Barbie

Greta Gerwig's film blazes its way into a strange and bold future where adapting a film from a corporate toy franchise doesn’t immediately feel ugly and anti-art.

Beneath all the laughs at the expense of men and women is the sad truth that this brand of essentialism itself, of separating Barbies from Kens, of emphasizing their differences, is the thing that damages us the most.

One of the best films of the year in cinematographic terms, probably the best comedy that we have seen in a long time, and an extraordinarily entertaining product that promotes the value of searching for a more cohesive society. [Full review in Spanish]

Barbie isn’t as streamlined as my favorite girl comedies, but it’s more thematically ambitious than many of them too. And I’ll take flawed ambition over plastic perfection any day of the week.

When I became a father I searched for movies that would show my daughter positive role models, and it was tough going. Barbie makes up for lost time and should warm the hearts of parents and daughters alike.

Greta Gerwig serves up a frothy confection of fashion and fun coupled with searing social critique of the iconic doll in the movie Barbie.

With an overload of pink (not that we’re complaining), the film took over theatres globally with its timely and heartfelt messaging.

The world’s most famous doll turns her thoughts to more existential, philosophical matters in Greta Gerwig’s Barbie, a jazzy and infectiously vibrant summer blockbuster.

Gerwig and Baumbach offer thoughtful commentary not only on Barbie herself and everything she represents, but also on womanhood, feminism, and growing up.

Add it all up and we get an enchanting explosion of pink cotton candy fun, all of which conceals a deceptively nutritious sociopolitical core.