I'm not even a Star Trek fan, but I thought it was absolutely brilliant... the special effects were outstanding from start to finish. The film even had a great beginning... I loved it. Chris Pine and Zachary Quinto were excellent as the young Kirk and Spock, while Karl Urban as Bones, Anton Yelchin as Chekov, John Cho as Sulu and Zoe Saldana as Uhura also made their mark on film history. The action sequences were amazing and plentiful, and the story was really good too. It took a very interesting twist that I didn't expect as far as what this film actually is. Having no expectations, I was pleasently surprised. I also enjoyed Eric Bana as the evil Nero and the return of Leonard Nimoy's Spock! Simon Pegg's role was especially funny too.
James Dean is an unbelievable actor. Basically his whole career consists of only three movies he acted in just right before his tragic death. Yet still, almost 50 years later people recognize his name and face. He's an icon of the 1950's and in the same line with Marilyn Monroe or Elvis Presley. That's simply miraculous, movie history knows no other example of anything like it. I personally consider Jimmy as one of my favorite actors too. Of course he is a sensational talent and maybe it's partly because he really had only three big performances so no one ever saw him actually doing something wrong, choosing a bad role or whatever. I personally think that James Dean would have been nearly as big if "Rebel without a cause" was his only movie. His devoted, stylish and touching larger-than-life performance as Jim Stark is just startling experience to watch. Legendary "Rebel without a cause" is a timeless drama and in many ways it's far from being old fashioned. It's moving, beautiful and incredibly impressive, the best movie of its decade and one of the best movies ever made. Period. 10/10.
It's a really funny film. The storyline is really good and I found it very creative and exciting. You will enjoy every minute of it, I was nearly out my seat laughing. The acting is great, many charactors that we may not know them very well and have not seen are in this film; however, trust me, these people know how to act and how to make you laugh. It is very well-done directed and edited. It is a great film because you will watch a film fulfilled of funny moments and events which are new and unique! Strongly recommended because it is worthed.
I went to see this mostly because Channing Tatum looked gorgeous (as always) in the preview and he sure looks amazing in this film. But the film as a whole surprised me in how much fun and non-stop action it was. I'm glad to say the the "critics" are flat out wrong on this one and am happy to see that audiences responded well.
This film has a great pace- there are several non-stop action scenes with some breaks in between where the Joes gather at headquarters, or when we get some background about the characters. There's a lot of story here, this is not a mindless Michael Bay CGI-fest. There are actually some funny lines and the characters' relationships with each other are well-developed.
A new devastatingly destructive weapon is developed by the M.A.R.S. corporation. They seek to sell it to N.A.T.O. But the people at M.A.R.S. don't exactly have the world's best intentions in mind. The military team in charge is ambushed as they transport this weapon by a mysterious group with powerful weapons. But the G.I. Joes intervene and two military guys ask to join the Joes to recover the weapon.
Theres a great cast: the sexy Channing Tatum, Rachel Nichols- not looking bad either, Arnold Vosloo, Jonathan Pryce, Dennis Quaid, Sienna Miller - all of them doing a great job.
There are plenty of action scenes, the most amazing one, a car/motorcycle/foot chase scene in Paris that's just mind-blowing and remarkably well done. The third act taking place underwater is almost unnecessary, or should have been shortened. This is a long film and the Paris scene would have made for a good climax.
Overall this film is a lot of fun and it is not insultingly dumb as most blockbusters.
I went to see this film and I can't remember a film where I laughed SO hard -- literally out loud, deep bursts of laughter because it was hilarious. Granted the storyline is predictable but the ride is so extremely enjoyable it doesn't matter that you know how it's going to end. The actors' comedic senses of timing were impeccable. The actors were perfectly cast. Amanda Bynes is hilarious and so refreshing and so was Channing Tatum - who I'm a huge fanatic of. Defiantely worth a watch.
This was an extremely graphically violent film with some gratuitous nudity. A lot of extremely well played roles. characters were simple with complex backgrounds. It kept me on the edge of my seat for the entire film wondering what was next. I left feeling like I had just had a two hour seizure. Every time you thought you had it figured out it threw a curve at you. From beginning to end it was fabulous and realistic. Paul Walker gave an excellent performance and you really got into his skin. The supporting cast was excellent, development of the characters rolled out in a believable manner with out a bunch of unnecessary revelations. I will buy this movie when it comes out on DVD. If you enjoyed Reservoir Dogs and Pulp Fiction you will probably really enjoy this film.
This film is worth watching if you love a great horror film. I went to see this at the pictures with my mate Katy, and everyone in there was laughing, jumping and also getting scared! Plus it stars Supernatural's Jensen Ackles. His acting was awesome, as usual. So If you love Jensen Ackles like me, you will love this!
Fast and the Furious (4) was the best installment of the series without a question. This one brings back the fast action with a solid plot line. Vin Diesel recovers from a series of terrible character choices lately. All old faces come back to life in this film and add to the already impressive plot. The film continues to be fast paced but the emotions rage in this film far more than any of the others could dream of. I give it an 9/10 for the fact that I felt there were times the film could have turned something awesome into GREAT. But I like what this film brought to the table and it raises the bar for action films this year.
Being a big Transformers fan I saw this film on when it released on DVD. If your looking for a film exactly like the 80's cartoon you will be disappointed, but if you watch it with an open mind you will really enjoy it. I watched Transformers and I thought it was excellent. For those hardcore fans out there you must watch and except that things are happening for a reason. the story has more than meets the eye (knew I had to throw it in there somewhere). Don't be discouraged when the first hour is setting up the plot. This is one of many films to come as you will see when it's all done. They are taking their time and doing this story right. The film is none stop action, with a good storyline and amazing special effects... love it!. I know that's a bold statement, but it's true.
Bottom Line: Hardcore fans keep an open mind...
Non-Fans Welcome to our world now!
See why we're fans...
A descent, realistic spy film... most of the action scenes are believable, no super-gadgets are to be seen, no incredibly lovely models fall madly in bed with Bourne, and the hero shows definite signs of physical vulnerability despite a very high level of training and competance.
I love how this films explores all of these deep, important issues whilst delivering an incredibly powerful story populated by charismatic characters, haunting and diverse settings and immortal dialogue
Inventive, effectively eerie spine-chiller is a step up in the teen horror genre. Teenager Sawa has a horrific vision of his plane crashing just moments before its departure on a class field trip. He and several others exit the plane only to discover that it does in fact crash, but things take a shocking turn when the remaining survivors soon begin to die in the most mysterious ways. Story is intriguing, the suspense flows well throughout, and there are enough violent deaths to satisfy the target audience. The ending is a bit of a disappointment and should have been planned out better, but overall this is one of the better films of the genre.
Don't go into this movie expecting a complex plot and deep insight into the human condition. The story and plot are lightweight but that doesn't matter too much. The characters are likable enough and the situation is definitely full of possibilities.
The humor is silly and well-done slapstick without much in the way of vulgarity. I especially enjoyed the antics and heroics of the miniature Cowboys, Mayans and Romans. (Though my inner stickler was a tad annoyed with slight shifts in their scale.)
I didn't think I would really like this film, but I actually loved it. Some parts were just hilarious and I thought it was adorable especially Pip the Chipmunk. Amy Adams gives a great performance that is impossible to love. There's some satire, not much; overall, the humour is light, harmless and shows a great compilation of fairytale cliches.
The moment is incredibly moving and unforgettable and captures the essence of the father/son relationship in a way that I have never seen more eloquently expressed.
I'm glad that I went to see this at the pictures... I enjoyed every second of it. I'm not even ashamed to admit it! It's a superb musical that doesn't take itself too seriously. If you're just a little bit crazy and want to have a good laugh, if you love ABBA, want to see Meryl Streep like you've never seen her before or if you simply have a secret crush on Colin Firth or Pierce Brosnan (his singing was nothing short of hilarious), you will LOVE this film. Best summer flick so far. Warmly recommended.
The music and dancing are a real highlight. The hip-hop scenes are very fun and energetic and one of the best aspects of the film, also the scenes where Derek is teaching Sara how to dance is when the film is at its best...
I really recommend this film because it was very enjoyable and shouldn't be written off as just another teen flick. Check it out... me and me m8 Kaylie love it!!
A very enjoyable film. You can see there's much more subtlety in the characters with regard to facial expressions. The voice actors did a great job, and there are some great gags, some of which are not for children, but are not overt in their adult-ness. Much more empathy for the characters in this film than in Chicken Run. Fortunately, the film is still wonderfully British, so has not suffered from Dreamworks' influence on the production. It is also good to see something hand-crafted on the big screen instead of the raft of CG animated films that usually lack a strength of script; that you could see fingerprints in the plasticine in no way detracted from the quality of the production.
A perfect family film. Has your normal crushes and such. Lots of self confidence, and showing how much you need your friends. That timeless, and useful quote, "never let the fear of striking out, keep you from playing the game"...after I saw this film, and heard that line, it changed my lifestyle of leaving everything, calm, boring, and not the way I wanted it. I was afraid that I wouldn't be accepted if I didn't do a certain thing, or if I did a certain thing. I was wrong, and this film, strange as it may sound, gave me the nerve to do some things I never would have done on my own. Definitely something to see if your feeling left out, or need something that will show you, that dreams can come true.
I love the circus. My favorite character is James Stewart as Buttons the Clown. It's a very different role for him, but it's great.
The Best Picture of 1952, "The Greatest Show on Earth" is wonderful, especially if you've never experienced it. I think this is one of Cecil B. De Mille's finest movies, and I recommend it to everyone.
I was really impressed by this film. A problem that many sequels run into is that they rely too heavily on the name of the franchise and hope it will blind the audience into liking a mediocre film. This film didn't have that. It truly stayed true to the characters and themes we have grown to love in the Ice Age franchise. In this instalment, Manny and Ellie's child is on the way. Manny has a tough time and is nervous about becoming a father. Ellie, on the other hand, is very excited and feels ready. Diego worries he is going 'soft', and struggles with his desire to be a strong, intimidating tiger once again. Upon being around so much 'baby excitement', Sid feels like he wants some kids. His wish is granted when he stumbles upon three eggs, which hatch and are revealed to be dinosaur eggs. Thus, our adventure begins. Needless to say, most of the key characters have inner struggles that they are dealing with. The film also introduces a new character, a crazy cool weasel named Buck. After the film, my boyfriend told me Buck reminded him of Jack Sparrow from the acclaimed 'Pirates of the Caribbean' franchise. I see the resemblance, as Buck is a little on the wild side and has a hunger for adventure. The animation was beautiful. With each film in the series, the animation gets better. The scenery and colors were great, and the characters were well done as well. The film moves at a fast pace and has many laughs along the way. It's a great adventure and I really think it will be popular when it hits theaters. The script was pretty good, the soundtrack was excellent, and I really can't pin point anything that is extremely wrong with this movie. It stands well on its own, so newcomers will be able to enjoy it easily, all while keeping the same spirit of the first two, which is sure to please fans from day one.
The movie is fast paced and does not drag. The comedy is "r" rated with a little raunchy adult humor that can be shocking at times but that is in line with the movies theme of male/female relationships.
Katherine Heigl and Gerard Butler were both great in the film. Not a role that you would expect to see the King of Sparta, but Butler has great comedic timing complimenting his tough guy persona. And Katherine Heigl is once again perfect doing comedy.
If you are expecting to see a typical romantic comedy you will be surprised, because this R rated film is geared toward the men in the audience as well as the ladies. Grab your significant other and be prepared to laugh and enjoy the movie together.
Romantic comedy is now days so popular genre that finding a flick that is both funny and throughout entertaining is actually really hard. Luckily The Proposal is both.
The story itself is quite predictable and simple. But the cast delivers. Especially the leads Ryan Reynolds and Sandra Bullock show some what surprising comical talent. They both have great sense of comedic timing, and share a great chemistry. And the always hilarious Betty White is the one who steals the show every scene she is in. And because of that you keep enjoying throughout the movie, having some good laughs and just having a good time.
The Proposal is well above average in its genre. It's not the best romantic comedy out there but it's good fun and nice way to spend an evening.
Up is seriously the best movie I have seen so far this year, it's actually one of my favorite movies of all time, I can't tell you how much I enjoyed this film. Wither it was the fun and charming story between Carl and Russell, the crazy bird Kevin, or the story that nearly killed me in laughter, the dogs that have collars that make them talk. I don't remember the last time a movie that made me laugh so hard that my stomach hurt, it also made me tear up and smile. If someone ever tells you that an animated film can't be considered a real movie, just show them Up. I absolutely adore this movie, can't wait for it to come out on DVD and watch it again. This is a perfect family film, actually scratch that, it's a perfect film, the animation is incredible, the characters are lovable and the story is magical. Up is going to be a film to be remembered for all time, great movie, go see it.
This film was, in my opinion, exciting, thrilling, and an overall entertaining film to watch. It delivered the necessary chills, to keep its audiences fully awake, and engaged. This was an enormous achievement for Aussie newcomers ? James Wan, and Leigh Wannell. The two have created a well-deserved horror/thriller, without the necessary clichés.The film is not too scary that it becomes unwatchable, so the full potential of its enormity will not be missed. definitely two thumbs uo for me.
This movie has just mad a quantum leap in horror films. after watching this movie i had the chills walking to my car, and lets say that i more than enjoy a scary movie. this movie kept me up for at least and hour after watching it. it was one of those movies were you cant let it out of your mind.
The movie had one of the best openings that i have seen in a long time. after a few minutes into the movie i had to put down my popcorn. i don't have a weak stomach and this movie got me to put down my popcorn, that is huge.
With a great blend of suspense, acting, and oh yes there was a lot of blood. this movie great deserves another watch, i would pay to see this movie a couple of times. not to mention one of the best twists i have seen in a movie. i would say 2nd best ending i have seen in a movie.(#1 was Fight Club). you definitely have to see this movie.
The traps were clever, original, and far, far deadlier this time around. To me, it beats out any psycho with a knife/ax/chainsaw crap movie that has been pumped out too many times. Although every thinks is the best out of the Saw films... I still like the 2nd one.
It's a rare occurrence, but get ready to see this more then once. Saw 4 plays more like a detective story lifted from a page of a who-dun-it novel. This time, we delve deeper into John's past, his ex-wife, and the real secrets about what made him Jigsaw. During his autopsy, it's reveled his stomach contains an audio tape. The tape warns that his work will continue.
It seems that die-hard fans don't wish to know about what's in the story, since I had to re-edit my comment so that none of the story would be revealed (except that which you see in the ads anyway). In my previous comment, I said nothing about the ending, yet just giving away some of the plot is enough of a no-no. I don't blame them, since this 4th outing has too many elements that make it easier to predict what's going to happen. Regardless, you'd have to be some kind of rare genius to figure out what will happen in the end.
The series has flowed like a smooth, well-oiled Rube Goldberg machine. It's the most complex of the bunch, in some ways, outdoing the previous ones. I repeat: it begs to be watched again. Just when you thought that the previous Saw Traps had done everything they can to a human body, this one has some clever ones of it's own (not as gruesome as Saw 3, though). The autopsy scene is set to the extreme; the MPAA stating that most viewers have now gotten used to seeing programs like CSI and other medical procedures, so they let this slide easier.
Deceptive, dark, very edgy and well written, the Saw series can easily end here. It's almost necessary to have watched the previous Saws, but can stand on it's own as one of the best of the chapters. Of course, it leaves it open for yet another in the series, which will be in production soon. I don't know when I will tire of the series, but honestly, I can't wait to see what other delicious traps they cook up next.
I didn't really enjoy Saw V. I found it had too many flashbacks and the movie itself just felt like an excuse to make another Saw film.
However, Saw VI was a huge improvement over the last. The story was more interesting and the twists and turns were quite intriguing. One little problem i have with this film is that they went way too overboard with the blood and gore in this one, but i suppose that nowadays, thats what the Saw films are all about, which is a shame, considering the first film started off as a psychological thriller.
Apart from that, the film was quite enjoyable and there's definitely some little secrets that they will be able to use for more sequels. Bring on Saw VII i say!
This seems to be Miyazake's most personal work, clearly a serious design. It is set in an imaginary time which blends the time of the ancient gods (Shinto style, gods of place and nature) with the settlement of humans and the coming of metalworking and war. The world is not in balance, and a distant conflict between industry and nature has wounded one of the gods of the forest, which is then killed by a sentry boy as it rampages into farmland he guards. The evil controlling it transfers to him, beginning a slow takeover, and he must journey to the origin of the conflict to find a way to cure himself and incidentally, as he will learn, to try to restore balance. But this is not a simplistic tale, he finds there are other characters in play, and there is good and evil in everyone, and no easy balance. The Princess (Hime) of the story is a mysterious human who has been raised by wolves (which are themselves powerful forest gods, a little reminiscent of the Amerindian Coyote myth), who becomes both his ally and his enemy. The story is not easy to understand. It has many Japanese mythic elements but even then, it is a work of Miyazake's unique imagination, and is not intended to be simple or to have a clean resolution.
The animation is spectacular, and unusual, with new elements even for Miyazake and marks a new departure for style which you can see continued in his next film, Sen to Chihiro - more nature, more wild, more jamming on elements from Japanese myth and folklore. And, continuing the trend to be more personal, concerned with ethics and character, and less sci-fi. There are at least half a dozen well developed characters threaded through the story, and their animation is wonderful in displaying subtle character.
The original Japanese soundtrack has some amazing singing and draws upon some of the best talent available for voices - in Japan, Miyazake is universally known and this was a masterpiece carefully crafted. Japanese television documented a lot of the production. The English translation drew on some good talent but they seem not to have "gotten it" quite so intensely as the Japanese crew.
If you haven't seen Miyazake, give it a try (but maybe look at Sen to Chihiro first, or even Laputa or Kiki's Delivery Service, for easier and lighter introduction to his work). Some say he is the Japanese Disney, but I don't like that. His work has a depth and sophistication that goes beyond Disney cute. There is no other animation like it. This is truly an adult work: children might like some of the visuals, but I doubt that many kids below teen age will have any idea what it is all about, and even adults will get more out of this each time you see it again.
When I first saw this film when I was a youngling, I was very afraid of many aspects it contained, yet I was also in love with it. As a cartoon, it captures the very familiar values that we have seen in such praised Disney films such as The Sword in the Stone" and "The Black Cauldron". This one is much darker though, and because so, it also brings forth, a much scarier element that Disney will never have! Being based completely on archetypical formation, the "Secret of NIMH" is based on the famed children's book "Mrs. Frisby and the Rats of NIMH". As the book is very darling, and for children of all ages, the film is put together in a more mature, adult style, with intense moments. Later on in life, I realize that children watching this film is an amazing happening, if I knew then, what I know now about the film, I would have been completely overtaken by the film. Some things are better left unknown in childhood. Most kids today will not appreciate this film, for all the glory in which it was made. There were two direct-to-video sequels. Two. This is unacceptable for a movie of this type. The two latter films were made with light, fluffy, musical touches that did NOT capture anything this film did. The two latter films had NO business being made! The generation I grew up in was able to take this wondrous intensity we were given, today, things are much different, and movies like this one are hardly seen. The "toy story" genre has taken over, and most films that would, otherwise be like this one are laughably awful, without any real heart. Don Bluth was expressing his strong imagination for this one, most "pixar" company films are just money, and offer nothing for anyone except babies in cribs! This movie is a cartoon, a pure adventure, and a treasure full of heart! Don Bluth is a wonderful filmmaker!
Not only is An American Tail easily one of the best animated features ever made, but it proves to be leaps beyond the efforts of recent Disney movies by refusing to be constricted to an all-too-familiar formula. This movie does not stay within the cozy, comfortable guidelines that Disney adheres to in order to make money. Instead, it tells a truly unique tale, one not borrowed from any other source, and one overflowing with artistic wonder and originality.
The characters you will see here are not stock, not pulled from the typical Disney hat. The story is not a chuckle-a-minute, lowbrow attempt to take the easy way out in pandering to children. The main character, Fievel, suffers real hardships and tragedy, and stares into the despair of his own soul before the movie is finished. This, of course, makes the ending that much more satisfying, an infinitely more significant and authentic moment than any cardboard cut-out Disney plot.
If you want to see what animation was meant to be as an art form, if you want to feel the power and emotion that can truly be reaped from this under-appreciated and over-commercialized medium, look no further than An American Tail.
This is one of the best animation films ever made, as it is moving and entertaining. Not only is it a story of friendship, courage and love, but it also demonstrates childhood friendships which are 'not allowed' due to classism or racism - "Three-horns never play with Longnecks". 'Land Before Time', with its tribe of various dinosaurs plus a pterodactyl, is a story about putting aside so-called 'differences' and striving together in 'united we stand, divided we fall' fashion in order to leave the unlovely wilderness and find a land of freedom and equality (in this case the Great Valley).
An excellent and unmissable adventure which will appeal to anybody of any age. I love it I sure did "Yup Yup Yup!" The sequels sadly did away with the grittyness of this first film and instead turned to TV cartoonishness and pointless songs, but most of them (the boring Part 4 aside) are still very enjoyable. But in the tradition of most series of films, the original is the best.
To make a great classic film i think it has to work on several different levels and this one not only plays on many different levels It scores tremendously.
It is a great childrens movie. With zany classic characters such as Roger, the Weasles, and Benny the Cab. They are original crazy and fun. Also it is a mystery. It plays perfectly as one of those Old 50's detective stories. It is a milestone in film making. The scenes of the "toons" and humans sharing a world is great. I think the best scene as special effects go, is the one where Eddie and Roger are handcuffed together in his office. It looks so real!!!!! This movie is fun and creative and will go down in movie history. I don't know what else to say it is simply the best.
Also do your self a favor and steer clear of the bad rip off Cool World.
I went to see this movie as a huge-Michael Jackson fan with absolute high expectations. I bought the tickets for the weekend showing with my mum. We went to the cinema in the evening and from the beginning I was moved. I have never done it before but in the very beginning a tear came to my eye. Thinking that this guy, with so much energy is 50 years old and about to die. When I bought the tickets I expected a movie with some biography of Michael, a lot of interviews etc, but there is none of this in the movie. The whole movie is about how the concerts would be, but I still didn't feel like I was seeing a concert. I was seeing a little family making a big project come true. I also expected to see Michael less weak, than some of his others concerts, but damn.. If you didn't know he was dead, and saw him dance and sing like he does there is no way you could predict that he was about to die of illness. I wanted to pay for tickets to his concerts before they were sold out in London. Although that This is it was about the concerts, the movie also consist a little sense of humor, love and a insight to the worlds climate problems.
A really great job, with great cutting and editing. This movie is a must see for everyone! Go watch it! LOVE YA MJ R.I.P.
The first time I saw this "film" I loved it. When I was 6, I was more interested in the music and dancing. As I've gotten older, I've become more interested in the acting and animation as well. While the first half is just a retrospective of Michael's career (from the Jackson 5 up to "Bad"), it was still entertaining to watch. The "Badder" sequence could've been left out, though the kids were pretty good. "Speed Demon" and "Leave Me Alone" were funny, especially when the police officer tells Michael, "I need your autograph right here", after stopping him for dancing in a no-dancing zone. But it's "Smooth Criminal" that's the icing on the cake. Joe Pesci did an excellent job as the toughie (and that hair was wild). The dancing is perfect, and so are the special effects. The only thing I could have done without was the spiders. Any fan of Michael's should see this, if you haven't already. I give it a 7+!
All of this immense undertaking is courtesy writer and director Henry Selick, director of Nightmare Before Christmas, and the well crafted adaptation of Neil Gaiman's international best-selling children's novel. To Selick's credit this is the first 3D stop motion ever made; stereoscopic 3D. Selick himself worked on the film for three years. The style is stunning and the story is an unwavering fairy-tale nightmare that has some genuinely scary moments. is a masterful movie and an exciting tale of mystery and imagination.
In the rotting nooks and crannies of Coraline's new home the real story begins and where she discovers a hidden doorway behind the wallpaper. Inside is her alternate space where there are doubles of her distracted parents now lavish loving attention on Coraline, the oddball neighbors are friendlier, and her pesky friend long longer speaks. Only her parents' eyes now black buttons give a clue that something isn't quite right.
Selick has created a world as much for adults as children as there are references dotted throughout that the young won't understand. The imagery, however, is very child like. Both talents live side by side and bodes well for Selick's previous work in Nightmare before Christmas, James and the Giant Peach and even Monkeybone. His work has always been fascinating. Gaiman is to be credited with the story for sure, but this is Selick through and through. This film is sure to become an instant classic and as well executed as this movie is it should be.
By 1993, director Tim Burton was such a successful filmmaker in Hollywood that he was able to return to one of his most beloved early projects, "The Nightmare Before Christmas." It's certainly an inspired movie, as it is also very weird, and when I say "weird," I mean it's distinctly Burton.
Even though it was directed with enough competency by Henry Selick, this groundbreaking stop-motion animation film is Burton all the way, as it contains ample "esque" qualities that make this "Nightmare" uniquely his vision.
As the film opens in the twisted, "Burton"-esque village of "Halloweentown," Jack Skellington, who is dually voiced by Chris Sarandon and longtime Burton collaborator Danny Elfman, is celebrating another "horrible" Halloween. You'll be shocked and amazed at some of the town's inhabitants, who include jazz-playing zombies, Four Tenor-like vampires, a wolf man, and a wheelchair-bound scientist who occasionally opens up his cranium to (literally) scratch his brain; his creation, a Frankenstein-like scarecrow named Sally (Catherine O'Hara), yearns for contact with others and is quite fond of Jack Skellington.
But Jack's quickly growing tired of the same old routine year after year, and because he's so downtrodden with boredom, he ventures into the dark forest outside the town's borders, and accidentally stumbles onto the wondrous, jolly world of "Christmastown." Enticed by its splendor, he decides to bring back his discovery to the residents of Halloweentown, who of which are just as shocked by Christmas as he is. Jack gets the brilliant idea to pose as Santa Claus but hires three mischief-makers to kidnap the real Santa so he can share his own, misguided vision of Christmas with an unprepared world.
Painstakingly and meticulously crafted, "The Nightmare Before Christmas" is a beautiful and wonderful film from start to finish. The most famous image of this film is the cover art, which features Skellington eerily silhouetted against a full moon while he stands atop a coiled hill that overlooks a desolate graveyard.
Burton is such a wonderful director, who had already brought us one unique "esque" vision after the other, especially with the first two "Batman" films and "Edward Scissorhands" behind him as of '93 when "Nightmare" was made.
There is sooo much I like with this movie. It has imagination, a sense of wonder and characters you either love or hate. And the blend of live action and stop-motion animation is a delight. The songs incorporated in this story is not very memorable but sweet and fit their purpose. And you simply have to love to hate Margoyles and Lumley in their parts as the aunts from hell. They treat poor James so horribly that I thought that "Cinderella had it easy"! Compared to "nightmare before Christmas" I actually liked this movie better. It has more of a heart even if the story itself may be just a bit less interesting and inventive. There are so many good scenes but among the highlights is the arctic adventure and the New York sequence. But, mind you, the opening is very deceptive and might scare younger parts of the audience. Otherwise, a must-see!!!
I come from the days of when I grew up watching Tim Burton, Don Bluth and Jim Henson- three of my cinema deities from my earliest memories- and this is the first time in a long time that anyone has managed to touch on that magic for me.
I'll do my best to convey what a fantastic movie this is, without really revealing too much of the plot- because I think that this movie is best experienced not really knowing anything. You come in the same way the main character does- not knowing anything of this world.
While sitting in the cinema, I recalled memories of the intensity and heart of "my fave family movies" such as E.T., The Secret of Nymh, American Tail, and Edward Scissorhands- movies that touched upon something that was at once so rooted in human emotion yet so fantastic and unimaginable. I can absolutely say that "9" is now considered one in that catalog of visionary and hallowed movies.
Guaranteed some will have a complaint with the length (a seemingly short 79 minutes considering the scale and impact of the story) but I think that a movie can be an epic without needing to be over 2 hours long, or a HUGE amount of unnecessary back story and origins that's only purpose is to make the story SEEM grandiose. This movie is a complete work of art- from the obviously eye-catching visual style and composition of what you see, down to the basic story and character development that you feel. In 79 minutes this team managed to harness my imagination and senses without having to dumb-it-down for the audience, or use any of the old gags that many bigger studios seem to rely on to sell tickets (thankfully there are NO cheesy gross out jokes to appeal to a typical cable-fed attention span). Instead they took me to places that I had never thought of, but will never forget. My most respectful nod to everyone involved.
This movie is pure escapism fun, which has its place in my collection, movies like Independence Day and Armageddon are great fun to watch and as a bonus the characters weren't bad the script was reasonable and action was indeed plentiful. There were a great deal of laughs too (mostly intentional) anyone who hasn't seen this but just wants relax and enjoy a good (yet Shallow) action flick then this certainly fits the bill.
This movie was a big surprise to me. I expected to like it, but not as much as I did. The trailers don't do justice to the plot. It's a story of leaving home, making it on your own in the "big city", life and love, hopes and dreams. I know that sounds corny, but it's true. Add that to beautiful girls dancing on the bar, and you've got a hit all around! Don't be fooled by the trailers, this is not just a "guy movie."
Jim Carrey is full of surprises and the entire movie is a theatrical outburst of his talent, under the brilliant direction of Robert Zemeckis. Brilliant because it manages to make take the Dickens story and walk us through all its dimensions, without fear of sadness and, in the same time, he has the cold blood to use the magic wand for a happy end. I wasn't a big 3D fan until this movie, maybe because I didn't see any possibility to enrich the classical format, perfect as it became with the years... 'A Christmas Carol' gains a lot from 3D being a sensorial experience enhanced by IMAX technology.
All in all, it's not a story for kids, because it's rather disturbing and contemplative. Gary Oldman's pointing finger will stay with you for a while... It's an enchanting story and I encourage you to go and see it.
I've recently watched 2012 since I got back from Bradford with me mates from uni - and it's everything you can expect from a movie like this. The special effects are top notch. So breathtaking, intense and gripping that at times I found myself sitting at the edge of my seat. The main premise is the usual mix, with a family, a scientist and the president of the United States all struggling to make it through the end of the Earth. The latter two stories are filled with clichés and very predictable. However, I did feel emotionally connected to the angle regarding John Cusack and his on screen family's struggle to survive - and since they were the main focus of the story anyway, it worked well in my books. Also, throughout the film there is an incredible sense of urgency, which contributed greatly to the build up.
The story is your basic end-of-the-world chaos thingy. This time around, the Earth's crusts are shifting - causing earthquakes and volcano eruptions on a global scale, followed by unfriendly tsunami waves. The governments of the world have some sort of a solution, in the shape of giant ships located in China (not spoiling anything here, this is said from the beginning of the film and is indicated in the trailer as well), and the movie follows the family's journey towards their destination, en route to China. As expected, they manage to flee and escape most of the horrific events happening around them and stay intact. Meanwhile, we get to see most of the world's biggest iconic monuments get destroyed in vivid ways - including The White House, the Jefferson Memorial, the Christ the Redeemer statue in Brazil, the Vatican in Rome and many many more.
As indicated earlier, a main reason the film worked for me was the emotional connection I felt towards some of the characters. The cast here is top notch, including some recognizable actors like Woody Harrelson, Thandie Newton, Chiwetel Ejiofor, Danny Glover, Oliver Platt, Amanda Peet - and of course, John Cusack. The cast seemed as if they were having a great time shooting this film, including some necessary tongue-in-cheek implications. Never the less, many philosophical and emotional elements of redemption and survival of the fittest were also added into the mix - making 2012 a better film than it had the right to be. Sometimes, one might even forget that the chances these events will all happen at once are small at best. Now, if only the clichés were a bit less over-the-top and the premise less predictable, this could have been one hell of a masterpiece. But then again, even when 2012 doesn't necessarily bring anything new to the table, it's still one hell of a roller coaster ride ? and an excellent winter blockbuster to close the year with.
Never mind the stereotypical characters. Never mind the non-existant logic. Never mind that the dialogue is inane and bordering on idiotic. THIS IS GREAT ACTION! And there's no point in denying it.
First of all: I love to watch destruction. Preferably in larger scales. You get fed an enormous amount of it here. Second: I love alien starships the size of New York. And you sure get that too. And third: I love dogfights. You get that too. Forth: I don't take it seriously.
This films is one of the best of the decade, not simply because it works so well in an all-over scheme, but it provides some kicks that no other film had up to then (1996). Aliens arrive in gigantic spaceships and blow up a bunch of major cities. That's all I need.
How to grapple with the fact that logic takes a backseat - please spare me. There are worse films than this one.
really enjoyed this film by director Roland Emmerich a great deal. It is a fast-paced, exciting, suspenseful film filled with wonderful images, great CGI effects, plausible acting, and even a coherent script. How realistic is it? I hope not at all, but the director made the film so that it seems very real and like something that MIGHT happen. The story revolves around some major climatic shifts that cause the entire Northern hemisphere to become Artic tundra. New York City is devastated as are other major cities all over Europe. Dennis Quaid gives a good performance as a climatologist that predicted some of these events. We see things through his perspective and that of his son for much of the movie. The acting in general is good in this film. I particularly liked Ian Holm's role as the British meteorologist stuck in the middle of nowhere while these changes advanced. Much of the credit for the film's success must go to Emmerich. This is easily one of his best films. He keeps his viewer on the edge of his/her seat through the entire film. Action is the film's primary objective, but Emmerich also uses a lot of humanity in what his character's motivations are, and I for one, enjoyed seeing that side of humanity rather than what I probably would see under similar circumstances. As a previous viewer noted, this is a great popcorn movie!
Oscar winning (and proudly gay) animation artist Adam Elliot's acclaimed clay-mation feature film "Mary & Max" is astoundingly rewarding wonderful entertainment on the big screen.
It's an intriguing tale, starting in the mid seventies, of the ongoing true friendship of two long distance pen-pals, younger Mary in rural Australia and older Max in the rat-race of New York City. A significant element of the story involves Max's experience of living with Asperger Syndrome, knowing painfully full well that he senses the world in a radically different way to most. I've never seen any other project deal so honestly and powerfully with that condition. It's a genuine celebration of the value of difference.
There's lots to laugh and think about - and the attention to detail is staggering. Australia's living legend Barry Humphries excels as the narrator.
I loved the soundtrack which strongly featured two of my favourite Penguin Cafe Orchestra compositions. I've ordered the soundtrack CD already.
Surprisingly good, of course it is sometimes a bit sugary, but that's to be expected in a teenage love story. Catherine Hardwicke did a great job, I love her edge. The casting director did well in choosing actors not movie stars to flesh out the book. Robert Pattinson plays the 'Hero' with the right amount of self-loathing and swagger. Kristen Stewart is believable and has a wonderfully tough vulnerability. You can almost see the supporting cast holding back a smile or grin, which made it even better. The Pacific Northwest looks gorgeous. It is a very important character in the film. Twilight made me want to take a trip to Oregon and Washington. A walk along the Cannon Beach coastline or canoe down the Salmon River would be lovely. And it would be worth every penny to hire a guide to hike to the stunning Multnomah Falls. Twilight's target audience will definitely see this movie several times. I believe the film will reach the magic box office number it needs to make sequels : )
I'm not a serious 'twi-hard' fan, I only got into the whole thing in the summer. I put off reading the books because of the hype, I didn't want to jump on the band waggon. Four or five days and Breaking Dawn later, I can sympathise with the hype. The books after fantastic, even as a 22 year old female, they take you back to childhood fantasy, romance, lust and love.
I of course watched Twilight, pretty much after I'd finished reading the book and loved it, it was fantastic seeing the pages of the book come to life. Yes the acting wasn't great, and some of the direction and script didn't really fit, but it was good. I watched it for what it was, a film, not a scene by scene take on how much it fitted the book.
For New Moon I did exactly the same, went to our midnight showing with an open mind. I didn't think "I hope the put this bit in, or this bit or this". The film is derived from a book, a book and a film are two completely separate things, this is something I think a lot of people are forgetting. Bearing this in mind, I was extremely impressed by New Moon.
My first big thumbs up was the direction, Chris Weitz has done a fantastic job. The cinematography, the locations, the colours, the soundtrack in particular were all just brilliant and fitted the film superbly. I actually think it stuck to the book a great deal more than a) I thought it would and b) Twilight did, but I do think you have to have a prior understanding of the whole thing. I can totally understand why somethings were left out, and some added too, like I said before if it was done page by page, it would probably be long, slow and un- enjoyable. I think New Moon is a more mature film, as in Twilight was a younger more inexperienced sibling, while New Moon is the well developed older brother.
I honestly loved every second of the film, and couldn't believe when it was finally over. I don't think I've ever sat through a film with such a roller coaster of emotions, my heart pounded and bled, I shed tears and held my breath, which proves that all aspects of the film came together, flowed and captivated the mind. The actors I think have matured, especially Kirstend Stewart, she was just totally brilliant and I really connected with her, as I did with Bella in the book.
All in all, I loved New Moon and am slightly annoyed it has only received 4.2 on IMDb. I know for a fact the people who gave it such a low rating will be the sceptics who hate Twilight. Also, I cannot wait for this to be released on DVD, watching it with in the comfort of my own room, as sitting in a theatre full of serious Twilighter going ooooo and ahhhh every time Edward was on screen or Jacob was topless ruined it slightly.