Am I OK?

Very funny, sweet and sharp.

Dakota Johnson is aces as a late bloomer coming out in her 30s. The touchingly personal script by Lauren Pomerantz is funny as hell, but it’s her delicacy of feeling that sneaks up and floors you. Something special is going on here. Treasure it.

For not the first time in her career, Dakota Johnson makes amends for a particularly dismal blockbuster (50 Shades of Grey and now Madame Web) with an emotionally complex performance in an independent feature.

The right chemistry is there, too — if you told me Johnson and Mizuno had been friends since the third grade and hike on weekends, I’d believe you.

The ultimate message here may be simple, but it’s comforting: friendships may change but can still adapt, withstand and survive.

True, it has no story to speak of. Its characters are slightly befuddling, as is the casting... But what it does have is wonderfully natural dialogue that allows two talented actresses to spin a convincing friendship out of a gossamer narrative.

While the film generally doesn’t dig too far beyond the surface of these themes, you can feel complex thoughts and feelings radiating off Dakota Johnson, who gives a vulnerable and moving performance.

The film is an uplifting, heartfelt watch with noteworthy performances, well-established characters, and relatable subject matter.

The script, from debut screenwriter Lauren Pomerantz, is a delight, and it’s an accessible story that doesn’t require all that much concentration to enjoy.

It's very endearing.