Bloody Hell

"Bloody Hell" is an assured work, confident in what it is and not trying to be what it isn't. For a rom-horror-com that works on all fronts, that's a job well done.

Grierson's maniacal, hyperactive work certainly lives up to its title, thanks to O'Toole's engaging demeanor and comic timing and one hell of a screenplay from Robert Benjamin.

Bloody Hell is blissfully, absurdly over-the-top, but in a twistedly charming way.

A brisk, just-funny-enough escape thriller.

Everyone involved with "Bloody Hell" is doing their jobs with creativity and gusto, even if it's hard to discern any larger point.

It's a buffet of only sour dishes, a rank fete of foulness.

I love me some Big Muscles and Bigger Violence, and Bloody Hell's got those things in spades

If [Grierson and Benjamin] can get some of these belabored tics out of their system, they could actually make something special. Fingers crossed.

Bloody Hell is a lot of fun. The characters are fun, the dialogue between Rex and his Ego is fun, even the camerawork is fun. If you don't like fun, I wouldn't recommend it.

Bloody Hell manages to take on the tough guy trope and give it self aware freshness in a completely different way than American Psycho and Fight Club.