Enjoyable but not very inventive or witty. The references to horror and sci-fi films are quite amusing but don't offer much narrative usefulness. In fact, there really isn't a great story to be found, it's all about the mayhem and spectacular visuals. A good example of "style over substance".
The influential feature-length debut from Jean-Luc Godard is an audacious, nuanced and impressive drama with a meticulous pacing, distinctive jump-cuts and a unique sense of detachment from reality.
The main idea of Watchmen's anti-heroes is intriguing, but the movie is quite corny and pretentious. The high-point is the stylish opening sequence but from there on everything goes downhill. The tedious and muddled screenplay is pitiful, the acting is often dreadful and unintentionally comical, the dialogue is mostly cheesy with its longwinded philosophies and the action is very generic. Only Jackie Earle Haley (Rorschach) and Jeffrey Dean Morgan (The Comedian) manage to make their characters intriguing while the plot drags in order to allow the boring heroes room to develop in rather ridiculous ways.
After an amusing beginning, the film never really goes anywhere. The surreal snapshots are done beautifully and there are some interesting viewpoints on human behaviour, but in my opinion the film tries to be too artistic with its narrative, and while doing so, it never really establishes a strong enough link between the various episodes, most of which seem very disconnected or redundant.
The premise is fun. But otherwise? No way. The film is dull, stupid, unfunny and the acting is unbelievably terrible. And there's more! An annoying CGI guinea pig with annoying big eyes that will annoy the hell out of you if the annoying Adam Sandler doesn't do it first. However, Sandler's character is surprisingly bearable compared to his previous performances (like Zohan, which is - hmm, how to put it nicely? - oh yes! Pure crap).
The sweet yet formulaic underdog story has some glimpses of great sense of humour but the lack of true grit prevents it from being anything else than a nice but ultimately forgettable mainstream family film.
An intense, provocative and poignant film that works both as a captivating action thriller and as a sophisticated human drama. The camerawork and long shots deserve a special mention, they are simply astonishing.
An epic, rich and technically masterful character study with impressive cinematography. Brad Pitt's performance is terrific, but I think the chemistry between him and Cate Blanchett isn't quite where it should be. The heartfelt fairytale tries to move the viewer with its take on the mysteries and wonders of life, but doesn't quite succeed in doing that. Brad Pitt's character's condition may be unique, but the film doesn't offer any truly awe-inspiring insights into the questions about life and death.
Beautiful cinematography, haunting score and convincing lead actors can't quite make up for the fact that the film is too long, strangely hollow and quite uninspired. The true story about the Jewish brothers may be compelling but the film isn't as strong as it should be to make it better than just average.