2050

"2050" has a meaningful subject, but is so dialogue-heavy and incident-light that almost the entire film feels like a pitch for the movie Holt didn't make.

A series of disconnected scenes, rather than a narrative with a sense of momentum.

Though the title would have you believe you were watching a "futuristic" film involving robots, the truth is, it just feels like a cheesy soap opera or novella.

To simply dismiss it because of surface notions is to ignore the slippery slope of where we are going as a population ruled by new technological advancements everyday.

2050 is ostensibly a film about sex robots, hand-crafted by Dean Cain. But really, it's just a movie about terrible people rationalizing terrible behaviors in the most verbose, unnatural ways possible.