Depraved

Depraved is certainly an interesting take on the Frankenstein story, based in a modern setting. Admittedly I nearly gave up after 30 minutes wondering where this film was heading, but I stuck with it. You do have to be patient and get through the first half of the film. The second half is certainly more intriguing and more eventful, with an escalation in the story with every unfolding situation. If you stick with it, you may ultimately get something out of this movie…it really only ‘broke even' for me.

"Depraved" offers an immersive experience that puts the viewer in the shoes of the protagonist. It's a successful modern adaptation of a classic theme, with philosophical undertones that add depth. The film benefits from strong performances and is overall a moving experience.

Larry Fessenden's "Depraved" is a beautifully-told-&-filmed, modern Gothic tale of Frankenstein—adroitly played by actor Alex Breaux. Part romantic, part dread, this film with stick to your psyche long after the credits roll. I can't wait to see the director's take on Dracula and the werewolf sub-genre.

A spin on ‘Frankenstein' and a fairly decent one at that.

I thought it was a modern day Frankenstein

"Depraved" is a modern indie version of Frankenstein in which the humanity that remains in the monster counts more than its body parts. The director uses the creature as an instrument to examine social consciousness, especially the ethical standards in the pharmaceutical industry. However, the movie is never able to maximize the potential of its great premise.

Basic level Frankenstein set modern day. Not too much to say about it.

Larry Fessenden's "Depraved" is a beautifully-told-&-filmed, modern Gothic tale of Frankenstein—adroitly played by actor Alex Breaux. Part romantic, part dread, this film with stick to your psyche long after the credits roll. I can't wait to see the director's take on Dracula and the werewolf sub-genre.

Give this one a little time, and you’ll get in to it! It feels like a TV anthology episode at first, but eventually cranks up on style, quality, and intrigue. Alex Breaux as Adam plays a standout “monster” (watch out De Niro) in this contemporary adaptation. I appreciated Henry’s (Dr. Frankenstein simulacrum) reanimation motive. I guess if I had a gripe it would be the messy haircuts on the younger male actors. They were distracting. I also confess to cringing at the Indie love story moments and music.

A nice take on the Frankenstein story. Like the original novel, it's rather sympathetic toward the monster. Cute use of the names from the story too, including "Shelly," for one of them. Pace could have been quicker, but overall a good viewing.