamlet fewer than three stars? Why, I'd sooner entertain the idea of self-slaughter than do that.

So, even though this is a weak, weak -- yes, I wrote "weak" twice, Patrick Stewart -- Hamlet, I cannot give it fewer than three stars.

December 11, 2008  
N/A
Captains Courageous - PG Spencer Tracy did not think this a great performance, but he won the 1937 best actor Oscar. I have to agree with Tracy's evaluation, but it doesn't detract from the fact that this is a wonderful movie. It's a great coming of age story, and Freddie Bartholomew deserves at least equal praise for not sinking this into sentimental slosh. In fact the entire cast, from Melvyn Douglas, to Lionel Barrymore, to Mickey Rooney, to John Carradine, all deserve high praise for a masterful ensemble effort. One of the best movies I've seen in a good while. Strangely, the director, Victor Fleming, was not nominated for an Oscar. He should have been. It takes a skilled director to so beautifully coordinate such a wealth of talent. December 9, 2008  
N/A
All Night Long - Unrated Wow. Leave it to the Brits to produce an adaptation of Shakespeare as a meditation on race and interpersonal relations at the outset of one of the greatest decades of change. Othello, Shakespeare's own timeless and always timely meditation on these same issues, works as well in the early 1960s as it did in the early 1600s, and the soundtrack echoes the never ending discussion of race in relation to jazz music.

If you recall Patrick McGoohan as King Edward I in Braveheart, you know how excellently he can play evil. Here McGoohan, as good an Iago as ever there was, is perfect in the villain role which, as is the case with most of Shakespeare's villains, tends to steal the show, and his quip about all the white jazz musicians holding a convention in a telephone booth provides one of the few funny moments to break the unrelenting tension in this edge-of-your-seat production.

December 7, 2008  
N/A
The Other Side of the Mirror - Bob Dylan Newport 1963-1965 - Unrated Folk music purists, I'm guessing, will still, today, echo the sentiments of those who at the time saw Bob Dylan's transition to "Electric Bob" as a kind of betrayal. Nowadays, that "controversy" seems so cold and distant. Dylan fans will definitely want to see this documentary of Dylan's move from acoustic to electric as the road he traveled to emerge, today, as one of the great folk rockers. Dylan evolved -- keeps evolving -- into one of the cross-generational greatest rock-and-rollers ever. It's also interesting to see him turn from a tentative, almost wooden performer, into the kind of magnetic stage persona he's become. He is, still, ever evolving. Hence his place in the elite sphere of singer-songwriters who've proven their timeless durability. It really is a small, select circle of stalwarts, standing strong and fluid in an industry where most performers come and go with the swift inevitability of a surely spinning wheel of fortune, a quickly revolving door with a bright reveal, a short space of air, and a sharper still disappearance. December 7, 2008  
N/A
Twelfth Night - Unrated Again, three stars for fidelity to the text, and for the performances of Sinéad Cusack as Olivia and Felicity Kendal as Viola. If you haven't seen it yet, you should also check out She's the Man for its lively take on this story.

I wonder what would happen if they took the She's the Man actors and tried to do Twelfth Night? What this one lacks is life and that liveliness you get with She's the Man. But it's worth one watch.

December 5, 2008  
N/A
Love's Labour's Lost - PG Okay, so this Branagh go at Shakespeare may leave out a lot of the Bard's words, but the spirit is definitely there. Strictly speaking, in the classic sense, comedy does not necessarily equal ha-ha funny. To put it in truly simplistic terms, comedy has only to follow a certain path. With tragedy in the classic sense, there is the trajectory of rise and fall, whereas with comedy, there is fall and rise -- with or without yucks.

One need only compare Branagh's attempt with that of the BBC's complete dramatic works of Shakespeare attempt, to see that Branagh has infused the play with the proper spirit, the lively humor it should have. The BBC attempt is so droningly unpleasant -- although much truer to the text -- that it feels in the aftermath like a disheartening tragedy.

As I've said before, I hope Branagh does all of Shakespeare's plays before he blows out the candle. Every one of his productions breathes vibrant bright life into the plays, closer to the text or not. I think if Shakespeare saw this adaptation, he'd love it.

December 3, 2008  
N/A
Henry V - PG-13 No one on the contemporary movie scene -- or ever on the screen -- does Shakespeare better than Branagh. As both actor and director, he is simply the best. He can manage all his actors in such a way that you will understand the plays clearly, both in terms of dialog delivery and action. I don't know if this is the best job he's done, but it's at least tied for number one. If you only see one Branagh Shakespeare, make it this one.

Note: If you are confused by some of the references to Henry's "former" self and his former friends, you may want to check out Henry IV parts I and II. Unfortunately those won't be Branagh projects -- at least not yet. Here's hoping he does those as well.

December 1, 2008  
N/A
Henry V - Unrated I give this one four stars strictly for fidelity to the "script." In fact all of the BBC productions get higher marks for attempting to stay close to Shakespeare's words. But at the risk of beating the proverbial dead horse, you need only to watch this one and Branagh's back-to-back in order to see that Branagh's version is a cut above for the life it breathes into the words. The Crispin Day speech, for instance, is supposed to be rousing -- inspirational in the most literal sense for the British troops that are heavily outnumbered. Branagh captures this and inspires not only his soldiers, but the audience as well. December 1, 2008  
N/A
Transporter 3 - PG-13 Jason Statham is still my choice for the next James Bond. He is lethal, direct, has the perfect wry sense of humor and -- since that is the trend -- can play "damaged" as well as Daniel Craig.

Beware! The title for this one should actually be: Transporter 3: Frank Martin finds love. That's the most prominent aspect of this film. If you're looking for the same level of butt-kicking as in I and II, sorry. But this guy is still good.

November 29, 2008  
N/A
Quantum of Solace - PG-13 Not one of the more memorable Bond openings. You gotta work on those. Each one should look at the history of the openings and then put together something both different and more mind-blowing.

I got what I paid for, however -- this was entertaining. And I still think Daniel Craig would be a natural choice if they ever put Mad Magazine on screen in some movie form.

November 29, 2008  
N/A
War (Rogue Assassin) - R Despite my originally saying that I would give this baby a pass based on Luke's comments -- not to mention Walter's equally convincing critique -- I ended up seeing it. Hey, when your friends want to watch a movie, what are you going to do?

Okay, so this is messy. Agreed. And if I'd had input on it, I'd have had Li play the original partner in prosthetics. At least that way he'd be similar, especially in voice. I'm not even finding the unchangeable eyes bit convincing.

But you know what? My Badger flixster buddy James once asked me point-blank how on earth I could add Jason Statham to my all-time favorite actor list. Well, it's precisely because of roles like this. I think that Statham is one of the great stone-cold butt-kickers on screen today. I still wish, as I said a while back, that they would break the "Bond formula" and have a different actor play Bond in each new Bond film. I'd like to see Statham get a crack at it, and I'd also like to see both Fiennes brothers be given a shot.

Jet Li is a solid action man as well, and this really could have been a much better film with a little careful thought. Although I should give it fewer stars, I'm giving it a solid three.

November 26, 2008  
N/A
Shakespeare Comedies: The Merchant of Venice - Unrated One of the better 1978 - 1985 BBC productions of all Shakespeare's plays, with especially good work by Warren Mitchell as Shylock. Supposed by some critics to be strictly neither tragedy nor comedy, thus giving rise to it sometimes being called one of Shakespeare's "problem" plays, this is a brilliant display of the nastiness of human nature, both racial and familial, all the way around. How you perceive Shylock, and whether you find the "ring dilemma" amusing, and how you understand the relationship between Antonio and Bassanio -- all these will help determine whether you think there is a "problem," or not. For me, this is decidedly a tragedy. I have no problem with the play. November 19, 2008  
N/A
King John - Unrated One of Shakespeare's lesser known plays, for sure. I can't imagine waking up every morning -- if you're lucky enough not to have been murdered in your sleep -- and worrying about my divine right to rule being snatched away from me, by anyone under the sun, employing any tactic necessary. I'm sure this is not unique to the kings and queens of England; it must be non-stop acid indigestion for anyone in this kind of position. I find it difficult to imagine that most of the royals lived to rule as long as they did. I would have given most of them a month or two max. But there is "difficult" to imagine, and then there is "impossible": I cannot imagine being the kind of "loyal" citizen who would support these self-professed appointees of God's rule on earth. The concept -- maybe because I'm lucky enough to have been born in a different place -- of supporting these wasters of oxygen and public funds is ridiculous to my mind. To die for my country, yes, for "my king" or "my queen" -- I think not.

Once again, I curse lousy child actors. There are TWO in this one.

November 17, 2008  
N/A