My Favorite Movies
Those I cannot watch too many times, those who have moved me and brought me to tears, those who are of sentimental childhood memory value, and those who are an impressive, jaw-dropping artistic genius.
| kellylouise2's Rating | My Rating | |
|---|---|---|
| 1 |
Casablanca (1943, PG) |
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| 2 |
Gone With the Wind (1939, G) |
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| 3 |
Breakfast at Tiffany's (1961, Unrated) |
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| 4 |
Rear Window (1954, PG) |
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| 5 |
A Streetcar Named Desire (1951, PG) |
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| 6 |
Rebel Without a Cause (1955, PG-13) |
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| 7 |
Giant (1956, G)
Three and a half hours of James Dean as the broody, rebellion "stable boy" who he plays so well, what a treat (although his appearances are scarce throughout, but I take what I can get). Taylor is awesome as well as the tough lady who holds her own between Texan chauvinists. Get those two together, and the tension is undeniable. Dean is the ingredient which makes this film, that could have been a less mainstream version of Gone With the Wind, extraordinary. |
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| 8 |
Pierrot le Fou (Pierrot Goes Wild) (Crazy Pete) (1969, Unrated)
Godard = God. This has to be the best film I have seen to this instant. It has everything. It is the only film which truly captures all aspects of life, and does it through visual beauty, poetry and emotion. Ironically, the film which is so full of brilliant words, has overwhelmed to such an extent that it has left me speechless. The only words which remain: "Life may be sad, but it is always beautiful." |
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| 9 |
Breathless (À bout de souffle) (By a Tether) (1961, Unrated)
The most random yet genius film I've ever seen. It is a very fast-paced film, as the French seem to love so much, but since the cinematography is so stunning, you have to cherish each moment of it in order not to miss anything. The plot barely has a purpose, but is nevertheless absolutely fascinating and the brilliant dialogue and great sense of humour make up for it. Before Breakfast at Tiffany's came along, this was the most stylish film. |
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| 10 |
Roman Holiday (1953, Unrated) |
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| 11 |
Life Is Beautiful (La Vita è bella) (1998, PG-13) |
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| 12 |
Amelie (Le Fabuleux destin d'Amélie Poulain) (2001, R)
This is perhaps the most inspiring film I have ever seen to date. Amélie Poulain.. what to say about this brilliant creation of creature? She takes Pay It Forward to a whole other level in her own subtle mannerisms. You fall in love with her and want to be her at the very same time. And although the main character is already a masterpiece on its own and does not need anything else, its genius is made whole by the clinging dialogue, Yann Tiersen's epic melodies and background setting of spellbinding Montmartre, which is what makes this my personal favourite film of all-time. |
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| 13 |
Le Scaphandre et le Papillon (The Diving Bell and the Butterfly) (2007, PG-13) |
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| 14 |
The Boy in the Striped Pajamas (The Boy in the Striped Pyjamas) (2008, PG-13) |
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| 15 |
Good Bye, Lenin (2004, R) |
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| 16 |
The Green Mile (1999, R) |
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| 17 |
The Pianist (2002, R) |
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| 18 |
Requiem for a Dream (2000, R) |
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| 19 |
Fight Club (1999, R) |
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| 20 |
Pulp Fiction (1994, R) |
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| 21 |
Reservoir Dogs (1992, R) |
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| 22 |
The Matrix (1999, R) |
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| 23 |
Batman Begins (2005, PG-13) |
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| 24 |
The Dark Knight (2008, PG-13) |
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| 25 |
Pink Floyd - The Wall (1982, R) |
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| 26 |
I'm Not There (2007, R) |
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| 27 |
Almost Famous (2000, R) |
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| 28 |
Trainspotting (1996, R)
The opening scene is my all-time favorite movie scene, and not just because of Iggy Pop. I was really pleasantly surprised by how much I liked this film. It is about so much more than junkies. Another thing that surprised me was that I could actually understand the whole film without subtitles, even though that very thick Scottish accent is not something I'm particularly familiar with. |
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| 29 |
Run Lola Run (Lola rennt) (1999, R)
Really fucking intense, but I found myself mesmerized by it all. This film is about so much more than merely a girl running to save her boyfriend's life in twenty minutes, it is about the essentiality of time and small occurrences which can change fate, and when it doesn't, you might just get another chance to change it. Brilliant filmmaking of the gloriously grungy 90s, this is an absolute masterpiece. |
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| 30 |
Mulholland Drive (2001, R)
An immense mind fuck, and quite possibly one of the most suspenseful and mysterious films I've ever seen. It takes a bit of patience but Lynch's genius kicks in eventually; he makes the ordinary appear extraordinary and the real appear surreal, in a profoundly peculiar yet peculiarly profound manner, and creates the illusion that everything which does not make sense, somehow does. |
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| 31 |
The Tracey Fragments (2007, R)
A great coming-of-age story turned into a masterpiece by its brilliant editing. After all, everything we are eventually left with are tiny fragments which have somehow established an entire existence, and I loved the concept of it being taken to motion picture. And of course, as usual, Page plays the awkward stage inbetween childhood and adulthood so, so well. |
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| 32 |
Babel (2006, R) |
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| 33 |
No Country for Old Men (2007, R) |
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| 34 |
Perfume: The Story of a Murderer (2006, R) |
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| 35 |
Donnie Darko (2001, R) |
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| 36 |
The Prestige (2006, PG-13) |
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| 37 |
Kiss Kiss, Bang Bang (2005, R) |
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| 38 |
The Curious Case of Benjamin Button (2008, PG-13) |
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| 39 |
Edward Scissorhands (1990, PG-13) |
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| 40 |
Big Fish (2003, PG-13)
Feels like watching a dozen films into one; so many contradictions and bizarre but astonishing tales are being told.. you feel yourself being enchanted by the fantasized world the dying man created in his shortcomings, and utterly moved by the reality. A combination of the two makes for a wonderful, touching tale told through the lens of Burton, who has put aside his haunting tendencies for a bit to make a truly heartfelt masterpiece. |
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| 41 |
White Oleander (2002, PG-13) |
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| 42 |
Running With Scissors (2006, R) |
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| 43 |
Garden State (2004, R) |
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| 44 |
Juno (2007, PG-13) |
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| 45 |
Marie Antoinette (2006, PG-13) |
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| 46 |
Life as a House (2001, R) |
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| 47 |
What's Eating Gilbert Grape (1993, PG-13) |
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| 48 |
I Am Sam (2002, PG-13) |
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| 49 |
Across the Universe (2007, PG-13) |
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| 50 |
Into the Wild (2007, R) |
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| 51 |
Dancer in the Dark (2000, R)
The dogma style works really well for this movie in order to distinguish the bitter reality from the escape of fantasy which is the drive of this film. Truly captivating and moving and unique as the main character who Bjork plays so well doesn't stop seeing the beautiful things in life through her blindness, and between the mendacious and treacherous life she encounters. Although far from flawless, I couldn't stop myself from falling in love with this heartbreaking film. |
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| 52 |
Elephant (2003, R) |
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| 53 |
My Own Private Idaho (1991, R) |
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| 54 |
Little Ashes (2009, R)
This film deserves more praise and I am taking it upon myself to help it get across. This peculiar yet fascinating film blew me away, even though I was not familiar with Salvador Dali upon viewing it. And, frankly, his art is not very interesting. But Pattinson's (far from flawless, sure) portrayal of the character really got to me, and so did the epic romance between the two tortured artists. Beautiful cinematography also. |
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| 55 |
La Science des Rêves (The Science of Sleep) (2006, R)
Wow. Truly enchanting and mesmerizing and moving in many different ways, I wish this film would have never ended. Bernal and Gainsbourg make for a fantastic duo in this eye-widening experience. I have always thought Eternal Sunshine of the Spotless Mind was plainly bizarre and confusing, but Gondry's inventive and vivid imagination has found the perfect fit with this one. Makes me wish I could live out a lucid dream for the rest of my existence. |
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| 56 |
The Motorcycle Diaries (Diarios de Motocicleta) (2004, R) |
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| 57 |
I Heart Huckabees (2004, R) |
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| 58 |
Spring, Summer, Fall, Winter... and Spring (2003, R) |
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| 59 |
Lost In Translation (2003, R) |
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| 60 |
Moulin Rouge! (2001, PG-13) |
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| 61 |
The Wizard of Oz (1939, G) |
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| 62 |
It's a Wonderful Life (1946, Unrated)
Probably the only Christmas movie I can watch without shame, which in its own makes for a great film. But aside from being undoubtedly the best and most heartwarming Christmas film ever made, the brilliance of this film doesn't end there. It is Capra's masterpiece, which of course wouldn't have been as brilliant without the excellence of Stewart (how's that for an appropriate reference) but the fantastic directing and amazing script would have made for a phenomenal film alone. It's a wonderful experience to immerse yourself into this utopia for two hours, and I wish I could have stayed for much longer. |
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| 63 |
Some Like It Hot (1959, Unrated) |
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| 64 |
Mary Poppins (1964, G) |
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| 65 |
Grease (1978, PG) |


































































TrueloveHurtz21 posted 460 days ago
NICE ONE
crazydannielle16 posted 337 days ago
Great list!!!