Tanya K. (Kabita100)

Et voila - homage to Film Noir Coen-style. Bold lighting gives the viewer a pallet of shadows and textures in a visual treat which draws them into a black and white world of complex yet understated characters through which complications within relationships are explored. In true Coen fashion, the story appears simple and straightforward on the surface but quickly morphs into a progressively convoluted series of events, which mirror the chain reaction set off by Ed Crane's initial lie. Thornton's low-key performance as Ed speaks volumes and can easily be ranked as amongst his best, while Frances McDormand perfectly fills Doris Crane's sassy stilettos. Whereas the ending may appear bleak to most, it's important to put it in context of Ed's character arc which, though ambiguous at first, revolves around his detached attitude towards Doris. Initially unable to communicate his feelings to her, or even himself, he comes to realize that he truly does love her, and in true existential manner, finds his final moments uplifting with the notion of being able to finally spill his heart to her face-to-face.

Confidently directed by Johnathan Frakes (aka Number One), Insurrection has a gripping premise with a theme that's not only universal, but timeless and even managed to get Jerry Goldsmith back for the score. With such solid foundations, it's therefore unfortunate that the film feels more like an extended TV episode rather than a feature length movie; there's far too much theorizing and far too little action, and Data explaining (yet again) his desire to experience being human has long become redundant. On the other hand, Patrick Stewart's performance commands the usual attention as one can't help but respect his on-screen authority, and the developing love story between Riker and Troy is sweet and refreshingly wholesome. And the film's ultimate message of recognizing the beauty of each moment and enjoying it for what it's worth is one worthy to be noted.

This film is about celebrity worship and casting Brad Pitt as the only really well known actor was a brilliant move. Casey Affleck's portrayal of Robert Ford is riveting; he plays him as creepy yet pitiful in his painfully pathetic attempts at being respected. The viewer can't help but cringe at Ford's desperation and lack of self-esteem. Apart from the fantastic acting, the film is a complete visual treat, putting a new twist on an old genre. Soft lighting and wide angles give the movie a Zen-like quality by capturing the beauty of the landscape as well as subtext in dialogue.