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Two Mexican brothers get smuggled over the border to try and find their "America Dream".
The connections [Kiarostami] makes between his cinema and Italian neo-realism will interest scholars, students and fledgling directors.
His approach to filmmaking is highly individualistic, though much of his individual style is an adaptation to the constraints of making films in Iran.
A tediously didactic, often condescendingly reductive 10-part lesson on cinema.
Even the most loyal fans of the Iranian master won't want to pass up the chance to see this.
Less illuminating than pedantic, as well as tediously self-absorbed.
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