martin409
http://www.flixster.com/user/martin409
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| Movie: | GCG |
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| Actor: | Arnold Schwarzenegger |
| Director: | George Lucas |
| Quote: | “The camera is a crowd of one, uncover the lens and Life will perform!” Jhon Renoir |
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Visionary, Producer currently writing a movie.
Turtle Vision Media is sharing documentation of the Magnificence of BEING HUMAN. We are doing this through broadcasting the availability of it's presentations over the social networks and news media networks on the internet. Connecting with this larger expression of humanity and enjoying the expanding community, Turtle Vision Media invites those willing to participate in this documentation and presentation of our modern culture to contact us and be part of the expression. |
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View All (232)
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I recommend you see...
The Proposal
by Merlynposted 2 days ago -
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I recommend you see...
Katyn
by MerlynKatyn takes us back to the late 1930's as Word War 2 was unfolding, geographical borders were being pulverised and enemies were approaching from all sides.
There has been a wealth of films about this period of time, thanks to a wide range of Jewish film makers ensuring that the world never forgets, like the revered Polish director Andrzei Wajda, who is now in his 80's, but still making top quality films like this one. Perhaps because he lived it and survived.
It was September of 1939 when Poland faced it worst--from the west the German Nazis had invaded and were setting up concentration camps in Cracow. From the east, Stalin's Soviet Red Army were heading in. The Poles were caught flatfooted about where to run and who to trust.
Wajda tells the story of this time, through the eyes of women who are left behind as their husbands are held in POW camps. One of these women is Anna (Ostaszewska). She flees alone with her daughter Nika, after her attempt to convince her husband, Polish Captain Andrzej (Zmijewski), to escape with them fails because of his conviction of not leaving his men. The film unfolds through to 1943, when a list of names of 12,000 soldiers found slaughtered in the Katyn forest. And the list turns out to be far from accurate.
Katyn is structured to leave us as much in the dark about the fate of the missing men and women. It reminds us again how much WW2 material has remained hidden during the communist years, with the Soviets accepting blame for the massacre only in the 1990's.
Wajda knows that many other atrocities were taking place in the shadow of the Germans, but the stories about the real WW2 were hidden during the height of Communism. He lived it and survived, and this flick is just a reminder for those who were not born in those years. Katyn is well worth watching.posted 8 days ago -
I recommend you see...
Adam's Rib
by MerlynWhat is good for the goose is good for the gander.
In the atmosphere of post-World War 2, the social structure was slowly changing in the US regarding male dominance in the workplace and at home. This battle-of-the-sexes comedy film has been an inspiration for countless other films and television series about combative but sexually combustible couples.
When sweet,ditsy blonde Doris Attinger is charged with the attempted murder of her two-timing husband, proto-feminist lawyer amanda "Pinkie" Bonner (Hepburn) agrees to defend her. But Amanda's husband, Adam "Pinky" Bonner (Tracy), is the prosecuting attorney, and their courtroom rivalry quickly extends into the bedroom. Thus, in court we have not only the case in question, but also the roles of husband and wife under examination. The case unexpectedly turns into a battle of the sexes in which the married lawyers attempt to outdo each other using sharp-tounged and trenchant phrases in dialogues that are brilliantly crafted.
Hepburn's combative show in court--forever an inspiration to lady lawyers-to-be matches with Tracy's frothed indignation at her tactics and principles. Highlights include brainy Amanda's cross-examinations and the spectacle of Adam tearfully getting in touch with his feminine side to get his way back into his wife's good graces.
Still crackling with wonderful performances, witty dialogue and spirited discussion of double standards and sexual stereotypes, critics still find this flick as arguably the best of Tracy-Hepburn team.
Seriously, lawyers should never marry other lawyers.
While some of the arguments seem quaint now, the witty one-liner is still timeless.posted 12 days ago -
I recommend you see...
What Just Happened?
by MerlynAn Adaptation of Art Linson's best selling memoir of the same name, 'What Just Happened' stars Robert De Niro as Ben, whose life as a big time Hollywood producer constantly impedes on his personal life.
Admittendly, the script offers moments of genuine humour and a couple of interesting anecdotes, but the sum of its parts don't add up like Maths to a worthy moviegoing experience. What you ultimately get is behind the scenes look at the movie industry, with all the juiciest bits out. All that's left is a run of the mill story about a man whose job is to try and please everybody, but who ends disappointing the people closest to him.
De Niro's performance as Ben is understated. The director and scriptwriter probably should have taken a cue from the creators of 'Extras' in terms of getting actors to play horrible egotistical versions of themselves. Sean Penn and Bruce Willis seem unable to stray too far from the lines they are given in what seems to be a wasted opportunity.
At a budget of 27 million dollars, it's hard to tell where the money all went, considering they were practically shooting in their own backyard or at a mansion that could easily have been owned by one of the film makers .
While trying to look self-consciously independent, this film only succeeds in looking cheap.Perhaps it's better to check out the book instead for the real 'insiders' story.posted 23 days ago -
Where can we go for a refuge
from the rising tides of tension?
Where can we find a haven
to escape the added confusion?
Shall we sit calmly for a moment
and let our mind drift back and reflect?
The truth is that life would bring frustration
and even with further disappoinment.
Yet I do pray continuously:
not to spoil the value of your weekend.
Just enjoy the fun and the satisfaction-
and that?s how it should be!
http://www.sweetrhymes.com/peace-poems/enjoy-the-weekend/posted 23 days ago -
I recommend you see...
Amelie (Le Fabuleux destin d'Amélie Poulain)
by MerlynThis disarming, offbeat romance captivated international audiences and saw the gamine Audrey Tautou as the new Audrey Hepburn.
Immediately after 7/11, Amelie was received as a 'retreat' from the horrors and rigours of the real world. One noteworthy comment is that the film's fanciful title, Le Fabuleux destin d'Amelie Poulain--which translates literally to: THe Fabulous Destiny of Amelie Poulain--remains a far more colourful and helpful title than the simple: Amelie.
The film transforms contemporary France into a beautiful and surreal reflection of reality, in which Amelie herself spreads love and happiness to the sad, wistful and lonely people around her in Montmarte. And casting Tautou, who radiates good nature with a mischievous and sly smile would probably Jean-Pierre Jeunet's best choice as she's so capably regulates the way her character projects different emotions.
Albeit a fantasy film, you never get the impression the flick is about anything other than the way two hearts beating on opposite sides of Paris-- and to think that there are many kinds of love. It's more on how people feel and how they in turn make other people feel than in the world in which they live.
A bit of trivia: Tautou, who shot to international stardom after this film's shown worldwide, conceded there are similar attributes she shares with her Amelie character, such as their androgynous look and demure yet assertive nature but she says the similarities end there.
This film could have been bogged down in sappiness and misused sentimentality--yet Jeunet retains just enough of the pain and disappoinment of real life situation to retain its fairy-tale-like fantasy--the quirky tall tale.posted 32 days ago -
A thankful response
for the blessings
of having a friend
like you...
Just a token
of appreciation
for someone dear
and sweet like you...
Your friendship
is one of the nicest things
that can't be bought
and can never be sold...
Thank you et merci
for you're a friend,
so fabulous and pleasant
It's true, I am indeed content!
for the
posted 35 days ago -
Good afternoon,,my name is Morin,i am single honestly,seeking for my life partner,,i eman a man who si going to get a time for me for 24 hours every day to see he is serious,,if you really nots erious dont contat me,there are so many mens in this site,,so i am trying you first ok,,i like cooking,,dancing,,and also washing cloth,well when youw rite me truth my mail box with your pictures and more about you,, this is my emaila ddress { sweetheart_real222@yahoo.com } you can use it to add me we can chat or email,,thank you,,,,sincere,,Morin
again sweetheart_real222@yahoo.composted 38 days ago -
I recommend you see...
Samson and Delilah
by MerlynThis is a highly realistic story of two Australian Aboriginal teen-agers, Samson and Delilah.
Filmed in Alice Springs, Warwick Thornton has drawn on personal experiences to create what is essentially a love story. Picturesque sunsets across wild plains and deserts are contrasted with the ugly reality that is true for so many indigenous communities across Australia. Through Thornton's film, the audience is brought to a sympathetic view of the problems of physical abuse, substance abuse and poverty that attack the indigenous way of life by trying to modernise it.
Adding to the film's authenticity, Thornton has developed the story using very little dialogue. Neither Samson and Delilah say one single word to each other throughout the 101 minutes of the film, and yet both Rowan Mcnamara (Samson) and Marissa Gibson (Delilah) show exceptional performances, given that they are untrained, raw talent.
Surprisingly, the story lies in its reference to the biblical tale of Samson and Delilah, connecting a loss of strength with loss of hair. Yes, this is not an easy film to watch, yet this truly memorable film is unexpectedly comical, dramatic, romantic, and most of all, hope-inspiring.
I'm so proud about this film especially to find out two hours after I've finished writing my review, that the Aboriginal film director Warwick Thornton is celebrating today, having won the prestigious award at Cannes Film Festival. His movie, 'Samson and Delilah' is now gaining international recognition with the Camera D'or award.
My heartiest congratulations indeed!
posted 41 days ago -
I've made a quiz! Come try it and see how you do.
The "Bad Boys" of Hollywoodposted 46 days ago -
This quiz would glisten your memory bank.Let's see how crystal clear such memory is by taking this one.
name the movie legendposted 47 days ago -
Let's not spoil the value of the weekend...
Hope you enjoy the weekend fun, full of happiness and satisfaction...and that's how it should be!posted 51 days ago -
These celebrities are quite incognito when heavily made up. But you could try this quiz and see how good you are!
NAME THE CELEBRITY BEHIND THE CHARACTERposted 53 days ago -
I just got 13 out of 15 trying to beat a friend of mine who got all questions correct in just 35 seconds! And it took me ages to figure out these film directors. You've done very well Eric. I wonder who can do it and beat Eric's score? Want to try this quiz and see how you go?
Name That Director: Beginner Levelposted 53 days ago -
I recommend you see...
Camille
by MerlynChoosing passion over money? Or could be that love can be blind, but you owe it to yourself! This noir flim is a drama of contrast--of the luxury and love, the glitter of the city in stark contrast of the wholesomeness of the country.
Greta Garbo, described by her fans as one of the greatest female screen legends, has given her most intensely moving performance as a consumptive courtesan Marguerite Gautier in mid-19th century Paris. As a Lady, whose love of camellias symbolizes her extravagance, she falls in love with a young suitor, Armand (Robert Taylor), much to the displeasure of her former lover and protector, the Baron (Henry Daniel).
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Until Armand's father (Lionel Barrymore) visits Marguerite to persuade her to end her relationship with his son, and her illusion of happiness is shattered by the realization that she must give up Armand. "Ah...I knew I was too happy..." says Marguerite.
As a result, she tells Armand that she no longer loves him and send him away. She returns to Paris and continues her reckless life with the Baron, and before long, Marguerite's ailment resurfaces and she becomes gravely ill. Learning of her plight and the truth of why she had rejected him, Armand visits her. After gaining forgiveness from him, she dies in his arms.
Filled with romantic dialogues ("Ah...I knew I was too happy..." says Marguerite. "Perhaps it is better if I live in your heart where the world can't see me. If I am dead there will be no staying of our love."), this is really an exceptional 'soap opera' per se.
Taylor, Barrymore, Elizabeth Allan and Daniel are all most assured in their performance. But could Garbo act? The jury is still out on that one. Sometimes she is very bad, but to Garbo fanatics, questions about her acting skills are totally irrelevant. They worship her as a transcendent symbol of beauty, of the human spirit and as an embodiment of love.
If there is a single defining chick flick, it has to be a sob story. And this film, being a melodrama is not supposed to be realistic but reality heightened. Yet still, given the time it was made, Garbo's role established a benchmark for actresses portraying such ill-fated characters as queen bees ( Bette Davis, Joan Crawford, Barbara Stanwyck) of the 30's and 40's, and was a particularly rich genre for actresses and audiences past their bloom of youth.
In this generation, young ones would say: "I'm done with you!" if they want to break up with their boyfriends. In the mid 19th century, a girl would say: "You will never love me for thirty years. No one will."
This flick is surely an intriguing melodramatic romance...posted 54 days ago
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