Considered by many to be the goriest film ever made and one of the funniest "splatstick" horror films since Sam Raimi's Evil Dead 2 (1986), Peter Jackson's New Zealand-lensed zombie epic Dead Alive is a hilariously… More Considered by many to be the goriest film ever made and one of the funniest "splatstick" horror films since Sam Raimi's Evil Dead 2 (1986), Peter Jackson's New Zealand-lensed zombie epic Dead Alive is a hilariously over-the-top splatterfest that outdoes even the director's aptly-titled Bad Taste (which featured such gag-inducing sights as communal vomit-eating, exploding sheep and a chainsaw C-section). The story centers on a milquetoast mama's boy (Timothy Balme) whose budding romance with the lovely Paquita (Diana Penalver) is severely tested by the rapid decomposition and increasingly gross behavior of his oppressive mother (Elizabeth Moody), whose recent encounter with a "Sumatran Rat Monkey" transforms her into a rabid, flesh-eating zombie. Unable to bring himself to chop his undead mum into little pieces, he tries vainly (and disgustingly) to keep her alive until she begins chowing down on everyone within reach -- but even a dutiful son's love has its limitations. Concentrating his efforts on imprisoning her and the growing legions of her undead victims in the cellar -- away from both the nervous Paquita and the prying eyes of a greedy uncle (Ian Watkin) who has his sights on the old lady's inheritance -- he finally begins to realize that the whole affair is going to end very, very badly. Jackson's hyperkinetic directing style and the laugh-a-minute script lend a jovial, throw-away feel to the literal avalanche of sticky gore (the lawnmower climax must have set some kind of record for sheer blood volume) and severed limbs & organs splashing across the screen (there's even a fine bit of acting from a constantly-flatulent pile of intestines) with such gleeful abandon that it all becomes one enormous, tasteless joke. Although it certainly limits the range of its audience appeal (i.e. anyone who laughed out loud at the "Mr. Creosote" skit in Monty Python's The Meaning of Life will be delighted), Dead Alive is great fun for horror buffs with a well-disciplined gag reflex. Believe it or not, Jackson followed this film with the elegant, tragic art-house hit Heavenly Creatures (1992).
Consensus: The delightfully gonzo tale of a lovestruck teen and his zombified mother, Dead Alive is extremely gory and exceedingly good fun, thanks to Peter Jackson's affection for the tastelessly sublime.