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An avante-garde film that's centered on an Isle of Man motorcycle race.
While the rest of the series is typified by lush, ornate visuals and often gorgeous cinematography, this is the only one that feels slightly amateurish, underfunded, and overly tedious.
a tap-dancing satyr tunnels from one side of the Isle of Man to the other, while two motorcycles with testicular sidecars race in opposite directions
Barney's outlandish mise-en-scène, forever emphasizing the organic, the amorphous, the massive, the adhesive, and the fluorescent in quite literal ways, also retains those very qualities in my memory.
Fairly straightforward, at least compared to the rest of the cycle...
Colourful and bewildering, creepy and strange.
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