My Favorite Movies
I've tried to have this in order of most liked to slightly less liked, but there's too many for me to bother, now.
| steakncheese's Rating | My Rating | |
|---|---|---|
| 1 |
Brazil (1985, R)
For me, quite an astounding piece of art. 'Brazil' has dream-like beauty, comedy, yet it is depressing and frightening, but most of all engaging and intelligent. Visually, this movie is amazing, this is Gilliam's art. As with a lot of his films, it's thought provoking and uses many subtle elements to compliment a solid screenplay to convey the message brilliantly. |
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| 2 |
Eternal Sunshine Of The Spotless Mind (2004, R)
It's hard to name many movies that have successfully tried what 'Eternal Sunshine of the Spotless Mind' does. An out-of-flavour and seemingly miscast lead, who shines brilliantly in a complex film that brings together comedy, sci-fi and romance. If anyone could do it, it would have to be Gondry and Kaufman. |
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| 3 |
Into the Wild (2007, R)
'Into the Wild' is what I regard as a film of life, as beautiful and harsh as it may be. This is much more than just a well told story of an incredible adventure. It's a heart-touching story, but often heart-wrenching. We are treated to an observation of the profound effect people have on one another, the power of forgiveness and love, and the desperation of loneliness. |
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| 4 |
Memento (2000, R)
A very complex but satisfying film. A rare case of a solid story told in a unique way that actually enhances the experience, rather than coming off as a gimmick. It's amazingly engrossing and completely embodies you with the experiences of the main character. Each time you watch this movie, and believe me, there will be more than one, you will become more and more satisfied as the pieces come together more fluidly. |
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| 5 |
Before Sunrise (1995, R)
Great dialogue, acting, cinematography and most of all, sense of reality. It's easy to fall in love with this movie because it's almost breathing. Touching in a genuine way, that I don't think anyone can deny. |
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| 6 |
Twelve Monkeys (12 Monkeys) (1995, R)
A film like 12 Monkeys sort of reminds you of how obvious and silly strategically placed twists are. Rather than relying on a twist as a pay off and easy way to wrap up the story, we are treated with a story and concept, that compliment each other. The film works so well because the core elements are so good. Being Terry Gilliam in the director's chair, the attention to detail and vision are spectacular as always, but the film has great writing, a solid cast and it's all based around a very engaging, if not hectic plot. If you miss something, you're bound to pick it up the next time you watch it, which will happen. |
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| 7 |
American Splendor (2003, R)
American Splendor is stylish, intelligent and original. Yet it is appropriately humble and honest to life, as bitter-sweet as it can be. The characters are given a lot of depth and the story builds in a way that pulls you in to life of Harvey Pekar. He is a seemingly likeable man, but he is presented in such an honest way, I feel as though I know him personally. |
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| 8 |
Seven (Se7en) (1995, R)
A smart, psychological thriller that takes the core elements of a formulaic thriller to a different level. Seven is very expressive and dark, but not surreal. It's really clever, engaging and tense, a mature take on a genre that has grown stale. |
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| 9 |
The Big Lebowski (1998, R)
In the hands of anyone else, we'd have an oddball comedy. Yet the Coen brothers have the ability to inject an intelligent and stylish spine into a simple, yet unique idea. It's surprisingly complex and subtle. A smart script and really impressive performances from a solid cast really make the movie work. The characters are simply hilarious, I find it hard to imagine the film working with anyone else. These elements are put together well, and form a very unique blend of dark comedy that serves itself under several genres. |
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| 10 |
Being John Malkovich (1999, R)
By far, one of the strangest, yet most compelling and funny movies I have ever seen. The premise may sound silly, yet your intelligence isn't insulted. Being John Malkovich is extremely inventive and original, it's the kind of film that doesn't lose either it's brilliance or it's mass-appeal. |
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| 11 |
Midnight Cowboy (1969, R) |
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| 12 |
Gattaca (1997, PG-13)
For me, Gattaca is sci-fi done right. It's not over-the-top at all, rather, it's quite believable, original, inspiring and really beautiful. It makes you think, makes you feel for the characters and entertains you on a deeper level than most of it's genre. |
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| 13 |
In Bruges (2008, R) |
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| 14 |
High Fidelity (2000, R)
A movie of this type is pretty rare, it transcends the many different labels attached, yet still retains a humble, genuine feel. I really connected with the characters and loved how they developed as the story went on. It's portrays the confusion and mixed feelings of relationships well, cutting down the usual Hollywood love story to something resembling real life. |
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| 15 |
Léon (The Professional) (1994, R) |
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| 16 |
Lost In Translation (2003, R) |
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| 17 |
The Fisher King (1991, R) |
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| 18 |
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1964, PG) |
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| 19 |
No Country for Old Men (2007, R) |
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| 20 |
Before the Devil Knows You're Dead (2007, R)
Sidney Lumet once again comes through. He treats us to a a constantly intense and engaging film, much to his style. It succeeds in accurately portraying the repercussions of crime, death and betrayal, without dehumanising those who commit it. |
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| 21 |
Taxi Driver (1976, R) |
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| 22 |
Pi (1998, R) |
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| 23 |
Fight Club (1999, R) |
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| 24 |
Before Sunset (2004, R) |
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| 25 |
The Godfather (1972, R) |
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| 26 |
Dog Day Afternoon (1975, R) |
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| 27 |
The Godfather, Part II (1974, R) |
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| 28 |
Reservoir Dogs (1992, R) |
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| 29 |
Raging Bull (1980, R) |
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| 30 |
Full Metal Jacket (1987, R) |
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| 31 |
Heat (1995, R) |
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| 32 |
Sideways (2004, R) |
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| 33 |
Little Miss Sunshine (2006, R) |
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| 34 |
Back to the Future (1985, PG) |
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| 35 |
Groundhog Day (1993, PG)
This movie has a certain charm and not-so-subtle message that I can't help but adore. It's the kind of thing that makes you want to aspire to be a better person (maybe I'm easy to sway!) As obvious as it all may be, the characters still show development and it's nice to see how a change in attitude can affect those around you. Bill Murray is great in this, very funny. |
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| 36 |
Back to the Future Part II (1989, PG) |
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| 37 |
Back to the Future Part III (1990, PG) |
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| 38 |
Falling Down (1993, R)
A movie that is often compared to and seems to try to be a modern day 'Taxi Driver. There are a few short-comings that don't ultimately ruin the movie, but don't guarantee it the respect it wants. Between the two, I prefer the ending of this over Taxi Driver, though over all Taxi Driver is a better film. |
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| 39 |
JFK (1991, R) |
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| 40 |
Cidade de Deus, (City of God) (2003, R) |
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| 41 |
Fear and Loathing in Las Vegas (1998, R) |
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| 42 |
The Shining (1980, R) |
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| 43 |
Pulp Fiction (1994, R) |
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| 44 |
Shaun of the Dead (2004, R) |
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| 45 |
Donnie Darko (2001, R) |
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| 46 |
3:10 to Yuma (2007, R) |
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| 47 |
The Shawshank Redemption (1994, R) |
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| 48 |
Rebel Without a Cause (1955, PG-13) |
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| 49 |
Magnolia (1999, R) |
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| 50 |
Trainspotting (1996, R) |
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| 51 |
L.A. Confidential (1997, R) |
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| 52 |
Three Kings (1999, R) |
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| 53 |
This Is Spinal Tap (1984, R) |
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| 54 |
Scarface (1983, R) |
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| 55 |
Hot Fuzz (2007, R) |
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| 56 |
Mulholland Drive (2001, R) |
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| 57 |
Broken Flowers (2005, R) |
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| 58 |
A Beautiful Mind (2001, PG-13) |
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| 59 |
Big Fish (2003, PG-13) |
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| 60 |
Requiem for a Dream (2000, R) |
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| 61 |
Chopper (2001, R) |
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| 62 |
The Truman Show (1998, PG) |
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| 63 |
The Matrix (1999, R) |
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| 64 |
GoodFellas (1990, R) |
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| 65 |
Leaving Las Vegas (1995, R) |
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| 66 |
The Savages (2007, R) |
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| 67 |
Rushmore (1998, R) |
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| 68 |
Swingers (1996, R) |
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| 69 |
2 Days in Paris (Deux jours à Paris) (2007, R) |
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| 70 |
2001: A Space Odyssey (1968, G) |
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| 71 |
Apocalypse Now (1979, R) |
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| 72 |
Burn After Reading (2008, R) |
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| 73 |
Buffalo 66 (1998, R) |
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| 74 |
Children of Men (2006, R)
Bleak, depressing and as real and immersing as anything. This story is less about children (or lack thereof) than it is about the plight of men, women and civilisation in their own downward spiral. |
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| 75 |
Grosse Pointe Blank (1997, R) |
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| 76 |
Mystic River (2003, R) |
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| 77 |
Natural Born Killers (1994, NC-17)
Dark, delirious and quite upfront. What it lacks in subtlety it makes up for in meaning. While no one can deny it's a bit twisted, you aren't sure how to feel by enjoying it so much. How does a society desensitised to violence react to something that lets us indulge in mindless killing without questioning why we do? |
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| 78 |
Network (1976, R) |
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| 79 |
Noise (2007, Unrated) |
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| 80 |
O Brother, Where Art Thou? (2000, PG-13) |
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| 81 |
Platoon (1986, R) |
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| 82 |
Planet of the Apes (1968, PG)
A classic movie that I feel a nostalgic warmth for. If it came out today I wouldn't appreciate it as much. There are many mistakes in this movie, the are many gaping holes in the plot and story and script. If you can look past that, it still has something to say and although somewhat expected, the ending is satisfying. |
|
| 83 |
Punch-Drunk Love (2002, R) |
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| 84 |
Raising Arizona (1987, PG-13) |
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| 85 |
A Scanner Darkly (2006, R) |
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| 86 |
Serpico (1973, R) |
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| 87 |
Traffic (2000, R) |
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| 88 |
True Romance (1993, R) |
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| 89 |
Synecdoche, New York (2008, R)
Definitely going to be seen as pretentious and depressing by most, especially on the initial viewing, but there are some moving performances and a lot of heart. Kaufman has great vision and brings a brutally honest touch to his directorial debut. There is a lot in this movie that is left open to your interpretation, or at least there are some things that will be completely missed by some. |

























































































